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2019
E D I T I O M U S I C A B U D A P E S T
EDITIO MUSICA BUDAPESTNovelties and Highlights
Distributed by / Im Vertrieb von
Aber zu Hause hast du ohne Begleitung gespielt, oder?
Ja, bitte!
Ich hab dich gestern spielen gehört. Du warst echt große Klasse!
J Ja… zum ersten Mal in meinem Leben war ich nicht aufgeregt.
Wie hast du das bloß hingekriegt?
Stell dir vor, am Sonntag hab ichs endlich gepackt: ich stand da vor meinen Eltern und spielte ihnen das Stück vor. Das hat so gut geklappt, dass ichs gestern Vormittag direkt nochmal versucht hab. Und als ich gestern rausging auf die Bühne, wars schon total normal, dass ich vor anderen Leuten vorspiele.
Na, gerne! Viel Erfolg beim Konzert!
Danke für die guten Tipps! Ich geh jetzt mal üben.
Immer cool bleiben, mach einfach weiter, als ob nicht passiert wäre! Wenn du selbstsicher spielst, dann fällt dein Fehler gar nicht auf. J
Und was soll ich tun, wenn ich was verpatze?
festliche Kleidung: helles Hemd, dunkle Hose, dunkle Schuhe (Hauptsache nicht verlottert) das Instrument muss sauber sein Bogen und Kolofonium in den Geigenkasten noten (Stimme und Klavierbegleitung) dunkle Schoki (damit dein Magen nicht auf der Bühne knurrt) ein Fläschchen Wasser
Na klar! In meinen Noten gibts ne CD, da ist jedes Stück im Original drauf + für jedes einzeln die Klavierbegleitung. So hab ich mich schnell dran gewöhnt, mit dem Klavier im Ohr zu spielen.
Das klingt gut! Hör mal, nächsten Freitag werde ich vorspielen. Worauf, denkst du, muss ich beim Auftritt achten?
Ich hab ne super Liste dazu, mein Lehrer hat sie zusammengestellt. Soll ich sie eben rüberschicken?
Danke, die werde ich auch benutzen!Aber was soll ich gegen Lampenfieber tun?
Keine Panik! Denk dran, das Publikum freut sich darüber, dass du spielst! Schau ihnen ruhig in die Augen, lächle und verbeuge dich und lass sie klatschen! Keine Eile! Wenn du schon gestimmt hast, schau zu deinem Begleiter und nicke, sobald du bereit bist! Auch während des Spiels kannst du manchmal zu ihm blicken. Am Ende verbeugt ihr euch gemeinsam und genießt den Erfolg!
14935_szolam.indd 32015.03.19. 9:2�:51
Piano 4
Violin 15
Viola 19
Various instruments 20
Violoncello 22
Guitar 27
Flute 28
Recorder 32
Clarinet 33
Chamber music 35
Vocal music 36
Choral music 37
Contents
EDITIO MUSICA BUDAPESTNovelties and Highlights
2019
On the front cover : Prepared piano (2012) ; artwork and photo by Márton Barabás
Editio Musica Budapest
All titles in the catalogue are published by Editio Musica Budapest Zeneműkiadó Ltd., except for those marked as UMPEMB ( Universal Music Publishing Editio Musica Budapest Ltd. )
Foreword
Dear Reader,
In this catalogue we present our new publications for the year 2019 alongside some highlights from our earlier publications. Of course, the latter originally started out as new publications and it’s thanks to the continued interest and support from music teachers, students, and performers like you that they managed to achieve best-seller status. For decades Editio Musica Budapest has strived to uphold the same high standard of commitment, expertise, and enthusiasm in preparing its editions. We introduce our newest scores here in the hopes that years later they may also appear as highlights beside the new publications of tomorrow.
Introduction to Pedaling fills an essential niche in the e isting repertoire b enabling learners to improve their mastery of both the musical function and technique of pedaling.
The Bartók Performing Editions series has further expanded: Bartók’s detailed performance notes and markings for J.S. Bach’s famous work The Well-Tempered Clavier can be seen in two volumes.
The penultimate volume of the New Liszt Edition series for solo piano has arrived, as has the third volume of the Béla Bartók Complete Critical Edition.
Pulling inspiration from Bach, composer Péter Wolf has created 24 character pieces for solo piano entitled Wolf-temperiertes Klavier which span across many colors and moods with a musical aesthetic most characteristic to that of Romanticism.
A Panorama of Songs ulfills a want that has been elt or eca es he series brings a breath of fresh air and new works to the conventional Lied repertoire.
In addition to our new publications, we would like to draw attention to a number of updated, mo erni e publications particular significance is the e pan e an re ise e ition o Zoltán Kodály’s Choral Works for Mixed Voices, which contains newly set, easily-legible scores and six new works which up until now have not appeared within any collection. We are please to o er it in both paperbac an cloth boun ersions
We invite you to read on, discover our new publications, and rediscover our highlights.
László SigraiManaging Director
itio usica u apest enem ia Lt
Commissioned by the music publisher Rózsavölgyi & Co., Béla Bartók and Sándor Reschofsky assembled their Piano Method for beginners, which was first published in 1913. Pianist and composer Reschofsky devised the framework and wrote the exercises for Piano Method, while Bartók composed 48 short performance pieces on the basis of the exercises.
Ever since its appearance, many teachers have made successful use of Piano Method by Reschofsky and Bartók in the early years of instrumental music education. This new edition merges and replaces our earlier ones in Hungarian with German, English, and French (EMBZ4636, EMBZ5220, EMBZ6179).
Béla Bartók – Sándor Reschofsky
Piano Method (1913)
Piano
Grade: Very easyLanguage: English, German, French, HungarianNumber of pages: 136Order no.: EMBZ15072
4
84
Z. 15 072
Fél- és egész hang elmélete Whole tones and semitones [Whole-steps and half-steps]
Halb- und Ganztöne / Notion du ton et du demi-ton
Bármilyen két hang közti távolságot hangtávolságnak hívunk. A legkisebb hangtávolságot két egymáshoz legközelebb eső hang adja; a neve: félhang. Pl.: h – c. Ez egyszersmind két legközelebb fekvő billentyű is. Éppúgy, ha fekete billentyű kö-vetkezik fehér után, vagy fordítva, fehér fekete után, ez a kettő félhangot alkot. Pl.: a – b vagy cisz – d (köztük nincs hang, nincs billentyű). A félhangnál kétszer akkora az egész hang. Itt már átugrunk egy hangot (a zongorán kimaradt egy bil-lentyű). Pl.: c – d (kimaradt a cisz), cisz – disz (kimaradt a d), esz – f (kimaradt az e).
Gyakorlat: Írjon és tanuljon fejből a növendék fél- és egész hangokat.
