Jonathan Sokol · Jay Hurst Lucy Ignarro Jae-Hoon Jeong Daniel Kaplan Susanne Kuehne Erik Larsen...

つばめ

(tsubame – swallows)

Jonathan Sokol

Instrumentation

Flute Oboe Bb Clarinet Bb Bass Clarinet Bassoon F Horn C Trumpet – straight mute needed Trombone – straight mute needed Percussion 1: Suspended Cymbal, Brake Drum, Triangle, Crotales (2-octave set), Tam-tam, Slap-stick Percussion 2: Drum kit Piano Violin 1 Violin 2 Viola Violoncello Double Bass

Performance Notes Transposed Score Duration: 7 minutes

: crescendo from/diminish to nothing

: last-minute, immediate crescendo

: as fast as possible. Often found in strings and winds as a quick cascade upward or downward.

: unmeasured accelerando (or ritardando if reversed)

: highest note possible k-tr : key-trill. Trill between two alternate fingerings of the same pitch. A slight microtonal difference is desired. MSP : molto sul ponticello ord. : ordinario Figures and patterns within boxes are to be played through the duration of the thick bar following the figure. Courtesy rests are given for figures that do not begin or end at the beginning of a measure to show placement. At rehearsal numbers 6 and 32, the string figure repeats as described above but the pitches are nonspecific. The glissando continues upward, does not begin with original notes each repetition, and climbs in small intervallic increments. The double-stop should, in general, be maintained from the previous repeated figure. Performers should change strings as necessary.

Program Note While visiting Nara, Japan—well-known for the deer that roam the town—I spent some time in a small park corner instead observing the flight patterns of four or five swallows doing a sort of territorial dance. The graceful fluctuation in their rhythmic constancy was striking. Fast and fluid, often inches from the grass, the swallows would bank in wide arcs, flicker to a stop, and begin anew solo, in pairs, trios or more. The rhythmic drive of tsubame (Japanese for swallow) is influenced by these patterns and dances.

Oh, caged heart!— :: tremors, flutters :: artificial pulse ::—how will you fly when freed? Tsubame was commissioned by and written for HOLOGRAPHIC.

jonn.sokol@gmail.com | jonathansokol.com | Serriel Printworks (ASCAP) | SP – 00053

This page is to acknowledge the generous investments of those who backed the HOLOGRAPHIC Kickstarter Project.

Without your generosity, this piece would not have been possible. You have my deepest thanks!

Jacob Bird Sam Bridgeman

Mary Cerini David Chapman

Susan Chase Todd Davidson Jacob Duncan

Kenneth R. Eineke Max Frank

John Gibson Thomas C. Gill

Moon Young Ha Yotam Haber

Jay Hurst Lucy Ignarro

Jae-Hoon Jeong Daniel Kaplan

Susanne Kuehne Erik Larsen Eric Lindsay

Stephanie Lombardo Karen McKeown

Jon Miller Thomas Nord

Eugene O’Brien Mark Oliveiro Gerald C. Pate Lynn Peculis Markita Price

Fred Redmond Helene Richter

Brice Rosenbloom Matthew Shefler

Karen Sokol Stephen Taylor

Christine L. Umthun Carol Viera Pam Vitaz

Leon & Helen Wahba David Wood

Transposed ScoreDuration: 7 minutes

q = 132

© 2013 by Jonathan Sokol. Published by Serriel Printworks (ASCAP). International Copyright secured.All Rights Reserved. Copying or reproducing this publication in whole or in part violates the Federal Copyright Law.

つばめ[Tsubame - Swallows]

Commissioned by and written for HOLOGRAPHIC

Jonathan Sokol (2013)ASCAP

1 2 3 4

accel.

Bb Clarinet

Bb Bass Clarinet

Bassoon

F Horn

C Trumpet

Trombone

Percussion

Drumkit

Violin 1

Violin 2

Violoncello

Double Bass

Jet Whistle

p 3 3 3

str. mute

Sus. Cym.

scrape

(r.s.)

Hi-hat

ff ord. *

q = 132

III MSP

f ord. * q = 120

IV MSP

mf ord. *

q = 104

III MSP

mp ord. *

q = 92

IV MSP

flaut.

