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Institut für Musikwissenschaft (01.01.2003 - 31.01.2013) 1 von 5 04.02.2013 Institut für Musikwissenschaft (01.01.2003 - 31.01.2013) FORSCHUNG: science to science Beitrag in einer Konferenz-Publikation Pölzl-Hofer, Elisabeth Maria: Wenn sich die Oper selbst parodiert - Aspekte zur italienischen Opernparodie des 18. und 19. Jahrhunderts, in: Steffen Rother, Jonas Pfohl (Hrsg): copy & paste - meins, deins, unsers im Gespräch23. internationales studentisches Symposium des DVSM e.v.Institut für Musikwissenschaft der Universität Wien9.-12. Oktober 2009Programmheft. 2009, 28 - 29. Flath, Beate: The relevance of acoustical parameters in communicating brand images in commercials, in: Manuela Marin / Meike Knoche / Richard Parncutt (Hrsg): 1st International Conference of Students of Systematic Musicology. Abstracts. Graz 2008. Grillitsch, Doris; Parncutt, Richard: The effect of music listening on spatial skills: The role of processing time., in: M. Adachi et al. (Hrsg): Proceedings of the International Conference on Music Perception and Cognition. Eigenverlag 2008. Marin, Manuela Maria: A cross-cultural approach to emotions evoked by atonal music, in: Marin, M. M., Knoche, M. & Richard Parncutt (Hrsg): First International Conference of Students of Systematic Musicology (SysMus08): Abstracts. Department of Musicology, University of Graz. [print, ISBN: 978-3-9502656-0-6; Internet, ISBN: 978-3-9502656-1-3]. Graz 2008. Marin, Manuela Maria: Relations between Implicit Knowledge of Western Harmonic Tonality and Linguistic Abilities in Preschool Children, in: Music Graduat Students' Society (Hrsg): Programm. Eigenverlag 2008. Parncutt, Richard: Why systematic musicology? Why a student conference? , in: M. Marin et al. (Hrsg): First International Conference of Students of Systematic Musicology (SysMus08): Abstracts.. Eigenverlag 2008. Parncutt, Richard: Corporality in the timbre vocabulary of professional female jazz vocalists, in: M. Marin et al. (Hrsg): Proceedings of the First International Conference of Students of Systematic Musicology. Eigenverlag 2008. Parncutt, Richard; Dibben, Nicola; Painsi, Margit; Marin, Manuela Maria: The professional relevance of music psychology: An internet survey, in: xxx (Hrsg): xxx. 2008. Peltzer-Karpf, Annemarie; Marin, Manuela Maria: A dynamic systems approach to the development of language and music., in: FENS (Hrsg): FENS08, Abstracts. 2008.

FORSCHUNG: science to science - static.uni-graz.at · FORSCHUNG: science to science Beitrag in einer Konferenz-Publikation ... Anita; Parncutt, Richard: Ekstase und Trance in der

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Page 1: FORSCHUNG: science to science - static.uni-graz.at · FORSCHUNG: science to science Beitrag in einer Konferenz-Publikation ... Anita; Parncutt, Richard: Ekstase und Trance in der

Institut für Musikwissenschaft (01.01.2003 - 31.01.2013)

1 von 5 04.02.2013

Institut für Musikwissenschaft (01.01.2003 - 31.01.2013)

FORSCHUNG: science to science

Beitrag in einer Konferenz-Publikation Pölzl-Hofer, Elisabeth Maria: Wenn sich die Oper selbst parodiert - Aspekte zur italienischen Opernparodie des 18. und 19. Jahrhunderts, in: Steffen Rother, Jonas Pfohl (Hrsg): copy & paste - meins, deins, unsers im Gespräch23. internationales studentisches Symposium des DVSM e.v.Institut für Musikwissenschaft der Universität Wien9.-12. Oktober 2009Programmheft. 2009, 28 - 29. Flath, Beate: The relevance of acoustical parameters in communicating brand images in commercials, in: Manuela Marin / Meike Knoche / Richard Parncutt (Hrsg): 1st International Conference of Students of Systematic Musicology. Abstracts. Graz 2008. Grillitsch, Doris; Parncutt, Richard: The effect of music listening on spatial skills: The role of processing time., in: M. Adachi et al. (Hrsg): Proceedings of the International Conference on Music Perception and Cognition. Eigenverlag 2008. Marin, Manuela Maria: A cross-cultural approach to emotions evoked by atonal music, in: Marin, M. M., Knoche, M. & Richard Parncutt (Hrsg): First International Conference of Students of Systematic Musicology (SysMus08): Abstracts. Department of Musicology, University of Graz. [print, ISBN: 978-3-9502656-0-6; Internet, ISBN: 978-3-9502656-1-3]. Graz 2008. Marin, Manuela Maria: Relations between Implicit Knowledge of Western Harmonic Tonality and Linguistic Abilities in Preschool Children, in: Music Graduat Students' Society (Hrsg): Programm. Eigenverlag 2008. Parncutt, Richard: Why systematic musicology? Why a student conference? , in: M. Marin et al. (Hrsg): First International Conference of Students of Systematic Musicology (SysMus08): Abstracts.. Eigenverlag 2008. Parncutt, Richard: Corporality in the timbre vocabulary of professional female jazz vocalists, in: M. Marin et al. (Hrsg): Proceedings of the First International Conference of Students of Systematic Musicology. Eigenverlag 2008. Parncutt, Richard; Dibben, Nicola; Painsi, Margit; Marin, Manuela Maria: The professional relevance of music psychology: An internet survey, in: xxx (Hrsg): xxx. 2008. Peltzer-Karpf, Annemarie; Marin, Manuela Maria: A dynamic systems approach to the development of language and music., in: FENS (Hrsg): FENS08, Abstracts. 2008.