The distance between any two notes is an interval. The smallest interval is that between two adjacent notes: this is called a semitone [half step], e.g. B – C. These are the two closest piano-keys. In the same way if a black key follows a white, or a white key a black, the two again form a semitone, e.g. A – B flat, or C sharp – D (there is no note, no key between them). A whole tone consists of two semitones; here we skip a note, e.g. when playing C – D, we omit C sharp ; C sharp – D sharp, D is omitted; E flat – F, E is omitted.
Exercise: The pupil should write down and learn whole tones and semitones.
M
E
15072_beliv.indd 84 2017.03.16. 12:04:58
Editio Musica Budapest
METHODS AND STUDIES
Piano
Charles-Louis Hanon
The Virtuoso Pianist60 Exercises
Ernst von Dohnányi
Essential Finger Exercisesfor obtaining a sure piano technique
5
Grade: Medium, DifficultLanguage: English, German, French, Spanish, Italian, HungarianNumber of pages: 136Order no.: EMBZ7783
“In the following exercises, I have endeavoured to collect material in consensed form, yet as complete as possible, which should help piano students to acquire a reliable technique. They are even all-sufficient for finished pianists to keep in training, and to retain the already acquired technique.”
Ernst von Dohnányi ( Budapest, June 1929)
Grade: Difficult, Very difficultLanguage: English, German, French, HungarianNumber of pages: 52Order no.: EMBZ2652
Z. 7783
59
7783_beliv.indd 59 2017.05.25. 11:42:05
This piano method by the French music teacher Charles-Louis Hanon (1819–1900) appeared in 1874. Almost a century and a half later, it remains among the most popular systems of piano tuition all around the world, and Hanon’s name has become generic for systematic instrumental methods, even in types of popular music.
Editio Musica Budapest
METHODS AND STUDIES
Editio Musica Budapest
6PianoMETHODS AND STUDIES
Introduction to PedalingCompiled and edited by Ágnes Lakos
Pedaling is a fundamental part of expressive piano playing. But proper pedaling skills are not easy to acquire. Thus, it is important that piano students become acquainted with the use of the three pedals as early as possible. The stopgap Introduction to Pedaling is a collection of pieces adapted to all levels of manual dexterity, enabling learners to improve their mastery of both the musical function and technique of pedaling. The volume contains both individual and joint studies for the three pedals of modern pianos.
In addition to ten selected pieces from Samuil Maykapar’s Twenty Pedal Preludes (1937), Introduction to Pedaling includes keyboard music from four centuries, ranging from Johann Sebastian Bach to contemporary Hungarian composers. Pupils can thus encounter varying pedal marks from diff erent periods. Of course, not all composers featured in the collection marked pedal-ing ; in such cases, pedal signs were added by the editor. It is a recurrent question of interpretation whether pedals may be used in the music of earlier masters. The sound of the modern piano is far less vibrant and rich in overtones than that of the period instruments — thus, it is not Bach’s music that necessitates pedaling so much as the piano itself.
Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 80Order no.: EMBZ20016
LAKOSIntroduction to Pedaling
Einführung in das PedalspielBevezetés a pedáljátékba
E D I T I O M U S I C A B U DA P E S T . Z. 20 016
Z. 20 016
mf
Allegretto
simile
7
mf
13
p
19
34
34
4 3 5
Evening BellsAbendglocken – Esti harangszó
ORBÁN György (*1947)
Legato PedalingPedal mit Nachdruck – Utánnyomott pedál
33 5
2 12
2 2 1 2 4
14
NEW
Editio Musica Budapest
Johann Sebastian Bach13 Short and Easy Piano Pieces from “Notenbüchlein für Anna Magdalena Bach”
Grade: EasyLanguage: English, German, HungarianNumber of pages: 20Order no.: EMBZ30
The Well-Tempered Clavier I–II
Grade: MediumLanguage: English, German, Hungarian, JapaneseNumber of pages: 148Order no.: EMBZ15079
The Well-Tempered Clavier III–IV
Grade: MediumLanguage: English, German, Hungarian, JapaneseNumber of pages: 188Order no.: EMBZ15080
Domenico ScarlattiSelected Piano Pieces
Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 48Order no.: EMBZ15083
The Bartók Performing EditionsBartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his fi rst years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions ( including suggestions, commentaries and fi ngerings for the performer ) of several classics of the piano repertoire, altogether more than two thousand pages of music. Bartók’s editing refl ects contemporary ideas about performance, but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.
4
Z. 15 079
1PRELUDIUM
* ) A használt előadási jelek jelentését illetőleg lásd a Függeléket. / See the Appendix for the meaning of the performance markings used. / Für die Bedeutung der angewandten Vortragszeichen siehe Anhang. / 使用されている記号の意味については、「付録」を参照のこと。
© 1908 by Rozsnyai Károly, Budapest; copyright assigned 1950 to Editio Musica Budapest
*)
Johann Sebastian BACH(1685–1750)
( II. 15.)
J.S. BACH
E D I T I O M U S I C A B U D A P E S T Z . 15 079
I-II
Das Wohltemperierte KlavierThe Well-Tempered Clavier平均律クラヴィーア曲集
The Bartók Performing Editions
Bartók Béla instruktív közreadásaiInstruktive Ausgaben von Béla Bartók
E D I T I O M U S I C A B U D A P E S T Z . 15 083
Selected Piano PiecesAusgewählte KlavierstückeVálogatott zongoradarabok
D.SCARLATTI
The Bartók Performing Editions
Bartók Béla instruktív közreadásaiInstruktive Ausgaben von Béla Bartók
J.S. BACH
E D I T I O M U S I C A B U D A P E S T Z . 15 080
Das Wohltemperierte KlavierThe Well-Tempered Clavier
The Bartók Performing Editions
Bartók Béla instruktív közreadásaiInstruktive Ausgaben von Béla Bartók
III-IV
平均律クラヴィーア曲集
Notenbüchleinfür Anna Magdalena Bach
13 könnyű kis zongoradarab
13 Short and Easy Piano Pieces13 leichte kleine Klavierstücke
J.S. BACH
E D I T I O M U S I C A B U D A P E S T Z . 3 0
The Bartók Performing Editions
Bartók Béla instruktív közreadásaiInstruktive Ausgaben von Béla Bartók
7 PianoREPERTOIRE PIECES FOR STUDENTS
NEW
NEW
8Piano
Grade: EasyLanguage: English, German, French, HungarianNumber of pages: 52Order no.: EMBZ14742
Grade: EasyLanguage: English, German, French, HungarianNumber of pages: 52Order no.: EMBZ14742
György Orbán ( born 1947 ) is among the most frequently performed contemporary Hungarian composers. His style incorporates a characteristic mix of classical, modern, cinematic, and jazz elements. In addition, he claims he “loves splashing about in tonality,” which makes his works accessible to the wider public. Owing to his humor and imagination, he fi nds an easy path to children, as demonstrated by the popularity of his piano works specifi cally intended for beginners.
