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8/10/2019 Milosz Auf Deutsc
1/11
And wide vistas open before me: a glimpse that our vision
of things is totally mythical, that we are terried by scarecrows
that we ourselves have fabricated, that our passions
are too often the fruit of illusions, that we refuse to see reality
as it is; but above all I can sense that I am able to
change that, to become aware of prejudices, conventions,
habits, mirages, of which I am the victim. It is in this power
to change my judgement of things that my liberty resides
milosz
A centurys witness
!nce banned, but now a hero in his native "oland, he has #nown a world of
political e$tremes including tsarism, revolution, %azi occupation, &'s
communism and ('s radicalism. )et this %obel prize*winning poet claims he
has never been a pessimist. %icholas +roe reports
hare -
inhare'
%icholas +roe
%icholas +roe
/he 0uardian, aturday 1' %ovember 2''1
In 3ecember 145', a monument was unveiled at the 0dans# shipyard in
"oland, birthplace of the olidarity trade union, in memory of shipwor#ers
#illed by the security forces during riots a decade earlier. Inscribed on the
base was a line from "salm 24:11, translated into "olish by the poet 6zeslaw
7ilosz: 8/he 9ord will give strength unto his people.8 /he following year
7ilosz returned to "oland after -' years e$ile in the west. +hen he went to
view the 0dans# monument, members of olidarity unfurled a huge banner
bearing the message: 8/he "eople +ill 0ive trength nto /heir "oet.8
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In the immediate postwar years, 7ilosz actually wor#ed for the "eoples
epublic of "oland as a cultural attach< in America, but by 14&1 he had
bro#en with the regime, gone into e$ile in "aris, and his writing had been
banned in "oland. =owever, his wor# was widely circulated in samizdat
editions and he went on to become an almost mythical gure among the
dissident community. =is 14&- study of totalitarian ideology, /he 6aptive7ind, had dared to face up to both its subtle attractions as well as its
mechanisms of enslavement. In his poetry, particularly his autobiographical
wor#s, his depictions of an idealised and peaceful homeland provided solace
to a nation living in an uncertain world under foreign domination. =e was
awarded the %obel "rize for literature in !ctober 145' and following a highly
symbolic meeting with 9ech +alesa at the 6atholic university of 9ublin in
1451, his status as national bard was conrmed.
Also engraved on the 0dans# monument is the deant penultimate stanza
of 7iloszs poem )ou +ho +ronged: 83o not feel safe. /he poet remembers.
)ou can #ill one, but another is born. /he words are written down, the deed,
the date.8
7ilosz wrote these lines in 14&' when wor#ing in the "olish diplomatic
embassy in +ashington, and for some sections of the "olish opposition,
particularly the more nationalist tendencies whose chauvinism he had
attac#ed during the interwar years, his time wor#ing for the governmentmade him an unsuitable choice as a moral and cultural conscience. >ut for
most "oles, his lac# of ideological purity made him more representative of
the comple$ national e$perience.
/he nal, bitter stanza of )ou +ho +ronged * 8And youd have done better
with a winter dawn,?A rope, and a branch bowed beneath your weight8 *
leaves little doubt as to his profound and angry disillusionment with what
had become talinism, even though it was not a poem written for
publication. 8I was following the situation in "oland and I was @uitedesperate,8 he now says. 8>ut it was written for myself, for my drawer. It
had to wait -' years for its moment.8
7ilosz is now aged 4' and throughout his life and career he has often had to
wait for his moment. ven his triumphant 1451 return to "oland turned out
to be something of a false dawn. +ithin days of his visit the rst ocial
"olish publication of his poetry sold 1&',''' copies, only to be once again
banned and forced underground when martial law was imposed shortly
afterwards as part of a government attempt to crush the olidaritymovement.
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>ut 7iloszs game has always been a long one, and it is hard now to
comprehend the e$traordinary times he has lived through. =e was brought
up a "ole, in 9ithuania, under ussian tsarist rule, and as a child witnessed
the !ctober revolution and the rst world war. As an adult he lived throughthe wartime %azi occupation of +arsaw and then the oviet domination of
"oland. In e$ile, he navigated the choppy intellectual waters of 14&'s "aris
as an impoverished writer, and then the counter*cultural revolution of 14('s
6alifornia as a professor at >er#eley.
