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DEMO SCORE
SACRI MONTI Mario Bürki
DAS WERK
Kapellenweg von Visperterminen In den Geschichtsbüchern wird Visperterminen erstmals 1199 erwähnt. Grabfunde beweisen, dass hier aber schon zur Bronzezeit (1800-800 v. Chr.) Menschen gelebt haben. Das Wallis profitierte in frühern Zeiten stark von den Pässen nach Süden. Durch das Saastal führte der Weg über den Monte Moro ins italienische Valle Anzasca. Diese Verbindung brachte nebst wirtschaftlichem Wohlergehen auch starke kulturelle Einflüsse von Italien ins Wallis. Auf diese Weise kamen die «Sacri Monti» (Kapellenwege) ins Wallis, deren Ursprung im Piemont und in der Lombardei ist. Der prunkvollste Kapellenweg im Wallis ist sicher derjenige von Visperterminen, er führt überzehn Stationen zum Wallfahrtsort der Waldkapelle «Mariä Heim-suchung».
Das Werk „Sacri Monti“ beschreibt einige Stationen des Kapellenwegs in Visperterminen. Als Grundlage dient aber auch der letzte Vers des Gedichts stabat mater: Das Stabat mater (nach dem Gedichtanfang: Stabat mater dolorosa, lat. „Es stand die Mutter schmerzerfüllt“) ist ein mittelalterliches Gedicht, das die Gottesmutter in ihrem Schmerz um den Gekreuzigten be-singt. Die Verfasserschaft ist ungeklärt, das Gedicht wurde in der Vergangenheit unter anderem Papst Innozenz III. († 1216) sowie den Franziskanermönchen Iacopone da Todi († 1306) und Johannes Bonaventura († 1274) zugeschrieben.Das Stabat mater wird am Fest der Sieben Schmerzen Mariä (15. September) sowie am Freitag nach dem ersten Passions-tag als Sequenz gebetet oder gesungen.
Quando corpus morietur,Fac ut animae doneturParadisi gloria.
Übersetzt:
Wenn (unser) Leib sterben wird,mach, dass der Seele gegeben werdedes Paradieses Herrlichkeit.
DER KOMPONISTMario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studienaus-weis das Prädikat „Sehr Gut“. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes grosses Werk - Szenen aus: Max und Moritz - erreichte am Kompositionswettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausgezeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester „La Artistica Buñol“ in Valencia aufgeführt.Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario erhält regelmässig Kompositionsaufträge.
D
© 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLANDwww.musikverlag-frank.ch
DEMO SCORE
SACRI MONTI Mario Bürki
DAS WERK
Visperterminen Chapel TrailVisperterminen first cropped up in history books in 1199. Yet grave finds have proven the existence of mankind as far back as the Bronze Age (1800-800 BC). In the past Valais (a canton in Switzerland) has benefited greatly from the mountain passes leading south. The Saas Valley led the way over the Monte Moro into the Anzasca Valley in Italy. Alongside economic prosperity, these passes also brought cultural influences from Italy back into the Valais. In this way the Sacri Monti (chapel trails), originating in Piedmont and Lombardy, were created in the Valais. The most magnificent of these chapel trails is cer-tainly that of the Visperterminen: a trail leading, via ten rosary chapels, to the forest chapel, and place of pilgrimage, Mariä Heimsuchung.
The piece Sacri Monti portrays some of the stops along the route of the Visperterminen chapel trail. The last verse of the hymn Stabat Mater also serves as a source of inspiration: the Stabat Mater (from the beginning of the hymn: Stabat mater dolorosa. Latin for ‘the sorrowful mother stood weeping’) is a medieval hymn in which the Virgin Mary sings of her sorrow for the crucified. The hymn’s author remains unknown but it has been attributed to Pope Innocent the Third (died 1216), as well as the Franciscan monk Lacopone da Todi (died 1306) and Johannes Bonaventura (died 1274) amongst others. The Stabat Mater is sung or prayed as a sequence on the festival of the Seven Sorrows of the Blessed Virgin Mary (15. September) as well as on the first Friday in Passion Week.