He composed close to 70 short children’s pieces for Ágnes Lakos’s four-volume Friendly Piano Tutor (EMBZ14749–14756), later published separately as Enchanted Forest (EMBZ14742). The New Bell includes a further 19 piano pieces for beginners.
Among these compositions there are several pieces for three or four hands, which the beginner can play to-gether with the teacher or with another pupil. In these pieces we have marked the learner’s part with a little child’s head. You can listen to all the compositions on our website.
Little pieces for childrenby György Orbán
REPERTOIRE PIECES FOR STUDENTS
György OrbánEnchanted Forest Little piano pieces with CD
György OrbánThe New Bell Little piano pieces
Grade: Easy, MediumLanguage: English, German, French, HungarianNumber of pages: 28Order no.: EMBZ20003
Editio Musica Budapest
9 PianoREPERTOIRE PIECES FOR STUDENTS
Giraffe PianoEssential Sonatinas for Music Education
Selected and edited by József Sármai
Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typi-cally shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favored and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 ones of moderate difficulty.
Lajos Papp (1935–2019)
The Golden Key Sixteen little piano pieces for beginners ( After a story by the brothers Grimm )
The Hungarian composer and piano teacher wrote a number of highly popular educational and performance pieces for children.
This unusual, incomplete story, The Golden Key, has inspired an unusu-al musical work: the young players can make up titles for the last eight pieces, and they are also encouraged to note down their thoughts and feelings inspired by the music, or express them in drawings, in the score.
Volume 1
Grade: Easy Language: English, German, French, HungarianNumber of pages: 44Order no.: EMBZ14967
Volume 2
Grade: Easy, MediumLanguage: English, German, French, HungarianNumber of pages: 56Order no.: EMBZ14968
Grade: EasyLanguage: English, German, French, HungarianNumber of pages: 20Order no.: EMBZ14564
10Piano
Editio Musica Budapest
COMPLETE EDITION
Franz Liszt
Piano Concerto in A major(version for piano solo) and other works
Edited by Adrienne Kaczmarczyk
Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the earliest known draft of the Piano Concerto in A major (written in 1839 for solo piano). Not only does the draft give insight into the process of the work’s genesis, but it also holds its own as a work for piano solo. Additionally, the volume contains several shorter works, such as a piano transcrip-tion of Robert Schumann’s Lied Widmung, which shows how original Liszt’s interpretations were, and also two early drafts of the Zweite Elegie dedicated to Lina Ramann (a former pupil of Liszt’s and his fi rst biogra pher). The latter have been published in facsimile.
Supplementary Volume 15 features a detailed preface in German, English and Hungarian, which reveals valuable details on each work. The cloth-bound version also has critical notes in English.
Cloth-bound edition
Grade: Diffi cultLanguage: English, German, HungarianNumber of pages: 224Order no.: EMBZ14764A
New Liszt Complete Critical Edition
Paperback edition
Grade: Diffi cultLanguage: English, German, HungarianNumber of pages: 216Order no.: EMBZ14764
NEWNEW
Separate Editions from the
New Liszt Complete Critical Edition
11 Piano
E D I T I O M U S I C A B U D A P E S T Z . 3 8 6 8
L I S Z T
F Ü R K L A V I E R · F O R P I A N O S O L O
Valse-ImpromptuPetite valse favorite
New Liszt Complete Critical Edition
Series 1
Series 2
Supplements
www.emb.hu
SEPARATE EDITION FROM THENEW LISZT COMPLETE CRITICAL EDITION
EINZELAUSGABE AUS DERNEUEN KRITISCHEN LISZT-GESAMTAUSGABE
mit Vorwort und kritischem Bericht with preface and critical notes
E D I T I O M U S I C A B U D A P E S T Z . 3 8 6 8
L I S Z T
F Ü R K L A V I E R · F O R P I A N O S O L O
Valse-ImpromptuPetite valse favorite
New Liszt Complete Critical Edition
Series 1
Series 2
Supplements
www.emb.hu
SEPARATE EDITION FROM THENEW LISZT COMPLETE CRITICAL EDITION
EINZELAUSGABE AUS DERNEUEN KRITISCHEN LISZT-GESAMTAUSGABE
mit Vorwort und kritischem Bericht with preface and critical notes
E D I T I O M U S I C A B U D A P E S T Z . 3 8 6 8
L I S Z T
F Ü R K L A V I E R · F O R P I A N O S O L O
Valse-ImpromptuPetite valse favorite
New Liszt Complete Critical Edition
Series 1
Series 2
Supplements
www.emb.hu
SEPARATE EDITION FROM THENEW LISZT COMPLETE CRITICAL EDITION
EINZELAUSGABE AUS DERNEUEN KRITISCHEN LISZT-GESAMTAUSGABE
mit Vorwort und kritischem Bericht with preface and critical notes
E D I T I O M U S I C A B U D A P E S T Z . 3 8 6 8
L I S Z T
F Ü R K L A V I E R · F O R P I A N O S O L O
Valse-ImpromptuPetite valse favorite
New Liszt Complete Critical Edition
Series 1
Series 2
Supplements
www.emb.hu
SEPARATE EDITION FROM THENEW LISZT COMPLETE CRITICAL EDITION
EINZELAUSGABE AUS DERNEUEN KRITISCHEN LISZT-GESAMTAUSGABE
mit Vorwort und kritischem Bericht with preface and critical notes
ISMN 979 0 080 12699 8
E D I T I O M U S I C A B U D A P E S T Z . 12 3 1 3
L I S Z T
F Ü R K L A V I E R · F O R P I A N O S O L O
Légendes
New Liszt Complete Critical Edition
Series 1
Series 2
Supplements
www.emb.hu
SEPARATE EDITION FROM THENEW LISZT COMPLETE CRITICAL EDITION
EINZELAUSGABE AUS DERNEUEN KRITISCHEN LISZT-GESAMTAUSGABE
mit Vorwort und kritischem Bericht with preface and critical notes
E D I T I O M U S I C A B U D A P E S T Z . 12 6 9 9
L I S Z T
F Ü R K L A V I E R · F O R P I A N O S O L O
2eBallade
New Liszt Complete Critical Edition
Series 1
Series 2
Supplements
www.emb.hu
(Frühfassung und endgültige Fassung)(Early version and definitive version)
SEPARATE EDITION FROM THENEW LISZT COMPLETE CRITICAL EDITION
EINZELAUSGABE AUS DERNEUEN KRITISCHEN LISZT-GESAMTAUSGABE
mit Vorwort und kritischem Bericht with preface and critical notes
IIe Rhapsodie hongroise EMBZ8162
LégendesEMBZ12313
Totentanz Danse macabreEMBZ12718
Editio Musica Budapest
With preface and critical notes
URTEXT EDITION
2e BalladeEMBZ12699
3 Études de concert3 Caprices poëtiquesEMBZ15071
Après une lecture du DanteEMBZ8189
Consolations ; MadrigalEMBZ12697
Fünf Mephisto-Walzer ;Mephisto-PolkaEMBZ13951
Grandes études de Paganini EMBZ6500
La campanellaEMBZ12913
Liebesträume(3 Notturnos)
EMBZ12707
SonateEMBZ12900
Tre sonetti del PetrarcaEMBZ8183
Valse-Impromptu ;Petite valse favoriteEMBZ3868
Zwei Konzertetüden (1. Waldesrauschen, 2. Gnomenreigen)
Ab irato ; Morceau de salonEMBZ6502
Further volumes
NEW
12Piano
Editio Musica Budapest
COMPLETE EDITION
Béla Bartók
Works for Piano 1914–1920Edited by László Somfai
The third volume in the Complete Edition contains Bartók’s works for piano solo composed between 1914 and 1920. Bartók’s pianistic oeuvre from the years of World War I span a broadly varied spec-trum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina ) and original pieces for the concert podium (Suite, op. 14), we find Bartók’s audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations.
