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von Minimal Music zu Minimal Techno. Prof. Dr. Michael Ahlers

von Minimal Music zu Minimal Techno

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Page 1: von Minimal Music zu Minimal Techno

von Minimal Music zu Minimal Techno. Prof. Dr. Michael Ahlers

Page 2: von Minimal Music zu Minimal Techno

Minimal Music

•  Sammelbegriff für unterschiedlichste Kompositionsprinzipien.

•  Auch: repetitive Musik, Pattern/ Pulse Music, Trance Music usw. (vgl. MGG Bd. 6, Sp. 294ff.).

•  Anfänglich Bezüge zu: –  Experimentelle Musik, –  Meditation, Esoterik, –  Außereuropäische (repetitive) Musikstile, –  Kunst (Minimalismus/ Minimal Art), –  Hippie-Kultur.

Page 3: von Minimal Music zu Minimal Techno

Minimal Arts

Keupp 2009: Unsquare Dance Kuiper2010: Brigitte Bardot‘s lips in minimal art

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Minimal Music •  Erster Schwerpunkt: 1960er bis 1970er-Jahre. •  Länder: USA, England, Holland. •  Schwerpunkte (Potter, Gann, Ap Siôn 2013):

–  Harmonic Stasis, –  Repetition, –  Drones, –  Gradual Process, –  Steady Beat, –  Static Instrumentation. –  Metamusic, –  Pure Tuning, –  Audible Structure.

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Minimal Music

•  Häufig werden nur die „großen“ vier amerikanischen Komponisten genannt (Wim Mertens 1983): –  La Monte Young (Cage-Schüler, Fluxus), –  Terry Riley, –  Steve Reich, –  Philipp Glas.

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Minimal Music

•  La Monte Young: –  For Brass (1967)

•  Phill Niblock: –  The movement of people working (ca. 1973).

•  Charlemagne Palestine: –  Strumming Music (1974):

http://www.youtube.com/watch?v=bulibjyaQ0s

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Minimal Music

•  Terry Riley: –  In C (1964). –  Lifespan: IV. In the summer (1974).

•  Steve Reich: –  It‘s gonna rain, Part I (1965). –  Music for 18 Musicians – Pulses (1976).

•  Philipp Glas: –  Einstein on the Beach: Knee 1 (1975). –  Étoile polaire – Étoile polaire (1977, M. Oldfield: 1979). –  Koyaanisqatsi: The Grid (1983).

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Post-Minimalismus

•  Als Begriff bereits eingeführt etwa 1982: –  „using repetition for texture rather than for structure, and

embracing sounds from jazz and the classics“ (Pareles 1983, S. 64)

•  Teilweise in „Moderne“ oder Post-Moderne übergegangen. Es finden sich aber immer wieder Zitate oder Techniken der „Ur-Minimalisten“ wieder: –  Oren Ambarchi & Keith Rowe: Flypaper IV (2002)

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Minimalismus/ Europa

•  Christopher Fox (GB, „machine“, „systems music“), –  More things in the air than visible, Section 2 (1992-1994)

•  Arvo Pärt (EE), •  Michael Nyman (GB, „The Piano“-Soundtrack), •  Yann Tiersen (FR, „Amélie“-Soundtrack), •  Louis Andriessen, Simeon ten Holt (NL).

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Minimal Electronic Music

•  Mike Oldfield, –  Tubular Bells (1973):

http://www.youtube.com/watch?v=1ZBaVTBQW0I

•  Brian Eno, –  Rising Thermal (1980)

•  Can, •  Soft Machine, •  Tangerine Dream.

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Minimal Techno

•  Robert Hood: –  Museum (1994).

•  Aphex Twin: –  Icct Hedral (1995, mit Orchester-Remix von P. Glass)

•  GMAN: –  Quo Vadis (1999).

•  KOMPAKT Label (Köln) –  DJ Koze: Mariposa. –  Michael Mayer & Reinhard Voigt: Transparenza.

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Minimal heute?

•  Spezialisierte Festivals und Ensembles wie etwa „in process“: –  http://www.minimal-music-festival.de/ –  http://www.minimal-music.com

•  In der „klassischen Musik“ junge Generation von (Post-)Minimalist_innen: Eisenga, Sommacal, Don Li.

•  Immer wieder Zitate oder Übernahmen in Kompositionen oder (Re-)Mixes von Minimal Music auch in der populären Musik.

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Minimal heute:

To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ... To be continued ...

Page 14: von Minimal Music zu Minimal Techno

Hör.Abend #1

Vielen Dank für Ihre Aufmerksamkeit!