Quando corpus morietur,Fac ut animae doneturParadisi gloria.
Translated:
While my body here decays,may my soul Thy Goodness praise,safe in Paradise with Thee.
THE COMPOSERBorn the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory. He also followed courses in composition with Urs Peter Scheider and conducting under the direction of Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a second place in the composition contest in Lucerne organized by the World Association for Symphonic Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were premiered at the Mid-Europe Conference in Schladming and several have been chosen as set test-piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet and theory. Mario himself plays the trumpet, the piano and the organ.
E
© 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLANDwww.musikverlag-frank.ch
DEMO SCORE
© 2009 by musikverlag frank, Schulhausstrasse 22, CH-4528 Zuchwil (Switzerland)
Piccolo
1st Flute
2nd Flute
1st Oboe
2nd Oboe
Englischhorn
1st Bassoon
2nd Bassoon
Clarinet in Eb
1st Clarinet in Bb
2nd Clarinet in Bb
3rd Clarinet in Bb
Alto Clarinet in Eb
Bass Clarinetin Bb
ContrabassClarinet in Bb
1st Alto Saxophone
2nd Alto Saxophone
Tenor Saxophone
Baritone Saxophone
1st Trumpet in Bb
2nd Trumpet in Bb
3rd Trumpet in Bb
1st & 3rd Horn in F
2nd & 4th Horn in F
1st Trombone
2nd Trombone
3rd Trombone
Baritone
Tuba
Contrabass
Timpani
1st Percussion
2nd Percussion
3rd Percussion
1st Mallets
2nd Mallets
Piano
Harp
mpQuan do- corp us-
Lento q = 5612
f p mpQuan do- corp us-
f p Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mf mp Quan do- corp us-
mfmp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
p sfzp
p sfzp
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mp Quan do- corp us-
mf mf mf mf ffz p
mf mf ffz p
mp mf mp Quan do- corp us-
mp mf mp Quan do- corp us-
mp mfmp
Quan do- corp us-
mp mf mp Quan do- corp us-
sfzp mf
p sfzp mf
pp mp pp mp pp mp ff p
mf
pp mp pp mp pp mp pp f mf
p
Quan do- corp us-
p
p
sing:
SACRI MONTIzum 25-jährigen Jubiläum des AULOS-Blasorchesters
Mario Bürki
sing:
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Tubular Bells
B.D.
susp. Cymb. (soft sticks)
B.D.
Windchimes (slow)
sing:
Marimbaphone
soft sticks
6 6
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
1st Perc.
2nd Perc.
3rd Perc.
1st Mlts
2nd Mlts
Pno.
Hrp.
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamamamamamamamamama- e-------------------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
13
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamamamamamamamama- e------------------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamamamamamamama- e------------------ do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamamamamamama- e----------------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamamamamama- e---------------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamamamama- e--------------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamamama- e-------------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamamama- e------------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamamama- e------------ do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamamama- e----------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamamama- e---------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamamama- e--------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamamama- e-------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamamama- e------- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamamama- e------ do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamamama- e----- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamamama- e---- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamama- e--- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mama- e-- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- ma- e- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mf mf mf mf mf mf
mf mf mfmf
mo ri- e- tur,- Fac, ut a ni- mamamama- e---- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mamama- e--- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mama- e-- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- ma- e- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
mo ri- e- tur,- Fac, ut a ni- mama- e-- do ne- tur Pa ra- di- si- glo ri- a.- Pa ra- di- si- glo ri- -
6 6 6 6 6 6
2
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
1st Perc.
2nd Perc.
3rd Perc.
1st Mlts
2nd Mlts
Pno.