The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems.
Béla Bartók Complete Critical EditionVolume 38
Grade: DifficultLanguage: English, German, HungarianNumber of pages: 320Order no.: HN 6202
NEW
The Béla Bartók Complete Critical Edition is jointly published by G. Henle Publishers, Munich, and Editio Musica Budapest.
It is distributed wordwide by G. Henle Publishers, except for Hungary, which is exclusively dealt with by Editio Musica Budapest.
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Rumänische Volkstänze · Román népi táncokJocuri poporale române†ti · Romanian Folk Dances*
1. Der Tanz mit dem Stabe · Bot-tánc · Jocul cu bât-* · Stick Dance
BB 68 (1915)
ÿSee Appendix II for the original folk melodies.
@In Bartók’s recording:
Domnului Prof. Ion Bu†itia
* aus / lelohelye / din: Mezoszabad (Maros-Torda) [From Voiniceni (Mure†)]
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Standard edition
Grade: Medium, DifficultLanguage: English, HungarianNumber of pages: 122Order no.: EMBZ15000
Numbered editionOrder no.: EMBZ15000N
Published by UMPEMB
13 Piano
György Kurtág
Zoli Kocsis’s Manuscript BookFacsimile edition with CD
15000_facsimile_belivek.indd 30 2016.01.20. 18:05:16
The manuscript gives a glimpse into Kurtág’s workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtág’s handwriting about the composer’s intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score.
The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsis’s own personal preface, as well as András Wilheim’s essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued.
This edition has been published for György Kurtág’s 90th birthday in 2016.
Editio Musica Budapest
CONTEMPORARY MUSIC
14Piano
Editio Musica Budapest
Péter Wolf
Wolf-temperiertes KlavierPéter Wolf ( a doctoral graduate of the Franz Liszt Academy of Music in Budapest ) has composed a number of large-scale compositions in recent years which have had success at the hands of distin-guished performers ; these include two piano concertos as well as concertos for oboe, clarinet, and violin. By entitling his newest set of pieces for piano Wolf-temperiertes Klavier, the composer was able to simultaneously indulge in wordplay based upon his surname and give a tip of the hat to German baroque master Johann Sebastian Bach. The work’s likeness to Bach is not limited to its title — the manner in which a piece has been written in both major and minor keys for each tone of the chromatic scale is blatantly inspired by Bach. Of the twenty-four character pieces, all were completely new with the exceptions of one being previously written and another whose theme Wolf borrowed from one of his own stage works.
In the preface to this publication, Wolf off ers the following insights : “I think I managed to fi nd ex-pressive titles. The fi rst piece, Epiclesis ( a prayer for inspiration, patience, and support ), was heard from above : I was able to work continuously and without inhibitions. The works could be born in every key, until the last one, the Epilogue, was completed. When I fi nally fi nished inscribing the pitches of Bach’s name, I admit, a little shiver went through me.”
Wolf-temperiertes Klavier is recommended for advanced pianists who wish to push the boundaries between musical genres, as well as classical musicians interested in the harmonic language of jazz.
Grade: Medium, Diffi cultLanguage: English, HungarianNumber of pages: 128Order no.: EMBZ15087
Published by UMPEMB
P.E.WOLFtemperiertes Klaviertemperiertes KlavierWolflflf-f
E D I T I O M U S I C A B U D A P E S TUniversal Music Publishing Editio Musica Budapest
Z. 15 087
NEW
CONTEMPORARY MUSIC
This series off ers violinists a wide selection of popular works and movements spanning from the works of Bach to present-day compositions. Within the series, we fi nd recently-made transcriptions for violin and piano of well-known pieces. Their degrees of diffi culty range from very easy to extremely diffi cult, thus al-lowing the players to choose appropriate works to suit their technical abilities.
MOMENTSMUSICAUX
RAFF
EDITIO MUSICA BUDAPEST
Cavatinafür Violine und Klavier
Z. 13 745 VIOLINO • 16
BRAHMS, J.
BACH, J. S.
FIBICH, Z.
MONTI, V.
G
BRAHMS, J.
HUBAY, J.
MOZART, W. A.
PIERNÉ, G.
SCHUBERT, F. (von Dresden)
VIVALDI, A.
SCHUBERT, F.
RAFF, J.
RUBINSTEIN, A.
MOMENTS MUSICAUX MOMENTSMUSICAUX
BRAHMS, J.
BACH, J. S.
FIBICH, Z.
MONTI, V.
G
BRAHMS, J.
HUBAY, J.
MOZART, W. A.
PIERNÉ, G.
SCHUBERT, F. (von Dresden)
VIVALDI, A.
SCHUBERT, F.
RAFF, J.
RUBINSTEIN, A.
MOMENTS MUSICAUX
RUBINSTEIN
EDITIO MUSICA BUDAPEST
Das Spinnradfür Violine und Klavier
Z. 13 710 VIOLINO • 18
(The Spinning Wheel • A rokka)
MOMENTSMUSICAUX
BRAHMS, J.
BACH, J. S.
FIBICH, Z.
MONTI, V.
G
BRAHMS, J.
HUBAY, J.
MOZART, W. A.
PIERNÉ, G.
SCHUBERT, F. (von Dresden)
VIVALDI, A.
SCHUBERT, F.
RAFF, J.
RUBINSTEIN, A.
MOMENTS MUSICAUX
MONTI
EDITIO MUSICA BUDAPEST
Czardasper violino e pianoforte
Z. 13 700 VIOLINO • 5
MOMENTSMUSICAUX
SCHUBERT (von Dresden)
EDITIO MUSICA BUDAPEST
Die Biene(Op. 13, No. 9)
für Violine und Klavier
Z. 13 701 VIOLINO • 12
BRAHMS, J.
