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:È
op"3
40 Variations/ Variationen
for
CtrLLO
arr. Feuillard
BOS\MORTTI
4A Variationenvon 0. $evcik op.a
fiir Violoncello iibertragen vonL . R . FEUILLARD.
ASKURZUIIGEII UTD ZEICHEII :G. Ganzer Bogen.H. I lalber Bogen.u.H. Untere Hâlfte.o .H. Obere Hâl f te .Fr. Am Frosch des Bogens.M. I l i t te des Bogens.Sp. Spitze des Bogens.R Hcrunterstr ich.V Hinaufstr ich.
Bre i t s tossen -
40 Variationsde 0. $evôik op.s
transmites pour Yioloncelle ParL. R. FEUILLARI l .
40 variaciod 0. $evcika op.g
pro violoncello uPiavil
L.R. FEUILLARD.
40 Variations0, $evéik op.e
transcribed for Violoncello byL . R . FEUILL IRD.
40 BffiIlifi.cocr. 0. 0. l lJeBr{ t{xt. op. 3[;rr nio.roIIqo.iIE treperorrsrb
t . R . F E U I L L A R D .
ABBREY IATIOI{S AÎID SI GIIS:G. Whole bow-length.H. f la l f bow- length.u.H. Lower half bow-length.o .H. L Ipper ha l f bow- lencth.Fr. Fiôg (nut, or heel) oîthe bow.M. Bow -m idd le .Sp. T ip o f the bow.n Down- stroke.V Up -stroke.
Broatl (detached) staccato.. Hammered staccato (martel lato).t Jerkediricochet) or hopping st&ccato.) Raise ,h" lo*
_-
-
coKFAq,Efi tR H 3HAKlt:G. Idà.rr^rxr cv t , l r r t iox lb.I I . I lo"ronrt t toHl c r r , r r r t ia .u .H . Hnx r ren t roJo r runuh) .o. I I . Bepxnerc no"roornroru.Fr. Y xo.ro,qo' rx l r .[1. Cepegruorccvhlr{NiI.Sp. IioHu,ov-b e]f,r,rqn&.n Cxbrcxorrl Brrrrl 'b.V Ci lLrcr iour BBepx'b.
IIp oramx r,l lr ' l lrrrp nxolr'6.. Orpus l reTo .I 0rcnal i r rBenu{nx6 rr . rn
IlpblraX,q,IIlI 'b Cil I ' lq ROY'b.
) Cnnr r cub rqona .
ABREYIATIOTS ET SIGI IES:G. Tout lbrchet.H. Noitté d'archet.u.H. I[oitié infériere.o.H. Moitié supériere.Fr. Talon de l'archet.M. llle'lieu de l'archet.Sp. Pointe de l'archet.n Tirez.V Pousses,
T
)
Ahgestossen oder gehâmmert.Geworfen (spiccato) oder springend.Bogen heben.
I
)
Détaché large.Staccato ou martelé.Jeté (spiccato t ou sautillé .Leaer l'arcltet.
z[aATKY A ZtAhrEl l r .g. celym..sng!ccem.t l . potootcn?.m snlyccem,u.E . dolejiz' polooici.o.H. hoiefir.p oloo ici.Fr. U àabky smyéce.M. Stied,ern smuéce.Sp. Hrotem sn{éce.n smyk dolù.V smuk nahoru.
Èir-ok{m turten.. odrd.ùenë aneb potepem.r, Ûa3rgm (spiccat6) aieb poskokem.) gdozn snycce.
Edited and translated byAllegro.
Edited by L.E. Feuillard and, A.E.Bosmorth
-\ -'
n
\ nTema.
Allegro.EYE
n, - - -t - - -
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J= l r , z .
J= us.
VI
nf l f
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n V ;
nf
VtV
I
nv V N VYY n
Fr.
C<rpyn6ht !9Oi bY B i lswur th . t Co B. . i C9 6 t5 t
4
Yaî.2.