Hrp.
a.
piu mosso q=64 2422
a.
a.
a.
a.
a.
a.
a.
a.
a. p cresc.
a.p cresc.
a.p cresc.
a. p cresc.
p p p p cresc.
p p p p cresc.
a.
a.
a.
a.
a.
a.
a.
p p mp cresc.cresc.
p pmp
cresc.
a. p p p p cresc.
a. p p p p cresc.
a. p p p p cresc.
a. pcresc.
pp p p cresc.
p p p p cresc.
mf p p mf p mf p mf p mf cresc.
pp mf
a.
susp. Cymb. (soft sticks)
6 6
3
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
1st Perc.
2nd Perc.
3rd Perc.
1st Mlts
2nd Mlts
Pno.
Hrp.
3935
mf
mf
p
ff p
ff p
ff p
ff
ff p
ff p
p
p
p
ff
ff
ff
ff
ff
ff
ff
ff
ff p
ff
pp f pp
fp
ff
ff
ff
ff
mf
cup mute
cup mute
cup mute
C.C.
B.D.
Xylophone
6
6
66
6
6 6
66
6
66
6
6 6
6
4
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
1st Perc.
2nd Perc.
3rd Perc.
Xyl.
2nd Mlts
Pno.
Hrp.
f
43
mf mfmf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf mf mfmf
cresc.
mf mfcresc.
mf mf cresc.
p
p f
pp mf
pp mf
pp mf
p f
mf
mf
mf
pmf
pmf
mf mf
p mf
mf
mf p
f pp
mf p
6
Solo
all
66 6
6
6 6
6
6
6
6
6 6 6
Solo
all 6 6
6
6 6
6
6 6
6
3
3
3
3
3
3
3
3
Snare Drum
6
6 6
6 6
6
6
6
6 66
6 6
66
6
6 66
6
6 6
6 6
6
5
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
S. D.
2nd Perc.
3rd Perc.
Xyl.
2nd Mlts
Pno.
Hrp.
48
f
f
f
f
f
f
f
f
f
f
f
f
f (subito)
f (subito)
f
f
f
f (subito)
f
f
f
f
f mf
mp
f pp f pp
mf
f
mf
f
f
6 6 6 6
6 66 6 6 6 6 6
6 66 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6
6 66 6 6 6 6 6
6 66 6
6 6 6
6
6 6
6
6 6 6 6
6
6 6
6
6
6 6
6
6
6 6
6
6 6 66
6
6 6
6
6
6 6 6 6
6 6 6 6 6 6 6 66 6 6 6
6 6
6 6
6 6
6
6 6 6
6 6
6 6
6
6
6 6 6 6 6 6
66 6 6 6 6 6 6
66
6 6
6 6 6 6
6 66 6 6 6 6 6
6 66 6
6 6 6 6
6 66 6 6 6 6 6
6 66 6
6 6 6 6
6 66 6 6 6 6 6
6 66 6
6
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
S. D.
2nd Perc.
3rd Perc.
Xyl.
2nd Mlts
Pno.
Hrp.
52
ff
ff
ff
f pp f pp
6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6
6 66 6
6 6 6 66 6
6 66 6
6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6
6 6
6 6
6 6
6
6 6 6
6 6
6 6
6
6
6 6 6 6
6 66 6 6 6 6 6
6 6
6
6
6 6 6 6
6 6 6 6 6 6 6 66 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6
6 6
6 6
6
6 6 6
6 6
6 6
6
6
open
open
open
6 6
6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6
7
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
S. D.
2nd Perc.
3rd Perc.
Xyl.
2nd Mlts
Pno.
Hrp.
56
ff
ff
f
f pp f
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6
6 66 6 6 6
6 6
6 66 6 6 6
3 3
3 3
6 6 6 6
6 6 6 6 6 6 6 66 6 6 6
6 6 6 6
6 6 6 6 6 6 6 66 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6
6 6
6 6
6
6 6 6
6 6
6 6
6
6
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
6 6
3 3
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
3 3
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
3 3
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
8
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
S. D.
2nd Perc.