BACH, J. S.
FIBICH, Z.
MONTI, V.
G
BRAHMS, J.
HUBAY, J.
MOZART, W. A.
PIERNÉ, G.
SCHUBERT, F. (von Dresden)
VIVALDI, A.
SCHUBERT, F.
RAFF, J.
RUBINSTEIN, A.
MOMENTS MUSICAUX
Z. 13 713© Copyright 1990 by Editio Musica BudapestPrinted in Hungary
Transcribed by Joseph JoachimEdited by Györgyi Répássy
VIOLINO
Johannes Brahms(1833–1897)
13713_VIOLINO_szolam.indd 2 2017.03.29. 15:42:55Other popular titles
MOMENTSMUSICAUX
BRAHMS
EDITIO MUSICA BUDAPEST
Ungarischer TanzNr. 5
für Violine und Klavier
Z. 13 713 VIOLINO • 1
BRAHMS, J.
BACH, J. S.
FIBICH, Z.
MONTI, V.
G
BRAHMS, J.
HUBAY, J.
MOZART, W. A.
PIERNÉ, G.
SCHUBERT, F. (von Dresden)
VIVALDI, A.
SCHUBERT, F.
RAFF, J.
RUBINSTEIN, A.
MOMENTS MUSICAUX
Featured: Johannes BrahmsUngarischer Tanz Nr. 5EMBZ13713
MOMENTS MUSICAUXFOR VIOLIN
Edited by Vilmos Tátrai
Editio Musica Budapest
15 Violin
16
Editio Musica Budapest
Violin
Frigyes Sándor – Pál Járdányi – Endre Szervánszky
Violin TutorFrigyes Sándor (1905–1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity — in addition to its methodological concept — may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky ; apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes ( Hungarian and other European folk melodies ) graded to suit each level of difficulty, and excerpts representing different periods in the history of music.
Volume I
Grade: Very easyLanguage: English, German, French, HungarianNumber of pages: 52 + 12Order no.: EMBZ8064
METHODS AND STUDIES
Further volumes
Volume II
Grade: EasyLanguage: E, G, F, HNumber of pages: 80 + 20Order no.: EMBZ8065
Volume III
Grade: MediumLanguage: E, G, F, HNumber of pages: 88 + 24Order no.: EMBZ8066
Volume IV/a
Grade: MediumLanguage: E, G, F, HNumber of pages: 60Order no.: EMBZ8067
Volume IV/b
Grade: MediumLanguage: E, G, F, HNumber of pages: 64Order no.: EMBZ8068
Volume V
Grade: DifficultLanguage: E, G, F, HNumber of pages: 96Order no.: EMBZ8069
17
Editio Musica Budapest
Violin
Let’s Take the Stage ! Easy repertoire pieces for young violinists with CD
Selected, transcribed and edited by András Soós
It’s an unforgettable experience to go on stage for the first time and win applause with your play-ing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Dow-land, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms.
The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home eas-ier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young violinists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, some charming illustrations by Edit Szalma are included.
Grade: EasyLanguage: English, German, French, HungarianNumber of pages: 24 + 12Order no.: EMBZ14935
REPERTOIRE PIECES FOR STUDENTS
Aber zu Hause hast du ohne Begleitung gespielt, oder?
Ja, bitte!
Ich hab dich gestern spielen gehört. Du warst echt große Klasse!
J Ja… zum ersten Mal in meinem Leben war ich nicht aufgeregt.
Wie hast du das bloß hingekriegt?
Stell dir vor, am Sonntag hab ichs endlich gepackt: ich stand da vor meinen Eltern und spielte ihnen das Stück vor. Das hat so gut geklappt, dass ichs gestern Vormittag direkt nochmal versucht hab. Und als ich gestern rausging auf die Bühne, wars schon total normal, dass ich vor anderen Leuten vorspiele.
Na, gerne! Viel Erfolg beim Konzert!
Danke für die guten Tipps! Ich geh jetzt mal üben.
Immer cool bleiben, mach einfach weiter, als ob nicht passiert wäre! Wenn du selbstsicher spielst, dann fällt dein Fehler gar nicht auf. J
Und was soll ich tun, wenn ich was verpatze?
festliche Kleidung: helles Hemd, dunkle Hose, dunkle Schuhe (Hauptsache nicht verlottert) das Instrument muss sauber sein Bogen und Kolofonium in den Geigenkasten noten (Stimme und Klavierbegleitung) dunkle Schoki (damit dein Magen nicht auf der Bühne knurrt) ein Fläschchen Wasser
Na klar! In meinen Noten gibts ne CD, da ist jedes Stück im Original drauf + für jedes einzeln die Klavierbegleitung. So hab ich mich schnell dran gewöhnt, mit dem Klavier im Ohr zu spielen.
Das klingt gut! Hör mal, nächsten Freitag werde ich vorspielen. Worauf, denkst du, muss ich beim Auftritt achten?
Ich hab ne super Liste dazu, mein Lehrer hat sie zusammengestellt. Soll ich sie eben rüberschicken?
Danke, die werde ich auch benutzen!Aber was soll ich gegen Lampenfieber tun?
Keine Panik! Denk dran, das Publikum freut sich darüber, dass du spielst! Schau ihnen ruhig in die Augen, lächle und verbeuge dich und lass sie klatschen! Keine Eile! Wenn du schon gestimmt hast, schau zu deinem Begleiter und nicke, sobald du bereit bist! Auch während des Spiels kannst du manchmal zu ihm blicken. Am Ende verbeugt ihr euch gemeinsam und genießt den Erfolg!
14935_szolam.indd 3 2015.03.19. 9:2�:51
Z . 14 935
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6
John DOWLAND(1563–1626)
1.Song – Lied – Chanson – Dal
© Copyright 2015 by Editio Musica BudapestPrinted in Hungary Z. 14 935
VIOLINO
2.Winter – Der Winter – L’hiver – A tél
Antonio VIVALDI(1678–1741)
CD[ 2 ][ 3 ]
CD[ 4 ][ 5 ]
14935_szolam.indd � 2015.03.19. 9:2�:52
18Violin
Editio Musica Budapest
REPERTOIRE PIECES FOR STUDENTS
Béla Bartók
Duets for Violins
From Bartók’s choral works transcribed by Endre Szervánszky
Z. 6554
8
3.
6554-beliv_Bach.indd 8 2017.01.23. 15:51:59
Grade: EasyLanguage: English, German, French, HungarianNumber of pages: 16Order no.: EMBZ6554
Béla Bartók planned in 1939 to arrange for two violins and three violins his choral works ( for equal voices ). He was prevented from doing this by his early death. At the request of the Editio Musica Budapest, Endre Szervánszky has undertaken this task in 1971. His arrangements, which we are bringing out in two volumes, offer valuable material both to violin teaching and group music-making.