Bellow %obel prize*winning poet eamus =eaney described 7ilosz as,
8among those members of human#ind who have had the ambiguous
privilege of #nowing and standing more reality than the rest of us8. Another
%obel winner, Coseph >rods#y, said: 8I have no hesitation whatsoever instating that 6zeslaw 7ilosz is one of the greatest poets of our time, perhaps
the greatest.8
/his month sees the publication in >ritain of his 6ollected "oems. It contains
wor# written from 14-1 right up to earlier this year. Cerzy Carniewicz, a poet
and professor of nglish at the niversity of 9odz, says his impact on 2'th*
century "olish and world literature has been immense. 87iloszs poetry of
the -'s foreshadowed the cataclysm of the war. /hen, in 14D-, after the
+arsaw ghetto uprising, he was uni@ue as a "olish poet who witnessed,
responded to and articulated something that had been silent for decades in
"oland; the relationship between "oland and Cews, and the feeling of moral
guilt for what was going on. After the war, he helped open up "olish poetry
to many uropean and American poets. It was 7ilosz who made the rst
translation of /he +aste 9and, for e$ample.8
/he >ritish poet laureate Andrew 7otion says that 7iloszs inEuence
e$tended to the west. 8)ou cannot understand where /ed =ughess poem6row is coming from, formally, unless you understand its deep roots in
middle*uropean writing. 7ilosz was a part of that. veryone said when
6row came out that it was new, but, of course, it wasnt. It is idiomatically
and, in terms of its symbolic life, e$tremely inEuenced by middle*uropean
poetry which has a diFerent way of advertising its e$istence as symbolic
writing or allegory.8
>ut 7otion also ac#nowledges that 7iloszs use of "olish history and
literature as subject matter can be dicult for the uninitiated reader. 8I verymuch enjoy his wor#, but I recently read a volume of his poetry and I spent a
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lot of time thin#ing, I dont get this. It was having an interesting eFect on
me but I realised that I was missing so many of the references.8
obert =ass, the former poet laureate of the nited tates, has been the
primary translator of 7iloszs poetry from "olish into nglish. =e agrees that
the details of "olish artistic and cultural life sometimes found in the poetry
can seem 8almost li#e a soap opera youll never understand the whole plot
of. >ut also, when 6zeslaw deals with the details of his world, it is,
emotionally, some of his most powerful writing. +or#ing with 6zeslaw is li#e
reliving the whole of the 2'th century through this prism of great specicity.
It has been very important to him to remember e$actly how, say, wine was
stored in 14-'s wor#ing*class "aris, or the precise details of the elaborate
hairdo of his piano teacher in Gilno in 1421.8
6zeslaw 7ilosz was born in Cune 1411 in the 9ithuanian village of zetejnie.
/he family belonged to the "olish gentry, but while 7ilosz was be@ueathed
their culture, little was left of their wealth by the time he was born. =is
father was an engineer for the tsarist army during the rst world war and his
wor# too# him, and his family, all over ussia, repairing bridges and
highways. 7ilosz has one younger brother, Andrzej, who now lives in
+arsaw. 8=e is 5( and he doesnt #now how to wal# because he runs so
much,8 laughs 7ilosz. 8=e was a journalist and made lm documentaries but
he had a very dicult time in "oland in the &'s because I left the country. Iwas very sorry about that.8
7ilosz has been an American citizen since 14H', but was granted honorary
9ithuanian citizenship when he returned to the newly independent country
in 1442 after more than half a century away. /he barn at his childhood home
has been converted into a literary and cultural conference centre under the
name /he 6zeslaw 7ilosz >irthplace Boundation. As he shows photographs
of the newly renovated building, he points out the large, open plain in the
bac#ground. 8/here used to be three villages there, all with orchards,8 hee$plains. 8%ow it is #nown locally as aza#hstan because that is where the
population was forced to move to. /he villages and everything there were
destroyed.8
All this happened after 7ilosz had left zetejnie, and he remembers his
childhood there, returning after the chaos of war and the 141H revolution, as
an idyllic period. It is one he has returned to time and again in both his
poetry and his prose, most notably in his charming 14&& novel Issa Galley,
and his, very guarded 14&5 autobiography, %ative ealm.