3rd Perc.
Xyl.
2nd Mlts
Pno.
Hrp.
cresc.ff
cresc. fff
6360
cresc. cresc. ffcresc. fff
cresc. ffcresc. fff
cresc. ff cresc. fff ff
cresc. ffcresc. fff ff
ff ff
fff ff
fff ff
cresc.
ff cresc.fff
cresc.ff
cresc.fff
cresc.ff cresc. fff
ff
cresc.ff cresc.
fffff
fff ff
fff ff
fffff
cresc. ff cresc.cresc. fff ff
cresc. ff cresc.cresc. fff ff
fff ff
fffff
fff ff
fff ff
fff ff
fff
fff
fff f
fff f
fff ff
fff f
fffff
fff ff
ff ff
f
pp f ff
cresc.
ff
fffff
cresc. ff
6 6 6 6 6 6 6
6 6 6 6
6
6 66
6 6
6 6 6 6
6
6 66
6 6
6 6 6 6
6
6
6
66 6
6 6 6 6
6
6
6
66 6
3 3
3
3
3
3
3 3
3
3
3
3
6 6 6 6
6 6
66
6
6 6
6 6 6 6
6 6
6 66
6 6
6 6 6 6
6 6
6
6
66 6
6
6 6
6
66 6
6
6
66 6
6 6
3
3
3
3
3
3 3
3
3
3
3
3 3
3
3
3
3
6
6 66 6
6
6 66 6
3
3
3
3
3
3
3
3
3
3
div.
3 3 3 3 3
6 6
3 3 3 3 3
6 6
3
3
3
3
3
6 6
3 3
3
3
3
3
3 3 3 3 3 3
3 3
3
3
3
3
3 3 3 3 3 3
6 6 6 6
C.C
3 3
3
3
3
3
6 6 6 6 6 6
66 6
3
3
3
33 3
6 6 6 6
6 6
6 6
6
66 6
3 3 3 33 3
6 6 6 6
6 6
6 6
6
66 6
9
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
S. D.
2nd Perc.
3rd Perc.
Xyl.
2nd Mlts
Pno.
Hrp.
64
ff
ff
ff ff
6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
Glockenspiel
10
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
S. D.
2nd Perc.
3rd Perc.
Glock.
2nd Mlts
Pno.
Hrp.
mf
69 7668
mf
mf
mf
mf
mf
f mf
f mf
f mf
f mf
f mf
fmf
f mf
fmf
fmf
f mf
f mf
f mf
f mf
mf
mf
mf
f mf mf mf
fmf
f mf
f mf
f mf
f mf p
f mf mf
f mfmf
ff mf p
mf mf
ff
p
p
mf
6 6
6 6
6 6
6 6
6 6
Tubular Bells
6 6 6 6
Windchimes (slow)
6 6
11
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Tub. B.
2nd Perc.
3rd Perc.
Glock.
2nd Mlts
Pno.
Hrp.
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
rit. Maestoso q=1008378
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- -f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- -f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- -f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- -f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
Quan do- corp us- mo ri- e- tur, Pa ra- di- si- Glo ri- a- - f
f
f
f
f
f
f
f
f
ff
f
f
f
f
f
f
sing: (play)
sing:
(play)
sing:
(play)
sing:
(play)
sing:
(play)
sing: (play)
sing:(play)
sing:(play)
sing: (play)
sing: (play)
sing: (play)
sing: (play)
sing: (play)
sing: (play)
sing: (play)
sing:
(play)
sing:
(play)
sing: (play)
sing: (play)
sing: (play)
sing: (play)
Percussion
B.D.
Xylophone
6 6 6
12
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
3rd Perc.
Xyl.
2nd Mlts
Pno.