Bartók Transcriptions for Music Students
19 Viola
Editio Musica Budapest
Bartók Transcriptions
REPERTOIRE PIECES
Béla Bartók
44 Duets for two violas
From the 44 Violin Duets transcribed and fingering added by Donald Maurice and Claudine Bigelow
Béla Bartók composed his 44 Violin Duets in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathi-an Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The viola transcriptions follow Bartók’s original faithfully.
© Copyright 2016 by Editio Musica Budapest
BARTÓK Béla(1881–1945)
Transcribed byDonald MAURICE and Claudine BIGELOW
14970_beliv.indd 7 2016.03.17. 11:25:32
Grade: Easy, MediumLanguage: English, German, French, HungarianNumber of pages: 56Order no.: EMBZ14970
20
MUSIC FOR BEGINNERS
Editio Musica Budapest
Music for Beginners was launched 50 years ago in the summer of 1969. The aim was to compile a varied and high-standard repertoire covering music from the ear-liest centuries to contemporary com positions for mu-sic school students to be played in the fi rst 3-4 years of instrument learning. The series has proved extremely successful as is indicated by the fact that 55 volumes have been published. The popularity of Music for Be-ginners has not dimin ished in recent years, and there is demand for the majority of volumes in Hungary and abroad. The secret of the series’ success lies primarily in the selection of compositions. The contents of all volumes have been compiled by accomplished music teachers choosing high-standard works that can easily be played by the given instrument. Outstanding Hun-garian composers have also been asked to write new pieces.
The volumes in the Music for Beginners series current-ly include all the instruments taught in music schools. Moreover, they have been published for various cham-ber music settings as well. The value of the series is increased by the unique, attractive illustrations of
János Kass. They not only appear on the volume cov-ers but are sometimes also featured in the scores.
The renewal of Music for Beginners started on the occasion of the series’ 45th birthday. Yet only the ap-pearance is changing, not the contents. The volumes are receiving new covers preserving János Kass’ draw-ings. Within the series three groups have been formed that are diff erentiated by the color of the covers: vol-umes for solo instruments ( with or without piano ac-companiment ) are RED, those for duos of the same instruments are GREEN, and BLUE signifi es cham-ber music for diff erent instruments. Certain volume titles have also been changed so that they refl ect the multiple scoring options of the pieces included. On the following pages all scoring options are indicated for each volume.
With the renewal of the series we would also like to point out that Music for Beginners can be eff ectively used not only in teaching instruments but in chamber music education as well. Additionally, most of the vol-umes are perfect for at-home music making.
EDIT IO MUSICA BUDAPEST . Z . 8 3
Chamber music series with optional combination of instrumentsKamarazene-sorozat választható hangszerösszeállítással
AD LIBITUM
Quartette für Fortgeschrittene
Quatuors de niveau avancé
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 4
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Kvartettek haladóknak
Advanced Level Quartets
Z. 14 864
Z. 14 850
AD
LIBIT
UM
Z . 148
50
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 5 0
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
Mittelschwere Quartette
Quatuors de niveau intermédiaire
Kvartettek középhaladóknak
IntermediateLevelQuartets
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Kvartettek középhaladóknak
IntermediateLevelQ
uartets
Z. 14 849
AD
LIBIT
UM
Z . 148
49
Leichte Quartette Quatuors faciles
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 4 9
Könnyu kvartettek
EasyQuartets
EasyQuartets
Könnyu kvartettek
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Trios für Fortgeschrittene
Trios de niveau avancé
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 3
d u o s t r i o s quartets
ea
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vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Triók haladóknak
Advanced Level Trios
Z. 14 863
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 1
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Mittelschwere Trios
Trios de niveau intermédiaire
Triók középhaladóknak
IntermediateLevelTrios
Z. 14 861
Z. 14 848
AD
LIBIT
UM
Z . 148
48
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 4 8
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
Leichte Trios Trios facilesKönnyu triók
EasyTriosd u o s t r i o s quartets
ea
sy
advan
ced
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
EasyTriosK
önnyu triók
Z. 14 862
Duos für Fortgeschrittene
Duos de niveau avancé
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 2
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Duók haladóknak
Advanced Level Duos
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 0
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Mittelschwere Duos
Duos de niveau intermédiaire
Duók középhaladóknak
IntermediateLevelDuos
Z. 14 860
Leichte Duos Duos faciles
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 5 9
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Könnyu duók
EasyDuos
AD
LIBIT
UM
Könnyu duók
EasyDuos
Z . 148
59
Z. 14 859
8 307 _b or it o.indd 2- 3 2015.02.03. 11:25:3�
Music with Piano AccompanimentMûvek zongorakísérettel
Violoncello Music / Gordonkamuzsika Vol. 1 / 1. kötet (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . 6312 Vol. 2 / 2. kötet (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . 6748 Vol. 3 / 3. kötet (Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14037
Violoncello DuetsGordonkaduók
Violoncello Duets / Gordonkaduók (Pejtsik) Vol. 1 / 1. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8158 Vol. 2 / 2. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14201
Chamber Music with VioloncelloGordonkás kamarazene
Duets for Violin and Violoncello Duók hegedûre és gordonkára (Pejtsik, Vigh) Vol. 1 / 1. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8733 Vol. 2 / 2. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14062
Duets for Clarinet and Bassoon (or Violoncello) Duók klarinétra és fagottra (vagy gordonkára) (Perényi É., Perényi P.) (E, G, F, H) . . . . . . . . . . . . . . . . . . . . . 14361
Volumes with violoncello from the series Music for BeginnersA Kezdõk muzsikája sorozat gordonkás kötetei
Trios for Two Violins and Violoncello Triók két hegedûre és gordonkára (Soós) (E, G, F, H) . . . 14369
Chamber Music for Two Melodic Instruments and Basso Continuo / Kamarazene két dallamhangszerre és basso continuóra (Máriássy) (E, G, F, H) . . . . . . . . . . . . . . . . . . . . . 6915
Trios for Strings or Woodwinds / Triók vonós vagy fafúvós hangszerekre (Máriássy, Vigh) (E, G, F, H) . . . . . . . . . . . . . . 8741
Classical Piano Trios in the first position / Klasszikus zongoratriók az elsõ fekvésben (Pejtsik, Zempléni) . . . . . 14274
Romantic Piano Trios in the first position / Romantikus zongoratriók az elsõ fekvésben (Pejtsik, Zempléni) . . . . . 14339
Classical String Trios in the first position / Klasszikus vonóstriók az elsõ fekvésben (Pejtsik, Vigh) . . . . . . . . . . . 14603Romantic String Trios in the first position / Romantikus
triómuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . . . . . 14589Classical String Quartets in the first position / Klasszikus
kvartettmuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . 14109Romantic String Quartets in the first position / Romantikus
kvartettmuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . 14161Music for Piano Quartet in the first position / Zongorás
kvartettmuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . 14253
EDIT IO MUSICA BUDAPEST . Z .6748
Violoncello MusicVioloncellomusik Musique de violoncelle
Gordonkamuzsika
M U S I C F O R B E G I N N E R S
K E Z D Ô K M U Z S I K Á J A
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Quartette für Fortgeschrittene
Quatuors de niveau avancé