*These tempo markings for strings only. Approximation is expected.

6 7 8 9

accel.

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

pp pespr.

3 bend

pp pespr.

p f pp

(muted)

(Sus. Cym.)

q = 92

q = 104

q = 120

q = 132

(q = 96)MSP

pizz. ff

*Continue gliss. upward; do not begin with original notes each repetition. Climb in small intervallic increments. Change strings as necessary.

Tsubame [Swallows] - Full Score

SP - 000532

11 12 13

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p mf p f

fp f p

n 3 3 3

p mf p f p

n n n n n

n n n n n n

n n n p

5 5 3 35

(muted)

scrapel.v.

(q = 132)

(q = 120)

ord., non-vib.

(q = 104)

SP - 000533

16 17 18 19 20

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

n n n n

n n n n n n n

n n n n n n

p3 3 3 3 3 3 3

55 5 3 3 5 5 5

pp f pp

n n n n

55 5 5 5 5 5

(muted)

(Sus. Cym.)

III (MSP)

non-vib.

IV MSP

(non-vib.)

IV (MSP)

non-vib.

mf p mf

II (MSP)

MSP, arco (ord.)

harm. gliss.

SP - 000534

22 23 24

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p sub.

non-vib.

f non-vib.

(w/brass)

non-vib.

(muted)

to Brake Drum

ff ord. (non-vib.)

f ord. (non-vib.)

ord. (non-vib.)

5 5 5 5

ord., arco

*Double Bass harmonics are written at performance pitch and will sound an octave lower.

SP - 000535

25 26 27 28 29

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

f p sub.

(muted)

gliss.

Brake Drum

to Sus. Cym.

(w/brass)

f gliss.

SP - 000536

accel.

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

5 5 5 5 5 5

3 3 3 3

(muted)

q = 132

q = 120

q = 104

q = 96

SP - 000537

34 35 36 37

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

(fl. tg.)

5 5 5 3

3 3 3 3 3 3 3 3 3 3 3 3 3

(muted)

(to Sus. Cym.)

(q = 184)

(q = 168)

(q = 144)

(non-vib.)

(q = 132)

SP - 000538

38 39 40 41

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

3 3 3 3 5 5

3 3 3 3 3 3 3 3

(muted)

pp mf pp mf

mf pp mf

SP - 000539

43 44 45

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

5 5 5 5 55

3 3 3 3

5 5 3 3 3 3 3 3 3 3 3

3 3 3 3

(muted)

Sus. Cym.

(non-vib.)

SP - 0005310

46 47 48

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

5 5 5 55 5 5 5 5 5 5 5

3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3

(muted)

3 3 3 3 3

Toms: H, L

fp fp f mf espr.

fp fp f

fp fp f mf espr.

vib., MSPf

mf espr.

vib., MSP

SP - 0005311

50 51 52 53

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

5 5 5 5 55

5 5 5 5 5 5 55

3 3 3 3

3 3 3 3 3 3 3 3 3 3

(muted)

(Sus. Cym.)

Hi-hat foot

SP - 0005312

54 55 56 57

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

5 5 5 5 5 5 5

55 5 5 5

3 3 3 3 3

3 3 3 3 3 3 3 3 3

3 3 3 3

(muted)

3 3 3 3

mf f p f p

SP - 0005313

59 60 61

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

5 5 5 5 5 5 5 5 55

5 5 5 5

3 3 3 3 3

3 3 3 3 3 3 3 3 3 33 3

(muted)

3 3 3 3 3

(Sus. Cym.)

p mf p

MSP, (non-vib.)

mf p f p mf p

SP - 0005314

62 63 64 65

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

n n n n n

5 5 3 3

n n n n n

5 5 5 3 3 3 5 5 5 5

n n n p

n n n n n 3 5 5

3 3 3 3 3 3 3 3 3 3

3 3 3 3

(muted)

remove mute

(muted)

remove mute 3 3 3

f p f p

non-vib.

f p f p

non-vib.