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Marin, Manuela Maria; Parncutt, Richard: Pre-schoolers' abstract knowledge of Western harmonic tonality., in: Emery Schubert (Hrsg): International Conference on Music Communication Science, Abstract Book & Program. 2007. Marin, Manuela Maria; Parncutt, Richard: Sensitivity to musical emotion: Effects of gender and familiarity., in: University for Music and Drama HanoverUniversity of Veterinary Medicine Hanover (Hrsg): Evolution of Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music in Man.. Eigenverlag 2007. Marin, Manuela Maria; Parncutt, Richard; Kaernbach, Christian: Emotion and unfamiliar music: Electrophysiological and psychological responses to Persian and Western music by Persian and Western listeners., in: Concordia University (Hrsg): SMPC2007: Program. Eigenverlag 2007. Parncutt, Richard: Music as an evolutionary byproduct of prenatal audition and proprioception., in: Schubert E., et al. (Hrsg): Abstract Book and Program. Eigenverlag 2007. Parncutt, Richard: Tonal implications of harmonic and melodic Tn-sets., in: T. Ertelt, T. Klouche et al. (Hrsg): Abstract Book and Program. . Eigenverlag 2007. Parncutt, Richard: From the academic director, in: Kaire Maimets-Volt, Richard Parncutt, Manuela Marin, Jaan Ross (Hrsg): CIM07: Third Conference on Interdisciplinary Musicology: Abstracts. 2007, 16 - 19. Parncutt, Richard: Prenatal behavioural and biochemical emotional communication and the origin of music. , in: Elke Zimmermann, Sabine Schmidt, Eckart Altenmueller (Hrsg): Evolution of Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music in Man. . Eigenverlag 2007. Parncutt, Richard; Dorfer, Angelika: The role of music in cultural integration., in: C. Bullerjahn und Richard von Georgi (Hrsg): Abstract Book and Program. Eigenverlag 2007. Prem, Daniela; Parncutt, Richard: The timbre vocabulary of professional female jazz vocalists., in: Aaron Williamon (Hrsg): Proceedings of the International Symposium on Performance Science (Porto, Portugal, 22-23 November 2007).. Eigenverlag 2007. Taschler, Anita; Parncutt, Richard: Ekstase und Trance in der Musik: Ein interkultureller Vergleich. , in: C. Bullerjahn und Richard von Georgi. (Hrsg): Abstract Book and Program. Eigenverlag 2007. Gasenzer, E.R.; Parncutt, Richard: How do musicians deal with their medical problems?, in: M. Baroni, A.R. Addessi, R. Caterina, & M. Costa (Hrsg): Proceedings of the 9th International Conference on Music Perception and Cognition.. 2006.

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Painsi, Margit; Parncutt, Richard: Gender effects in young musicians' mastery-oriented achievement behvior and their interactions with teacher., in: M. Baroni et al. (Hrsg): Proceedings of the 9th International Conference on Music Perception and Cognition - Bologna, Italy, 21-26 August '06. 2006. Parncutt, Richard: Aural analysis for performing musicians. The relationship between accents and expression. , in: XXX (Hrsg): Abstract Book and Program. 2006. Parncutt, Richard; Marin, Manuela Maria: Emotions and associations evoked by unfamiliar music., in: Proceedings of the International Association of Empirical Aesthetics (Avignon, France, 29 August - 1 September). 2006. Parncutt, Richard; McPherson, G.; Painsi, Margit; Zimmer, Fränk: Early acquisition of musical aural skills. , in: Mario Baroni et al. (Hrsg): 9th International Conference on Music Perception and Cognition, Abstracts and Program. 2006. Parncutt, Richard; Painsi, Margit: Structuring the argument of a theoretical paper: A guideline and its reception by advanced undergraduate musicologists., in: M. Baroni et al. (Hrsg): Proceedings of the 9th International Conference on Music Perception and Cognition. 2006. Schubert, Emery; Parncutt, Richard: A psychoacoustic approach to tuning., in: XXX (Hrsg): Program and Abstract Book. Eigenverlag 2006. Jost, Karin; Parncutt, Richard: Wie lernen Kinder am besten Notenlesen? Eine qualitative Studie der Strategien und Begrenzungen moderner Musiklehrer. , in: xxx (Hrsg): Abstract Book and Program. . Eigenverlag 2005. Kessler, A.; Parncutt, Richard: Die Rolle der interpretativen Methoden bei der Erforschung musikalischer Bedeutung. , in: xxx (Hrsg): Abstract Book and Program. 2005. Painsi, Margit; Parncutt, Richard: Motivation and anti-stress training for children and teachers in music schools. , in: xxx (Hrsg): Performance Matters. Abstract Book and Program. . Eigenverlag 2005. Parncutt, Richard: Towards a statistical-perceptual history of western tonal-harmonic syntax., in: xxx (Hrsg): Abstract Book and Program. Eigenverlag 2005. Parncutt, Richard; Painsi, Margit: Children's spontaneous aural recognition of tonal structures. , in: xxx (Hrsg): Abstract Book and Program. . Eigenverlag 2005. Parncutt, Richard; Williamon, A.: Incorporating performance research into post-secondary music curricula: Political and pedagogical strategies. , in: xxx (Hrsg): Performance Matters. Abstract Book and Program. . Eigenverlag 2005.