Var.3.
M.n
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werfenjeter L'h
je rk
Y, Y.
Allegro.J = r38.
E
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I
I
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Yaî.4.Al leg ro . J - r lB .
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f e,r Fr6sch.v Du ta lon. U ïaôky
At the frr,g. V no.to.1ourcrr.
t s . . t c , t 6157
! 1 1 n n
Var, 5.
Var. 6.
-----'-/ a t
-^\:1 r
1 - v
2-{
<-\F ' r \
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Allegro . )= r44.y-r --..
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I
Allegro. J = t6B, IIIe corde.V r A r ? B
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e ) :
1
I t
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fe. I
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f
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V&r. 7.
ct'e _
I
Âllegro . J =rlp.
l l r r
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B. & Cq 6 tô?
6
Var.8.
Var.9.
Var. 10.
Allegro. J = r3p.FrI -
f senrpre
rx : \J
Allesretto. J. = ao.r r - - V 4
-_, I f.l r .r t-l I.
Allegro. J = rso.sDtcca to \
B . & C g 6 1 5 7
Var.l1.
Var.12.
Var. 13.
I
.A, l legro, J=l lo l_ .4 - r r 1 . r
I
. d l l eg ro .à=84 .- V,,_. n_
v.11
I r :
YERÂi l t lERUI IGEI { DES EOGEI ISTRICHES.
A)
o.H. fi. u.It.
I
CHAHGEHEIITS DE COUPS D'ARCHET,ZHEI IY STYXU.
G . LT,
-->
G . S p . G .
CHAIIGES O F BOWI }IG -STYLES.n EPEl i l tHbr ÂBHHEH|n Ct*Ur q{n,
I
Allegro . J= 162.U.(p) spiccato
2
B . , r C o 6 1 5 7
u.fr
B)r t t l l- t
I
Var. 14.
u . I I . u.H.fl
--
- d o
i-}.
V V V
Allegretto. J. = os.sp iccato I rI ' l : - 2 + '
n v n V V Y - Vli. *ld"[Ii q.
f v t f
Var. 15,V V V
X'eter Uhozjcrk
Y
V V V
l o
V V V
' - r y
V V V
vJ- v
V V V
V V V
l v - :
Y
t r 4?+r.t I I
44 o 1
r Qt V
f
tt
It-
VAllegro . J =rc2.
sauti l lé> | . '
B . & C g 6 1 5 7cre _
Var. 16.
f t ] I r r r r ç
Var, 18.
u . I I .
u . H .
n
I
Al legro . )= læo.n I r r f
u . I [ .
o . I I .
u . H .
o . I I .
,-) l t t l
I t t l t r r r r r r r l
r r f l t t
rv l: tt
l r '
/1>
u . I I .
, --\
f t t t
0 scen,
y y l y l l l l
- d ol r l f
v r t t
: ) t t l 4o
A l l eg ro . J=162 .sautillé r r> r : ^ t
?, rre &
t t rr t] '{,
u . I I .
I
u . H .
B . . r C g 6 1 5 7
I . ' C .
7, vr tt
A r
u . H .
u . I I . c . I I .
o . l I
o . I l .
a.--)
10
Var. 19.
Var.20.
Var. 21.
Allegro . J=yt+.,^r l_ s-n
I
fi.-r
i,o l l-t
*t - .
u.H.
Va-
; PPN.I
Al legro . J= 88 .nv- t
M
scen - - dof!
Dfrc (;I
' I
I
l l
A l l eg ro . ) . - so .h ^ t - r
nfSp. G. sp.
G. Spr. fG. tj
:\
G .
-i\
I
B . . r CS 6157
pp
Allegro . J=126.
Ya,r,22,spiccato
l t t t t
r v i l * ; r
r 1, - L I I
\ y ^1 r r I r r I
t{.