Hrp.
molto ppp f
molto rit. rit. Allegro q=1409487
molto ppp f
molto ppp f
molto ppp f
molto ppp f
molto p f
molto p f
molto p f
molto
molto p f
molto p f
molto p f
molto p f
molto f diminuendo
molto f diminuendo
molto p f diminuendo
molto p f diminuendo
molto p f f diminuendo
molto p f f diminuendo
molto p f
molto p f
molto p f
molto p f
molto p f
molto p f f diminuendo
molto p f f diminuendo
molto p f f diminuendo
molto f diminuendo
molto f diminuendo
molto f diminuendo
molto mf f diminuendo
mf diminuendo
molto mf f diminuendo
f diminuendo
f
f
molto
molto
f
div.
pizz.
Tambourine
Glockenspiel
Vibraphone
13
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Tamb.
Glock.
Vib.
Pno.
Hrp.
mf f
10298
mff
mff
mf
mf
mf f
mf
mf
f
mf f
mf f
mf
mf f
mf f
mf f
mf f
mf f
mf f
f
f
f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mp f
mf
mf f
mf
mf mf
mf f
susp. Cymb. (soft sticks)
Xylophone
14
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Tamb.
Glock.
Xyl.
Pno.
Hrp.
p f
111106
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
p f
mf
ff mf
ff mf
p mf
p mf
p mf
mf
f mf
f f f
mf
p f
f
f
B.D.
15
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Tamb.
Glock.
Xyl.
Pno.
Hrp.
f
119114
f
f
f
f f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
p mf
p mf
p mf
f
p mf
f
mf
f
f
f
Marimba
16
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Tamb.
Mar.
Xyl.
Pno.
Hrp.
f f ff
123 130
f ff
f ff
f ff
ff
f ff
ff
ff
f ff
mf cresc. ff
mf cresc.ff
mf cresc. ff
ff
mf cresc.ff
mf cresc. ff
f ff ff
f ff ff
f f ff
f mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
f ff
f ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
f ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
cresc. f
f
cresc.f
mf f
mf cresc. f
ff
ff
ff
C.C.
gliss. gliss. gliss.
17
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Tamb.
Mar.
Xyl.
Pno.
Hrp.
136133
mf
mf
mf
p
p
p
p
f mfp
f mf
f mf
mf mp
mf mp
f mf
f mf
f mf
mf p
f mf
mf
f mf p
mf p
mf
mf
pizz.
Glockenspiel
gliss.
18
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Tamb.
Mar.
Glock.
Pno.
Hrp.
ff mf
144 152
ff mf mp
ff mf mp
p
p
p
mf
mf mf
mf
mf
mf mf f mf
mf mf f mf
mf mf fmf
f
f
mf mf f mf
mf mf f mf
mf mf f mf
mf p
mf mf f mfp
mf
f mf p
f mf p
p f p f p f
f
pp
ff mf
p
p
mp
6 6 6 6
6 6 6 6
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
solo
arco
3
3
3
3 3 3
susp. Cymb. (soft sticks)
B.D.
soft mallets
6 6 6 6 6 6 6 6
3 3 3 3 3 3 3 3
19
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Perc.
Mar.
Glock.
Pno.
Hrp.
mf mf f
160156
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
mf mf f
f
f
f
f
f
mf
mf
mf
f
mf mf f
mf mf f
p f
f mf
p f p f
p
mf mf f
mf mf f
mf mf f
6 6 6 6
6 6 6 6
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
all
6 6
6 6
6 6
6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6
6 6
3
3
3 3
6 6
6 6 6 6 6 6 6 6
3 3 3 3 3 3
6 6
20
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Perc.
Mar.
Glock.
Pno.
Hrp.
mf mf
q=q.168165
mf mf
mf mf
mf f mf
mf f mf
f mf
mf
mf
mf mf
mf f mf
mf f mf
mf f mf
mf
mf
mf
mf f f mf
mf f f mf
mf
mf
mf mf
mf mf
mf mf
pp
p
mf
mf
mf
mf
mf
mf mf
mf
mfmf
mf
mute6 6
mute6 6
mute6 6
6 6 6 6
6 6 6 6
6 6 6 6
6 6
3
6 6 6 6 3 6
3
Xylophone
21
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Perc.