SP - 0005315

66 67 68 69 70

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

Jet Whistle

(Sus. Cym.)

scrape

ff mf p static

to soft mallets 3

III MSP arco

non-vib.

ord., flaut.

SP - 0005316

71 72 73 74

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

breath tone

gliss.

II (MSP)

gliss.

III (MSP)

ord., flaut.

arcoscratch, MSP

SP - 0005317

75 76 77 78 79

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

(ord., fl. tg.)solo

mf p fp fp

7 3 3 6 3

(Sus. Cym.)

soft mallets

ppp poss.

mute near pins

punta d'arco

ord., vib.

(MSP) I

ppp poss.

SP - 0005318

80 81 82 83 84 85

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

(q + w + h)

breath tone

p f ord.

p fp fp

(w + h.)

breath tone

scrape

to wooden sticks

p fp f

SP - 0005319

87 88 89 90

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

breath tone

p mf p

(Sus. Cym.)

p mf p

to Triangle

ord. (non-vib.) MSP

mfespr.

f p mf f p

SP - 0005320

91 92 93 94 95

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

mf f p p f p

SP - 0005321

96 97 98 99

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

f pp f53

ord., non-vib.

pp mf pp

mfespr.

f p f3 3

non-vib.

pp mf pp

non-vib.

pp mf pp

(non-vib.)

pp mf pp

(vib.)

non-vib.

pp mf pp

non-vib.

pp mf pp

(to Triangle)

Triangle

l.v. throughout

3 3 3 3

on bell, l.v.wooden sticks

5 5 5 5

una corda

gliss.

mfespr.

f p f3 3

gliss.

mfespr.

f p f3 3

gliss.

mfespr.

f p f3 3

non-vib.p

non-vib.

pp mf pp

SP - 0005322

101 102 103 104

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p f sub.

3 3 3 3 3 3 3 3 3 3 3 3 3 3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

p f sub.

SP - 0005323

105 106

(2 + 3)

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

(Triangle) to Crotales

3 3 3 3 3 3 3 3 3 3

5 5 5 5 5 5 5 5 5 5 5 5 5

tre corde

III IV

(vib.)

SP - 0005324

109 110 111 112

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p ff mf

p p espr. mf

to Str. Mute

3 3 3 3 3 3 3

III II

f p f p

p espr. mf

SP - 0005325

113 114 115 116

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

ff p f

p mf f mf

Str. Mute

Crotales

3 3 3 3 3 3 3

f p f p f p

p mf f mf

SP - 0005326

117 118

119 120

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p mf p

f p fp

(muted)

p mf p

3 3 3 3

III II

f p fp

SP - 0005327

121 122 123 124

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p mf p p mf p

(muted)

p mf p p mf

3 3 3 3 3 3

(Crotales)

III II

f p f p

f p p f p

SP - 0005328

125 126

127 128

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

mf p f

p mf p p mf p p

p p f p p mf p

(muted)

mf p f

p p mf p p mf

3 3 3 3 3 3

on rim

p f p p

3 3 3 3

mf p f

p p f p p f p p

p f p p f p p f

SP - 0005329

129 130 131 132

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p mf p p mf

mf p p mf p p mf

p mf p p mf mf p

p mf p p

mf p p

(muted)

p mf p p mf

p p mf p p

mf3 3 3

3 3 3 3 3 3 3

(Crotales)

p f p mf

f p p f

3 3 3 3 3 3 3 3 3

p f p mf

f p p f p p f

p p f p p f p

SP - 0005330

133 134

135 136

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p f p f p

p p mf p p f p

7 7 7 7

p p mf p f p f p

f p p f p f p f

mf p p mf p mf p mf

(muted)

p p mf p p mf p mf

p p mf p mf p mf p

3 3 3 3 3

to Sus. Cym.

p f p f

p p f p p f p f p

33 3 3 3

p f p f

p p f p f p f

p f p ff

p f p f p

SP - 0005331

137 138 139 140

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

f p f p f p f p f p

p f p f p f p f p f

p mf p mf p mf p mf p

(muted)

mf p mf p mf p mf p mf

(to Sus. Cym.)