- - = = = - -
\ - ' - \
Y
I I1c
V t l i* : . , t - : , r î
, f l r l
II
2I
3T I
Ig lI t
t
i' I
I 4t
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II9 C.
r l r r t r
t r , l f I I r
venÂrornurogr oEs B0GErsrRrcHEs. cH^'rcEnElrrs oyEscoup$ D'^ncilEr. f;llliâiilÂirtlllËhrllirii_^.
Allegro. J= ro,
4r yt1
t
t{. }I .
1v .
Var.23.
I
Allcgro. I = 88.'4=-
^ ^ . , ' 4 1 r r )
Ï
I:J tz',
n -â.r, .rJ - -a.L l^ r
1.5=-
G. o .H .
n Vr}C. tI'.- -o,L I I
M. } I .PP
mG\
B . & C S 8 1 5 ?
L2Allegro. ) = Mz.
Yr- Y1..l . t l
n9 sautil lét t t r
t r r t
L \ ,-:.:Ï;rLLài
9C.
Y R , t-\liy'.
l r r
Y-Èt Yî I
v l t Iv
Yat24.
Taû1.
It t r l ! Y r l - l
t
)
Y,--
Ytt-a t
^ r r IAt tegro . J :138.-Ft
'i_\
trl.wclfietuf,It uhr,z 4^
t r Y . fr:\ ---...--- JerK &."
Yr=
M.
.-> t\ nr-4
n,-i ;\l^i in 2-'
l \Cn îs
\
u.H. 'G.
Allegro moderato. J =ro4.
ilr-)
1,iÎ> ;\ fi
Fr .
v I ' r
' f
l _
G .n
Var.26.l'Nj rï"
B. & Cg 6 {57
fffi: 4fe
;"fr;->
Allepçro. ) =r44.Srytill.
3Rnn
G
8 r
| | l r. -:---
I
nnn! . tt t F
Yar.27,g ,
v r * , r r
> Y I f
> V V t f r tl . ô l - > À ^ - =ààiil;iV
à l f l l v t tr - - t a l ^ - -
a
6/
4> l r t > t l r
4 0 0 0>
o o o> 2 4
> t t v
Var.28.
Allegretto. J: too.o " 4
l l jssend' "^o\à'nt letmof l y iug
B . & C 9 6 r 6 7
l4
Var.29.
IAltegrO. d = 86.
YERATI}ERUTGET DES EOGETSTRICHES,
, t{..(P)l . l '
sr-.Qû)
Al legro.J=152.'æL f
;Var.30.
f l iegend
cHAi lGEtEt{TS" 0E CoUBS I I 'ÂRCHET CHAi lGES 0F 80WltC- STYLES.zrÉny sHyr(Û, nEpEtrtHbrÂ8HxEHil i crbtqKA.
î \ t f i z . \ * )< . rl it. r-r )- 1\>r- 4.wuto.* â d 4ll'g'g../n11.,,
rrW) r'ii I\t. sautillé
rtolant letmof ly ing
.--̂\
G.
I ffi
II9 C.
Al leg ro . J=12o .f,h_
4:{--/ / \ - l t l h S
--*ù-a-.. L=
Var.31.r t t t f
B. & C9 8 t57
15
4-\{ - - l l l l -
,æ\i r r V t l t - ^ ->
D r r r t r l -
p -dolce
AlleEro. J: t lo.sPP..-.rfu
Var.32.
Var,33.
werfenj.ete.r uhozJ"t*
-\.
-- -P-/--:
#>>->,f
5 l * ->I r l t v
f*>
t t t t
â:É/'J
p
pt v t t v
o.H.dolce
t - u r t
f p
;F=--
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\ \
r.
;Ê>>>
JP>> >-
I r t à
: > - 5 5
,'>
Semltre
aj
>
' c tû
r I v f f
--:/r'> =
i\
.-=--/ -/---^ l.-7-.
Allegrells.J = ro4.
Y:àc; r)
B. & c9 8157
16
Var.34.
spic catoI
@ ) ^("flFr.