Xyl.
Glock.
Pno.
Hrp.
f
174173
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
mf mf mp
mfmf mp
mf mp
mf mp
mf mp
mf mp
mf
mf mp
mf
mf
mp
open
open
open
Marimba
22
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
2nd Perc.
Perc.
Mar.
Glock.
Pno.
Hrp.
185181
p
p
p
p
p pp
p pp
mf f
mf f
p mf f
p mf f
mf
mf
p pp mf
pp mf
ppf
Wood Blocks
C.C.
Vibraphone
23
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
W.B.
Perc.
Mar.
Vib.
Pno.
Hrp.
193189
mf mf f
p mf f
p mf f
f
f
mf f p mf f
mf f p mf f
p mf f p mf f
p mf f p mf
fp
fp
fp f
ff
p mf
C.C. C.C.
24
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
W.B.
Perc.
Mar.
Vib.
Pno.
Hrp.
mf
201197
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf f mf
p mf f mf
p mf f mf
fmfmf
fmfmf
p mf f mf
p mf f mf
mf f mf
f mf
fp mf
fp mf
fp f mf
f mf
f
mf
p mf mf
mf
2
2
2
2
2
2
2
2
2
2
2
2
C.C.
Glockenspiel
2
25
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
W.B.
Perc.
Glock.
Vib.
Pno.
Hrp.
209204
f mf f
f mf f
f mf f
mp
mp
mp
f mf f
f mf f
f mf f
ff mf fmf
ff mf f
mf
p
mp
mf
f mf f
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Tambourine
2
26
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Tamb.
Perc.
Glock.
Vib.
Pno.
Hrp.
f
217211
f
f
mf f
mf f
mf f
f
mf f
f
f
f
f
mf f mf
mf f mf
mf f mf
f
f
mf f mf
mf f mf
mf f mf
f
f
f
p f
f
f
f
f
B.D.
C.C.
27
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Perc.
Glock.
Vib.
Pno.
Hrp.
mf f cresc. ff
225219
mf f cresc. ff
mf f cresc. ff
mf f cresc. ff
mf f cresc. ff
mf f cresc. ff
f cresc. ff
f cresc. ff
mf f cresc. ff
mf f cresc. ff
mf f cresc. ff
mf f cresc. ff
mf f cresc.
ff
mff cresc.
ff
mff cresc. ff
cresc.ff
cresc.ff
mff cresc.
ff
mff
cresc. ff
f cresc. ff
f cresc. ff
f cresc. ff
mff
cresc. ff
mff cresc. ff
f f cresc. ff
f f cresc. ff
f f cresc. ff
mff
cresc. ff
mf fcresc. ff
mf fcresc. ff
mf fcresc. ff
mf fcresc. ff
ff
ff
cresc. ff
mf
cresc.
mfff
cresc. ff
stagger breathing
stagger breathing
stagger breathing
stagger breathing
stagger breathing
stagger breathing
C.C.
Xylophone
Marimba (medium Sticks)
28
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Perc.
Xyl.
Mar.
Pno.
Hrp.
rit. Andantino q.=110 rit. Lento rubato q=60rit.
231227
mf
mp
p
p
p
p
f mf pp
f mf pp
f mfpp
f mp pp
f ff mp mf
f ff mp
f ff mp pp
f ff mp pp
f ff mp pp
f ff mp p pp
fff
mpmp
f ff mp mp
f p mf mp
f
mf mf mp
p mf
mf
f mf
ff mp
2
2
2
espressivo
Tubular Bells
Windchimes
sus. Cymb
Vibraphone (motor on)
29
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Tub. B.
Perc.
Congas
Vib.
Mar.
Pno.
Hrp.
Andante q=100239
p
p
p
p
mf
mf
mf
p
p
p
p
p
mf
mf
p mf p
p mf p
mf
p
mf
mf
p
p
p
pizz.