p f p f p f p f p f p

f p f p f p f p f p

p f p f p f p f p f p

f p f p f p f p f p f

SP - 0005332

141 142 143 144

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

f p f p f p f p f

p f p f p f p f p

mf p mf p mf p mf p

(muted)

mf p mf p mf p f p

f p f p f p f p f p

f p f p f p f p f

p f p f p f p f

SP - 0005333

145 146 147

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p f p f p f

p f p f p f p

f p f p f p

mf p mf p

(muted)

f p f p f remove mute

mf p mf p

Sus Cym.

pp mf pp

gliss. inside, across strings. Work around cross-beams as necessary.

f p f p ff

MSP, détaché

p static

f p f p ff

MSP, détaché

p static

5 5 5 5 5

f p f p ff

MSP, détaché

p static

55 5 5

p f p p ff p static

MSP, détaché5

p f p p ff

MSP, détaché

p static

SP - 0005334

149 150 151 152

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

open, solo

f mf f mf

55 5 5 5 5

55 5 5

5 55 5 5 5 5 5 5 5 5 5 5 5 5 5

55 5 5 5 5

SP - 0005335

153 154 155 156

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

f mf f mf f

55 5 5 5 5

55 5 5 5 5 5 5 5 5 5 5 5 5 5 5

55 5 5 5 5

SP - 0005336

(2 + 3)

158 159 160

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

mf f mf ff mf

mf p ff

l.v. to Brake DrumBrake Drum

to Tam-tam Tam-tam

55 5 5

ord.5 5 5 5 5

SP - 0005337

161 162 163 164

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

ff mf ff mf ff mf ff mf ff mf f

to Sus. Cym.

p 5 5 5

SP - 0005338

165 166 167 168

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

fp f p f p

p ff ff

p5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

non-vib.

p f p3

f p f ff II

mf ff3 3 3 3

f p f p f f III

f p f p f p f

SP - 0005339

poco accel.

q = 144

(3 + 2 + 2)

171 172

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

pp ff f

Sus. Cym.

scrape

to Triangle

ffp ff

p5 5 5 5 5

gliss.

p f p f

gliss.

p f p f

gliss.

p ff p

gliss.

p ff p

SP - 0005340

173 174 175 176

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

non-vib.

p static

non-vib.

p static

non-vib.

p static

gliss.mf

gliss.p

p mf p

gliss.

SP - 0005341

177 178

179 180

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

f p mf

p p ff mf

p ff mf

Triangle

gliss.

mfgliss. gliss.

pgliss.

gliss.

gliss. gliss.

gliss.

SP - 0005342

181 182 183 184

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

SP - 0005343

185 186 187 188

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

(Triangle)

SP - 0005344

189 190

191 192

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

bendff p ff p

p f p p ff p

p ff p p ff p p

to Sus. Cym. Sus. Cym.

to Woodblock

gliss., grind!

ff p ff p p ff

gliss., grind!

ff p ff p p

gliss., grind!

ff p ff p

SP - 0005345

193 194 195 196

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

p ff p p ff p p ff p p ff p p ff p p

ff p p ff p p ff p p ff p p ff p p ff p p ff

3 3 3 3 3

(to Woodblock)

f fp ff mf f f ff

f fp ff mf f f

p p ff p p ff p p ff p p ff p p ff p

ff p p ff p p ff p p ff p p ff p p ff

p ff p p ff p p ff p p ff p p ff p p

SP - 0005346

197 198 199 200

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

non-vib.

ff mf ff

p p ff p ff p

ff p ff p ff

3 3 3 3

p ff p ff p

ff p ff p ff

p p ff p ff p

ff p ff p ff

3 3 3 3

Woodblock

ff p ff

SP - 0005347

201 202

203 204

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

MSP, non-vib.

SP - 0005348

205 206 207

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

MSP, non-vib.

SP - 0005349

208 209 210 211

Bb Cl.

Bb B. Cl.

C Tpt.

Vln. 1

Vln. 2

fp fp fp

(Woodblock) to Slap-stick Slap-stick

SP - 0005350

Jonathan Sokol · Jay Hurst Lucy Ignarro Jae-Hoon Jeong Daniel Kaplan Susanne Kuehne Erik Larsen...

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