Allegro. J : 126., r a Q g
I v f
r v 4 9 9r . r - l I t
VERA III)ERUI{GEfl DES BOGEIISTRICHES,
.-+ J1-'/
I I .
6.Fr.(
- 9 . . 1 : r r -
t t . @ l ' ' t t l , r . I
M.( ? )Fr.(nf)
Al legro . J = t44 .Ll -=,
CHAHGEIIEilTS- DE COUP"S I!'ABCHETZHËilY ShIYKU.
C H A I I G E S O F B O W I T G . S T T L E S .nEPEHf Hb t ÂBr f XEHtH CMbrqKA.
v ' î - v c ' - / 7 \ J
t
^ lt.i'.
t
12.
l I t :
Allegro. J : eo.
Var.35.
r r . . - î r ,
, i l . i
Allegretto. J : 6s.vffi'h.'-..
l \ -' \_:
olz .--\
rffi>
l/->
B .& C9 6 tÉ7
{T---
I I9 C. -_ - - I9C.
lr- fffi> | ---G r J
rffi-
Var.36.
Var.37.
IAllegro. J = Lao.
G.gliss.
ff>
i$x
Mod.erato. J: to8.
frÈI I çC. IçC.
t f r r v I
18
Var.38.
Al legro. J =ru ,e .3 -I l r I
ooeà t l ^ r r
4t
4 4l ! f
YER A II DERUI{GEII DÉS BOGETSTR ICHES. CHATGETETTS. I lE C( IUB,S D'ARCHET. CHAIIGES OF BOWITG - STYLES.zi lEty styr(Ù. nEpEHtHbt ÂBtlxEHt[ ctbtqKt.
,^. =] . , ] .2 '? l; , L:. , r s.l G* (i -(l : (i 4.i
Fr.(r,tf)M,(P) ,
ff:wt
M;saut i l lé
, &.)> LJ
trl.
,.7
Var.39. B.
V?T, . - e.L[ L]
ii:'ç,f, ra)t* L:
Al legretto. J = noo.tt ', , f 6 . 1 ; J L : . : .
Var.39.A.
CHATGEMEHTS DE COUPS I l 'ARCHETPo-uR rEs IAR, 3s A.) 3s B.) . .zilËily snyru yE yARtAcrcH se'A) 39 B)
CHAHGES OF B(}WII IG - STYLESFOR THE VAR. 39 A . ) 39 B . ) .N E PETtHbI ÂBHXEHIl,| CITbII{KAÂnn vAR.3e A. gg e.
>
I
M .
,
l r t
z J I 8 g P e
v
t , 9 l
> l I | | I r I
B. . t C9 6 t57
YENI i lDERUIIGEII l lES BOGEi lSTSICHESrun otE YAR. 39 l) 39 B,).
n.Allegro . ) 1y+
r] nu.i
Var.40.u .âarpegglo
t)-
, l =vrn HDSRUP{GEH DEn ARPEGGTEH.
Allegro. J =$2. /4.saut i t lé / :
l û r r ,CHAHGEIdEHTS DES ARPEGES.
zttÈHY Y AnPEzifcx.CHATOES OF THE AI.:PEGGI(,S.nEPEit tHbt Arnrtr xrr .
Æ ,
f>I
(t,
cr
r5I
.G
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u
I
,
a.
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g
,zModerato. i = lo8.
'Jàifniu ù,,)f lyinq
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[18 .
Printed and bound in Great Britain byCaligraving Limited Thetford Norfolk
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L)fti)
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{thos
B . & C ç 6 t 5 ?1/00 (36245)
The \{trrks ofOTAKAR S
V J
EYOIK
\
Sovolopmcnt ofi the .tot, l/""/O P . 6 . V I O L I N M E T H O D F O R B E G I N N E R S .
Par ts 1 -5 . l s t Pos i t ion .Par t 6 . S tud ies Prepara tory to the var ious
Part 7 .