Tubular Bells
Congas
(Soft sticks)
30
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Tub. B.
Tub. B.
Congas
Vib.
Mar.
Pno.
Hrp.
251247
p
p
p
p
p
p
p
f
mp
mf f p
mf f p
mp
mp
mp
mp
mp
mp
mf
p
p
mp
p mf
solo
cup mute
cup mute
cup mute
S.D.
31
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Tub. B.
Congas
Vib.
Mar.
Pno.
Hrp.
259253
mf
f f
f
f
mf p
mf p
mf p
mf
mf
mf
f
cup mute
cup mute
cup mute
32
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Tub. B.
Congas
Vib.
Mar.
Pno.
Hrp.
260
mf p fp fp mf p mf p f
mf p fp fp mf p mf p f
mf p fp fp mf p mf p f
f
f
f
p mf
f
f
f
Sus. Cymb
Xylophone
33
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Congas
Xyl.
Mar.
Pno.
Hrp.
273267
p
p
p
p
p
p
p
mf
mf
mf
mf p p
mf p p
mf p p
p p p
p p p
mp p
f
mf
open
open
open
Sus. Cymb
34
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Congas
Xyl.
Mar.
Pno.
Hrp.
276
cresc.
mp cresc.
mp cresc.
mp cresc.
p p mp cresc.cresc.
p pmp
cresc.cresc.
p p cresc.
p p cresc.
p p cresc.
pcresc.
p p cresc.
p p cresc.
cresc.
pp
open
open
open
C.C.
35
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Perc.
Xyl.
Mar.
Pno.
Hrp.
ff
rit. Allegro q.=144
288286
ff
ff
ff
ff
ff
ff f
ff f
ff
ff
ff
ff
ff
fff
ff f
ff
ff
ff
fff
ff f
ff f
ff f
ff f
ff f
ff f
ff f
ff f
ff f f
ff f
ff f
ff f
ff f
f
f
ff f
f
ff
ff f
6
6 2
2
6 6
6
6 2 2
6 6
6
6 2 2
6
6
6 2 2
6
6 2
2
6 6 6 2 2
6
6
6
6 2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
6
6
6
6
6 6
6
6
36
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Perc.
Xyl.
Mar.
Pno.
Hrp.
293
f
f
f
f
f
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2
2 2
2 2 2 2
2 2 2 2
2 2 2 2
2 2 2 2
37
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Perc.
Xyl.
Mar.
Pno.
Hrp.
f ff
rit. Con Temperamente q. = 140302301
f ff
f ff
f ff
f ff
f ff
f f
f f
f ff
f ff
f ff
f ff
f f
ff
f f
f f
f f
f f
f f
f f ff mf f f
f f ff mf f f
f f ff mf f f
f f
ff
f f ff mf f f
f f ff mf f f
f f ff mf f f
f f ff mf f f
f ff
f ff
f f
f f f
f f
ff
f ff
f
ff
f ff
Wood Blocks
B.D.
C.C. C.C.
38
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Perc.
Xyl.
Mar.
Pno.
Hrp.
f
molto rit.
Con Fuoco q. = 164315309
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
ff f
ff
f
f
f
39
DEMO SCORE
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Eh.
1st Bsn
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
CbCl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Tpt
2nd Tpt
3rd Tpt
1st Hrn
2nd Hrn
1st Tbn.
2nd Tbn.
3rd Tbn.
Bar.
Tba
Cb.
Timp.
Perc.
Perc.
Perc.
Xyl.
Mar.
Pno.
Hrp.
cresc. ff
molto rit. (q. = 100) molto rit.317
cresc.ff
cresc.ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
f cresc. ff
f cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
f cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff
cresc. ff sffp ff
cresc. ff sffp ff
ffff
ff fff
cresc. ff
ff
cresc.
cresc. ff
cresc. ff
Tubular Bells
B.D.
40