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7ilosz attended both school and university in +ilno Jnow GilniusK and
remembers watching 6harlie 6haplin and 7ary "ic#ford lms. Although he
started out studying literature, he graduated in law in 14-D. 8/here were so
many girls studying literature it was called the marriage department. o Iswitched to law and I reluctantly passed my studies. >ut I never planned a
legal career.8
Ignacy wiec#ic#i, an engineer now living in "ennsylvania, is a friend from
his schooldays and remembers 7ilosz as 8always very busy with poetry and
literature. =e was not interested in sports, although he was in the boy
scouts, but he was a boy who displayed many talents and many people
e$pected a great future for him. =is diculty has been that he was trying to
combine his faith and tradition with ideas which were rather contrary to thesurroundings in which he was brought up.8
7ilosz received a strict 6atholic education but wrote as a young man that,
8in a oman 6atholic country intellectual freedom always goes hand in hand
with atheism8. =e later returned to the church, and learned =ebrew in order
to translate the "salms into "olish, but has said that while he is a 6atholic,
he is not a 6atholic writer. 8>ecause if you are branded as a 6atholic, you
are supposed to testify with every wor# of yours to following the line of the
6hurch, which is not necessarily my case.8
7iloszs rst published poems appeared in the +ilno university journal, and
in 14-1 he co*founded a literary group called Lagary, whose blea# political
outloo# and symbolism saw them dubbed the school of 8catastrophists8.
3uring the same year he made his rst trip to "aris, where he came under
the inEuence of a distant cousin, !scar 7ilosz, a Brench*9ithuanian writer
who had been a representative of independent 9ithuania at the 9eague of
%ations. 8!scar 7ilosz was a very important inEuence on my poetic life,particularly in the religious dimension,8 he says. 6zeslaw returned to "aris
for a year in 14-D when he won a scholarship to study at the Alliance
BranMais.
obert =ass says that in 7iloszs own hierarchy of his readership, "arisian
opinion remains important. 8"olish readership comes rst and then an
international readership of other writers that matter to him. >ut for many
"oles of his generation, the ultimate source of judgment was "aris and my
impression is that he is still very aware of the Brench response to his wor#.8
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After returning to +ilno, 7ilosz wor#ed for "olish adio there, but was
transferred to +arsaw in 14-H because of his leftist sympathies in general,
and his willingness to allow Cews to broadcast in particular. +hen 0ermany
invaded "oland in 14-4, he was brieEy sent to the frontline as a radioreporter before ma#ing his way bac# to +ilno. Bollowing the oviet invasion
of 9ithuania the following year, he made a dangerous journey across oviet
lines and returned to %azi*occupied +arsaw where he found a job as a
janitor at the university, ma#ing ends meet with some blac#*mar#et trading.
/hroughout this period, he wrote and edited for underground publications,
and even underground theatre, using his grandmothers maiden name, Can
yruc.
8It was a very strange time to translate the +aste 9and, in the middle of the0erman occupation,8 he now ac#nowledges, 8but it was all part of me
gradually ac@uiring self*awareness of how my road would be diFerent to
before the war.8 /he poems he wrote directly confronting the horror of what
was going on around him * 6ampo dei Biori and A "oor 6hristian 9oo#s at the
0hetto * have become some of his most famous and inEuential wor#s. >ut
7ilosz points to another poem written in the wa#e of the failed +arsaw
uprising of 14D-, /he +orld, which was published in 14D&, as e@ually
important to him and his move away from the catastrophism of his youth to
a more philosophical and transcendent faith in the future.