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Ferguson, S.; Parncutt, Richard: Composing ´In the Flesh´: Perceptually-informed harmonic syntax., in: Proceedings of Sound and Music Computing - SMA04, Paris/France, 20-22 Oktober 2004. 2004. Kessler, Annekatrin: (& K. Puhl) Subjectivity, emotion and meaning in music perception. In: Prceedings of the Conference on Interdisciplinary Musicology (Graz 15.-18. April 2004), hg. v. ders., R. Parncutt, F. Zimmer, Graz/A: Khil, 2004., in: A. Kessler,R. Parncutt, F. Zimmer (Hrsg): Prceedings of the Conference on Interdisciplinary Musicology (Graz 15.-18. April 2004). Graz: Khil 2004. Kessler, Annekatrin: (& K. Puhl) Subjectivity, emotion and meaning in music perception. In: Proceedings of the 8th International Conference on Music Perception and Cognition (Evanston/Illinois, 3-7 August 2004), hg. von S. D. Lipscomb, R. Ashley, R. O. Gjerdingen & P. Webster. Adelaide: Causal Productions, 2004., in: S. D. Lipscomb, R. Ashley, R. O. Gjerdingen & P. Webster (Hrsg): Proceedings of the 8th International Conference on Music Perception and Cognition (Evanston/Illinois, 3-7 August 2004). Adelaide: Causal Productions 2004. Kessler, Annekatrin: Der Subjektbegriff in der Musikpsychologie und dessen methodologischen Implikationen, in: Kongressbericht des 18. studentischen Symposiums form follows function (Hamburg, 2.-4. Oktober 2003), Hamburg 2004., in: Kongressbericht des 18. studentischen Symposiums form follows function (Hamburg, 2.-4. Oktober 2003). Hamburg 2004. Lassnig-Walder, J.; Parncutt, Richard: Theorie und Praxis der Kreativität einer Didaktik der Improvisation im Instrumentalunterricht. , in: xxx (Hrsg): Abstract book and program. Eigenverlag 2004. Painsi, Margit; Parncutt, Richard: Children´s, teachers´ and parents´ attributions of children´s musical success and failure., in: D. Lipscomb, R. Ashley, R. O. Gjerdingen & P. Webster (Hrsg): Proceedings of the 8th International Conference on Music Perception and Cognition. Evanston, Illinois, 3-7 August '04. Adelaide: Causal Productions 2004, 344 - 348. Parncutt, Richard: Prenatal biological correlates of emotion and the origins of music. , in: xxx (Hrsg): Abstract Book and Program. 2004. Parncutt, Richard; Ferguson, S.: Computer-assisted composition with algorithmic implementation of pitch-perceptual theory. , in: Richard Parncutt et al. (Hrsg): CIM04: First Conference on Interdisciplinary Musicology, Abstracts. . 2004. Parncutt, Richard; Traube, C.: Music-psychological interdisciplinarity at the conference on interdisciplinary musicology. , in: xxx (Hrsg): Abstract Book and Program. . 2004.

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Goebl, Werner; Parncutt, Richard: Asynchrony versus intensity as cues for melody perception in chords and real music., in: R. Kopiez, A. C. Lehmann, I. Wolther, & C. Wolf (Hrsg): Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (Hannover, Germany, 8-13 September 2003) . Hannover: Eigenverlag 2003, 376 - 380. Kessler, Annekatrin; Parncutt, Richard: Musical structure, listener orientation, and time perception., in: R. Kopiez, A. C. Lehmann, I. Wolther & C. Wolf (Hrsg): Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (Hannover, Germany, 8-13 September '03). Hannover: Institute for Research in Music Education 2003, 344 - 348. Parncutt, Richard: Immanent durational accent in musical rhythm., in: R. Kopiez, A. C. Lehmann, I. Wolther & C. Wolf (Hrsg): Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (Hannover, Germany, 8-13 September '03). Hannover: Institute for Research in Music Education 2003, 339 - 343.

Protokoll Datum der Erstellung: 01.02.2013