OP . 6 . Comp le te , bound i n C lo th .
Pos i t i ons .5 th Pos i t i on and comb in ing t he va r i ousPos i t i ons .
T"z fligAtly €lvanccl, FupîltOP.7. STUDIES PREPARATORY TO THE SHAKE &
D E V E L O P M E N T I N D O U B L E - S T O P P I N G .Par t 1 . Exerc ises in the 1s t Pos i t ion .Par t 2 . Exerc ises in the 2nd, 3 rd , 4 th , Srh & 6 th
pos i t ions .
OP. B . CHANGES OF POSITION & PREPARATORY SCALES T U D I E S .ln Th i rds , S ix ths , Octaves , & Tenths .
O P . 9 . P R E P A R A T O R Y S T U D I E S I N D O U B L E . S T O P P I N G .In Th i rds , S ix ths , Octaves & Tenths .
OPS. 7 , I & 9 . Comple te , bound in C lo t t r .
vloLtNLITTLE SEVCIK, Elementary TutorSEVCIK SCALES & ARPEGGIOSHOW TO PRACTISE SEVCIK'S MASTERWORKSINTRODUCTION TO SEVCIK VIOLIN STUDIES
f rom Op. 1 (by K. W. Rokos)
Tnz /{*o €l,ronecl P"pîlt
O P . 1 . S C H O O L O F V I O L I N T E C H N I O U E .Pa r t 1 . Exe rc i ses i n t he 1s t Pos i t i on .Pa r t 2 . Exe rc i ses i n t he 2nd -7 th Pos i t i ons .Pa r t 3 . Exe rc i ses i n Change o f Pos i t i on .Pa r t 4 . Exe rc i ses i n Doub le -S topp ing , T r i p l e -
S topp ing , Ouad rup le -S topp ing (3 & 4 -par t chords) . P izz icato , F lageole t Tones,H a r m o n i c s .
O P . 1 . C o m p l e t e , b o u n d i n C l o t h .
?nrolopmcnt of tAc RtgAt l/""/
O P . 2 . S C H O O L O F B O W I N G T E C H N I O U E .(4 ,000 Exerc ises in Bowing)P a r t s 1 - 6Exerc ise Themes to Op. 2 .
OP. 3 . 40 VARIATIONS
- P iano Accompan iment (op t iona l )
OPS. 2 & 3 , Comple te , bound in C lo th .
VIOLAArranged by L ionel Ter t is
OP. 1 . SCHOOL OF TECHNIOUE.Par t 1 . Exerc ises in the 1st Pos i t ion.Par t2 . Exerc ises in the 2nd-7th Pos i t ions.Parl3/4. Exerclses in Changes of Posit ion & in
Double, Tr ip le & Ouadruple Stopping, e tc .
OP .2 . SCHOOL OF BOWING TECHNIOUE.P a r t s 1 , 2 & 3 .
OP. 3. FORTY VARIATIONS (arr. Margaret Major)P iano Accompan imen t ( op t i ona l )
OP.7. PREPARATORY STUDIES TO THE TRILLPar t 1 . ar r . A lan Arno ld ; 1s t Pos i t ionPar t 2 . 2nd-6th Pos i t ion.
OP.8. CHANGES OF POSITION & PREPARATORY SCALESTUDIES.
OP. 9 . PREPARATORY STUDIES IN DOUBLE-STOPPING(arr . A lan Arno ld)
CELLOOP. 1 . THUMB PLACING EXERCISES.
Part 1. 1st Posi t ion (arr . W. Schul tz)OP.2 . SCHOOL OF BOWING TECHNIOUE.
(4,000 Exercises arr . Feui l lard)Parts 1-6.
OP. 3. FORry VARIATIONS (arr . Feui l lard)Piano Accompaniment (opt ional)
OP.8. CHANGES OF POSITION & PREPARATORY SCALESTUDIES.In Thirds, Sixths, Octaves & Tenths (arr . H. Boyd)
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