+hile he has directly engaged with enormous historical and intellectual
horrors, 7ilosz has done so not as a politician, but more as a theologian,
philosopher or mystic meditating on the nature of humanity and culture. 8I
lived through the horror of the e$termination of the Cewish population in
+arsaw,8 he says, 8and I wrote about that. >ut in the same year I wrote /he
+orld, which has nothing to do with the horror of the war but instead gives
an image of the world as it should be * a counterbalance and a restoring of
dignity to the world as it was. I didnt #now at the time that I was repeating
the procedure of >la#e, who had written ongs of $perience and ongs ofInnocence. It was very dicult to liberate myself from prewar patterns and
tastes and styles, but I #new when I wrote these poems that it was a turning
point in my poetry.8
3uring the +arsaw occupation, 7ilosz married Canina 3lus#a. /hey had met
in the late -'s when they both wor#ed for the radio station. /hey had two
sons who both still live in 6alifornia: Antoni, who was born in 14DH and is a
computer programmer; and "iotr, born 14&1, who is an anthropologist.
7ilosz has one grandchild, rin, who is in her third year of a joint medical
school "h3 in %ew )or# 6ity. Canina died in 145( after suFering from
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Alzheimers disease for 1' years . In 1442 7ilosz married 6arol /higpen, who
was associate dean of the 6ollege of Arts and ciences at mory niversity
in Atlanta, 0eorgia. /hey have a home in >er#eley but over the past few
years have spent most of their time in ra#ow. eeing 7ilosz in the city is to
glimpse his place in "olish life. "eople spontaneously come up to him to say
hello and ta#e his photograph. /he image of the dourly forbidding sage * heoften loo#s dar#ly brooding in photographs * regularly dissolves into a huge,
red*chee#ed smile and rich chuc#ling.
7ilosz rst came to ra#ow in 14DD after the failed +arsaw uprising. +hen
the war ended, he became a government attachut after the war I had a very ambiguous
attitude towards the changes that were underway. !n the one hand, the
country was completely dependent on 7oscow and it was obvious that is
was a new occupation. >ut on the other hand, there were some radical
reforms and that was good. Bor a time I had a hope that things would
develop as I wanted, but, in fact, for countries such as "oland and =ungary,
that initial period was just an introductory period of talinisation.8
In 14D(, 7ilosz began wor#ing at the "olish embassy in America and says
that while he always had political doubts about the regime, they werentcrystallised until he returned home in 14D4 and saw rst*hand the direction
the regime was ta#ing. =e attended a lavish evening function attended by
most of "olands ruling elite. !n his way home, at about four in the morning,
he has said that he came across some jeeps carrying newly arrested
prisoners. 8/he soldiers guarding them were wearing sheeps#in coats, but
the prisoners were in suit jac#ets with the collars turned up, shivering from
the cold. It was then that I realised what I was part of.8
As his increasing doubts became #nown, so he fell under ocial suspicionand when he made another trip home from +ashington in 3ecember 14&',
his passport was conscated. =owever, only eight wee#s later he was
allowed to travel to "aris, where he sought political asylum. !cial
connivance has long been suspected in his escape, but for many years
7ilosz has been reluctant to discuss the details. 8>ut now it is the remote
past so it can be told,8 he says. 8/he wife of the "olish foreign minister was
a ussian woman. he helped me but she said, in my opinion a poet should
stay with his country but the decision belongs to you. >ut if you decide
otherwise, remember that you have a duty to ght him NtalinO, the
e$ecutioner of ussia. Its a very romantic story, yesP8
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=as he ever thought that she was right and he should have stayedP 87any
times I wondered what would have happened. I have no answer because
one doesnt #now oneself enough to #now how one would behave in
diFerent circumstances. 7aybe I would have made a fool of myself, li#e the
friend I describe in the 6aptive 7ind, by writing what the party desired.8 In
/he 6aptive 7ind, 7ilosz wrote that ultimately his decision came, 8not fromthe functioning of the reasoning mind, but from a revolt of the stomach. A
man may persuade himself, by the most logical reasoning, that he will
greatly benet his health by swallowing live frogs; and, thus rationally
convinced, he may swallow a rst frog, then the second; but at the third his
stomach will revolt. In the same way, the growing inEuence of the doctrine
on my way of thin#ing came up against the resistance of my whole nature.8
7ilosz says that he doesnt li#e the word defect and prefers to say that he
bro#e with the regime. egardless, his move to "aris was physically,
politically and artistically dangerous. "arisian intellectual life was
overwhelmingly pro*communist and many of 7iloszs "arisian friends were
party members. 8It is very dicult to restore today the aura and climate of
politics at that time,8 he says, 8/oday, the division seems completely
mythical. >ut among intellectuals then there was great admiration for life in
the east. /hey were very dissatised by me and I was considered, at best, a
madman. I had left the world of the future for the world of the past. /hat
made my life in "aris very dicult.8
Among the few intellectuals to assist him was Albert 6amus, but most of his
old friends shunned him, including "ablo %eruda, who went on to become
the 14H1 %obel literature laureate. =e and 7ilosz had translated each
others wor# but %eruda denounced 7ilosz in an article entitled /he 7an
+ho an Away in the 6ommunist "arty newspaper. /hings were made even
more dicult by the fact that his family had remained in America and he
was denied a visa to join them because of his association with the
communist "olish government.