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 4
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
AD
LIBIT
UM
Z . 148
50
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 5 0
Mittelschwere Quartette
Quatuors de niveau intermédiaire
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
AD
LIBIT
UM
Z . 148
49
Leichte Quartette Quatuors faciles
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 4 9
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Trios für Fortgeschrittene
Trios de niveau avancé
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 3
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 1
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Mittelschwere Trios
Trios de niveau intermédiaire
AD
LIBIT
UM
Z . 148
48
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 4 8
Leichte Trios Trios faciles
d u o s t r i o s quartets
ea
sy
advan
ced
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Duos für Fortgeschrittene
Duos de niveau avancé
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 2
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 0
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUMinte
rmedi
ate
Mittelschwere Duos
Duos de niveau intermédiaire
Leichte Duos Duos faciles
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 5 9
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
AD
LIBIT
UM
Z . 148
59
Wind TriosBläsertrios Trios à vent
Fúvóstriók
M U S I C F O R B E G I N N E R S
EDIT IO MUSICA BUDAPEST . Z .13781
K E Z D Ô K M U Z S I K Á J A
MU
SIQ
UE
PO
UR
LE
S P
RE
MIE
RS
PA
SMU
SI
K
FÜ
R
AN
FÄ
NG
ER
•
Various instruments
21
Editio Musica Budapest
Volumes of the series
SOLOS ( with piano accompaniment )
Piano Music (Szávai, Veszprémi)Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ5910Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6982Vol. 1 ( French, Italitan ) . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6731Vol. 2 ( French, Italitan ) . . . . . . . . . . . . . . . . . . . . . . . . EMBZ12619
Accordion Music (Ernyei) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14373Violin Music (Lenkei)
Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6311Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6749
Viola Music (Bartha, Loy) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14155Violoncello Music
Vol. 1 (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6312Vol. 2 (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6748Vol. 3 (Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14037
Guitar Music (Vereczkey) Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8110Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ13867
Recorder MusicVol. 1 for descant recorder (Czidra) . . . . . . . . . . . . . . . EMBZ7888Vol. 2 for treble recorder (Malina, Bloch) . . . . . . . . . . EMBZ14095
Flute Music (Bántai, Kovács) Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6587Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8732
Oboe Music (Szeszler) . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6925Clarinet Music
Vol. 1 (Kuszing) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6851Vol. 2 (Kuszing, Máriássy) . . . . . . . . . . . . . . . . . . . . . . . EMBZ7919
Music for Alto or Tenor Saxophone(Kraszna) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14251
Music for Trumpet or Cornet (Borst, Bogár) . . . . . . . . EMBZ6625Horn Music (Kovács, Ónozó) . . . . . . . . . . . . . . . . . . . . . . . EMBZ6902Percussion Music (for melodic instruments)
(Zempléni) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ13379
DUETS FOR THE SAME INSTRUMENTS
Piano Duet Music (Váczi) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6723Violin Duets (Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8307Violoncello Duets (Pejtsik)
Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8158Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14201
Guitar Duets (Mosóczi) . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8805Duets for Descant Recorders
with piano accompaniment (Malina) . . . . . . . . . . . . . . EMBZ14063Duets for Treble Recorders (Malina) . . . . . . . . . . . . . EMBZ14140
Duets for Descant and Treble Recorderswith piano accompaniment (Malina, Mezei) . . . . . . . . EMBZ14189
Flute Duets (Csupor)Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8498Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14043
Oboe Duets (Szeszler, Székely) . . . . . . . . . . . . . . . . . . . . EMBZ8294Clarinet Duets (Máriássy, Puskás) . . . . . . . . . . . . . . . . . EMBZ8499Saxophone Duets (Perényi É., Perényi P.) . . . . . . . . . . . EMBZ14334Trumpet Duets (Perényi P.) . . . . . . . . . . . . . . . . . . . . . . . EMBZ14731Percussion Music in Pairs (Zempléni) . . . . . . . . . . . . . EMBZ14287
CHAMBER MUSIC
Duets for Violin and Viola (Vigh) . . . . . . . . . . . . . . . . EMBZ13430Duets for Violin and Violoncello (Pejtsik, Vigh)
Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8733Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14062
Duets for Clarinet and Bassoon or Other Instruments(Perényi É., Perényi P.) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14361
Duets for Trumpet and Baritoneor Other Wind Instruments (Perényi É., Perényi P.) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14374
Chamber Music for Two Melodic Instruments and Basso continuo (Máriássy) . . . . . . . . . . . . . . . . EMBZ6915
Trios for Two Violins and Violoncello(Soós) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14369
Classical String Trios in the fi rst position (Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14603
Romantic String Trios in the fi rst position (Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14589
Classical Piano Trios in the fi rst position (Pejtsik, Zempléni) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14274
Romantic Piano Trios in the fi rst position (Pejtsik, Zempléni) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14339
Trios for Strings or Woodwinds(Máriássy, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8741
Wind Trios (Horváth) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ13781Classical String Quartets in the fi rst position
(Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14109Romantic String Quartets in the fi rst position
(Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14161Music for Piano Quartet in the fi rst position
(Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14253Quartets for Clarinets or Other Instruments
(Perényi É., Perényi P., Fricsovszky) Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14442Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14462
( with piano accompaniment )
Various instruments
22Violoncello
Editio Musica Budapest
Árpád Pejtsik
Violoncello ABC This is one of the most successful volumes in the series. Árpád Pejtsik’s ABC does not seek to alter or influence teachers’ ideas about methodology, it simply offers colourful, attractive musical material, clearly grouped, which enables teachers to use the pieces in whatever order they wish.
The musical material consists of children’s songs, folk songs and duets and pieces with piano accom-paniment ranging from musical memories of the Middle Ages to music of the present century. The duets are intended to enable pupil and teacher to make music together regularly; the cello trios at the end of the volume allow learners to play chamber music together.
Grade: Very easyLanguage: English, German, HungarianNumber of pages: 116Order no.: EMBZ14177
Violoncello Method 2 It is a continuation of the Violoncello ABC. The basic principle remains unchanged: in addition to the most necessary minimum of technical studies, it offers varied, attractive musical material, grouped in a clear, comprehensible manner. The various chapters contain both simpler and more demanding works, so the teacher can select teaching material to suit students’ abilities. Many of the pieces are in two parts or have piano accompaniment, so that by making music together, teacher and pupil can make lessons a musical experience rather than a duty.