=owever, despite this, his early years in "aris were productive and he
published /he eizure of "ower, the rst of his two novels; /reatise on
"oetry, a vast, poetic overview of 2'th*century "olish poetry, only recently
translated into nglish; and /he 6aptive 7ind, in which he attempted to
e$plore 8the vulnerability of the 2'th*century mind to seduction by socio*
political doctrines and its readiness to accept totalitarian terror for the sa#e
of a hypothetical future8.
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7adeline 9evine, professor of lavic literatures at the niversity of %orth
6arolina, has been translating 7iloszs prose since the late 5's and says
that, starting with /he 6aptive 7ind, there is a remar#able coherence to his
vast prose output. he adds that he once claimed that the 2'th*century
novel would have to be capacious and include all the intellectual trends of
the century, and contends that 7iloszs subse@uent prose wor#, in afragmentary way, has, in eFect, been this novel as a wor# in progress. 8In
his writing there are so many people who almost become ctional
characters,8 she says. 8Its not that they are ctionalised, but they are as
vivid as characters in a novel. =e has measured the intellectual
engagements of these people against all the trends of the 2'th century. In
some ways it has been hermetic in ma#ing the passions of "olish culture and
literary life come alive, but it has also been engaged with wider intellectual
currents. It is about the attractions of communism and socialism, and so is
often about people much li#e himself, people whose attraction to
communism came from a principled rejection of capitalism at its worst.8
/he 6aptive 7ind was the rst of 7ilosvs wor# to ma#e a signicant impact
on the west, but it threw up two obstacles to his future career. 8It was
considered by anti*communists as suspect because I didnt attac# strongly
enough the communists,8 he recalls. 8I tried to understand the processes
and they didnt li#e that. And it also created the idea, particularly in the
west, that I was a political writer. /his was a misunderstanding because my
poetry was un#nown. I have never been a political writer and I wor#ed hard
to destroy this image of myself. I didnt try to get a teaching position in
political science. I went to America as a lecturer of literature.8
7ilosz started teaching at >er#eley in 14(' and was granted tenure a year
later as professor of lavic languages and literature. =e retired in 145D. At
the time of the >er#eley campus revolution in 14(5, when the students
began to assess their professors, he was proud to receive e$cellent grades.
/hat said, he found much of the ('s student radicalism depressingly short*
sighted and familiar. 8I was rather sad to see every stupidity I had
e$perienced before being re*enacted.8
=e says that the years at >er#eley were a time of solitude that was good for
his wor# but left him feeling lonely. Briends say he can have periods of
melancholy, but is generally a highly gregarious companion who is
enthusiastic about food, drin# and conversation.89iving in ra#ow, I have
plenty of friends, but in >er#eley, while I tal#ed to colleagues and students, I
had very few friends. I was in constant correspondence with good friends in
"aris, as my friendships were based upon my poetry.8 7ilosz has alwayswritten in "olish, and it was not until 14H- that a volume of his selected
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poetry was translated into nglish. =ass has said that during this time,
7ilosz was living in, 8intolerable obscurity and loneliness. =e had to invent
the idea that there was still somebody to read his poems.8
/he sign that his reputation had changed from political essayist to poet was
the award of the %eustadt International 9iterary "rize in 14H5 * described as
the introduction to the %obel because so many laureates have won it rst.
/wo years later he received a -am phone call at his >er#eley home from a
journalist in toc#holm, telling him he had won the %obel prize. 8/he ne$t
morning, all hell bro#e loose. I tried very hard not to change my habits and I
went to my class not to brea# the routine. I tried to save myself from too
much turmoil, but it was very hard. I am a private person and have resisted
being made a public one.8
7ilosz seems to have been content to occupy this public role in "oland, but
Cerzy Carniewicz says that he may be the last in a line of "olish poets who
have acted as a spo#esperson for their society. +hile he fullled an
important moral duty to bear witness, more recently younger poets have
rebelled against this idea. 8"oets who published their rst boo#s in the late
5's and 4's have largely rejected both the ocial culture and the
underground ethos,8 e$plains Carniewicz. 8/heirs is a poetry of enormous
scepticism and distrust. It goes in fear of anything that is pretentious and
prophetic, and so they have replaced communal e$perience * which is a #eyidea in 7ilosz, and in "olish poetry generally * and instead focused on what
is uni@ue and individual and personal. As one younger poet said, there is
nothing about me in the constitution.8
+hen 7iloszs poem about the siege of arajevo was published on the front
page of the biggest*selling "olish newspaper, it was also attac#ed for
attempting to deal with a contemporary issue in a diction that had become
anachronistic. =e has also been criticised for what is seen as an over*
romantic defence of "olish and uropean culture. 8=e has criticised westernurope for its secularisation and loss of metaphysical feeling,8 says
Carniewicz. 8/his is counterpointed by his e@ually strong belief that the
metaphysical is still alive in certain parts of eastern urope. 7any younger
poets loo# with great suspicion on this, but for 7ilosz it is something that is
very much alive.8
7ilosz says he is uneasy about trying to assess contemporary "oland * 8such
a big subject8 * but ac#nowledges that the country has changed in ways he
nds dicult to recognise. 8I as# myself about the country and I cant
e$plain it. Bor instance, isnt it parado$ical that a country where most people
go to church on unday should vote for the post*communistsP >ut although
the last election to the parliament had an anti*intelligentsia tinge, I have
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never been a pessimist. Bor instance, the boo# mar#et is e$tremely lively in
"oland and there is a lively cultural life. /here are many papers and
periodicals, and I collaborate with a wee#ly 6atholic magazine here in
ra#ow.8
=e also ta#es an indulgent delight in his wor# still being read by a young
readership. =is long 14&( poem, /reatise on "oetry, has recently been
translated into nglish for the rst time. 8It has been a great pleasure to see
my poem apparently not getting old,8 he smiles. 8It is really a history of
"olish poetry in the 2'th century, in connection to history and the problems
of so*called historical necessity. And I am proud of having written a poem
that deals with historical, political and aesthetic issues even though, of
course, I #now that for students, the parts of the poem where I deal with
=egelian philosophy and 7ar$ism are, for them, completely e$otic. /hey
have such short memories.8
9ife at a glance 6zeslaw 7ilosz
>orn: Cune -', 1411, zetejnie, 9ithuania.
ducation: Lygmunt August =igh chool, +ilno; tefan >atory niversity,
+ilno.
Bamily: 7arried Canina 3lus#a 14D- Jdied 145(K, two sons; married 6arol
/higpen 1442.
6areer: "olish %ational adio 14-&*-4; "olish cultural attache in America
14D(*&1; freelance writer 14&1*('; lecturer then professor, niversity of
6alifornia, >er#eley, 14('*5D.
ome poetry collections: "oem of the Brozen /ime 14--; escue 14D&; 9ight
of 3ay 14&-; 6ity +ithout a %ame 14(4; Brom the ising of the un 14HD;
Bacing the iver 144&; 6ollected "oems 2''1.
ome other boo#s: /he 6aptive 7ind 14&-; /he eizure of "ower 14&-;
%ative ealm 14&5; A )ear of the =unter 144D.
ome awards: %eustadt International 9iterary "rize 14H5; %obel "rize for
9iterature 145'.