Grade: EasyLanguage: English, German, HungarianNumber of pages: 128Order no.: EMBZ14311
METHODS AND STUDIES
ABC Series
23 Violoncello
Editio Musica Budapest
REPERTOIRE PIECES
Béla Bartók
33 Duets for two violoncellos
From the 44 Violin Duets transcribed and fingering added by Árpád Pejtsik
Béla Bartók composed his 44 Violin Duets in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Car-pathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The transcription follows Bartók's original faithfully. The publication includes fingerings added by the editor.
?
?44
44
œ4
f, marc.
Moderatamente mosso, q = 116
œ œ œ0
Ó 2f
œ4 œ œ œ
#1
œ œ œ œ
.4 œ4
œ4simile
œ œ œ0
œ œ œ œ
œ4 œ œ œ
œ œ œ œ
œ œ œ œ
œ œ œb œ
?
?
7
∑
.4 œ2 œ
ϳ4
Fœ œ œ
1
œ2 œ#
4
œ4 œ œ œ
œ0 œ1 œ#3 œ œ
œ œ œ œ
2 œ œ≥4
œ0
œ4
œ4 œ œ œ
w# 3
œ4 œ œ œ
.3 œ œ
?
?
13
œ œ œ œ
2
œ œ4
œ0
œ4
Œ œP œ
œ
w1
wÓ 4p
Ó
0 4
œ≥4pœ œ œ
w1
œ4 œ œ œ
œ œ4 œ0 œ 1
?
?
19 œ œ œ œ
œ œ4
œ0
œ4
œ4 œ œ œ0
w1
œ4 œ œ œ
œ œ4
œ0
œ4
1
œ œ œ œ poco rit.
œ œ œ œ
w
œ œ œ œœ œ œ œ
ww1
(attacca ad lib.)(52")
?
?42
42œ0
f
Allegro non troppo, q = 120
œ1
œ1
œ2
∑
.œ4 jœ
≥0
f
.œ jœ
œ œœ1
œ œ œœ œ œ
.œ4 jœ
.œ jœ4
œ œ4œ3
œ1
.œ4 Jœœ0 Œ
œ œ œ
?
?
9
œ0 œ1 œ#1 œ2
œ Œ
.œ4Jœ#
Œ œ≥4
.œ4Jœ#
œ œ1
œ1 œ# œ œ
2
.œ4Jœ#
œ œ4
.œ4 Jœ4
œ4
œ
œ#3 œ1
œ œ1
œ
œ0 Œ
œ4
œ4
œ3
œ1
6
3(orig. 6)
4(orig. 9)
Hungarian song (1) – Ungarisches Lied (1) – Chanson hongroise (1)Magyar nóta (1)
Play song – Spiel-Lied – Jeu – Játék
?
?44
44
œ4
f, marc.
Moderatamente mosso, q = 116
œ œ œ0
Ó 2f
œ4 œ œ œ
#1
œ œ œ œ
.4 œ4
œ4simile
œ œ œ0
œ œ œ œ
œ4 œ œ œ
œ œ œ œ
œ œ œ œ
œ œ œb œ
?
?
7
∑
.4 œ2 œ
ϳ4
Fœ œ œ
1
œ2 œ#
4
œ4 œ œ œ
œ0 œ1 œ#3 œ œ
œ œ œ œ
2 œ œ≥4
œ0
œ4
œ4 œ œ œ
w# 3
œ4 œ œ œ
.3 œ œ
?
?
13
œ œ œ œ
2
œ œ4
œ0
œ4
Œ œP œ
œ
w1
wÓ 4p
Ó
0 4
œ≥4pœ œ œ
w1
œ4 œ œ œ
œ œ4 œ0 œ 1
?
?
19 œ œ œ œ
œ œ4
œ0
œ4
œ4 œ œ œ0
w1
œ4 œ œ œ
œ œ4
œ0
œ4
1
œ œ œ œ poco rit.
œ œ œ œ
w
œ œ œ œœ œ œ œ
ww1
(attacca ad lib.)(52")
?
?42
42œ0
f
Allegro non troppo, q = 120
œ1
œ1
œ2
∑
.œ4 jœ
≥0
f
.œ jœ
œ œœ1
œ œ œœ œ œ
.œ4 jœ
.œ jœ4
œ œ4œ3
œ1
.œ4 Jœœ0 Œ
œ œ œ
?
?
9
œ0 œ1 œ#1 œ2
œ Œ
.œ4Jœ#
Œ œ≥4
.œ4Jœ#
œ œ1
œ1 œ# œ œ
2
.œ4Jœ#
œ œ4
.œ4 Jœ4
œ4
œ
œ#3 œ1
œ œ1
œ
œ0 Œ
œ4
œ4
œ3
œ1
6
3(orig. 6)
4(orig. 9)
Hungarian song (1) – Ungarisches Lied (1) – Chanson hongroise (1)Magyar nóta (1)
Play song – Spiel-Lied – Jeu – Játék
?
?
17 œ0 œ1 œ#1 œ2
œ œ œ
.œ4Jœ#
œ jœ ‰
.œ4Jœ#
œ#≥1
œ2
œ1
œ#3
œ1 œ# œ œ
4
.œ4Jœ#
‰ œ0 œ1 œ#3
.œ4Jœ4
œ#3 œ1
.œ Jœ>œ11 ‰ Jœ>
œn œ
?
?
25 œ# œœ ‰ Jœ>
œ ‰ jœ>œn œ
œ œœ ‰ jœ>
∑
œb œb
œ0
menof œ1
œ1
œ2
Œ jœ ‰
.œ4 jœ
œmenof
œ
.œ jœœ œ
œ1
œ œ œœ œ œ
?
?
33 .œ4 jœœ œ œ
.œ jœ4
œ œ1œ3
œ1
œ4 ‰ Jœ4
0
œ œ œœ œ œ
∑
∑
∑
œœ Œ(40")
?
?44
44
ϳf
Risoluto, q = 92–104
œ
Ó œ≥fœ
œ œ
œ œ
œ œ œ œ œ
œ œ œ
œ œ œ œ œ
œ œ œ œ œ
œ œ
œ œ œ œ œ
œpiùfœ
œ œ œpiùfœ# œ
??
7 œ œ
œ# œ œ
œ œ œ œ œ
œ# œ œ
œ œ œ œ œ œ
œ œ œ œ œ# œ
œ œ
. œ# œ
w
œ œ œ# œ œ∑
œ≥Fœ
.F œ
?
?
14 œ œ
. œ
œ œ œ œ œ
œ œ œ œ œ œ
œ œ poco rit.
. œ œ
. œ
œ œ œ œ œ
w
œ œ œ œ œ
wpwp
(attacca ad lib.)(52")
7
Z. 14 961
5(orig. 4)
Summer solstice song – Sommer-Sonnwendlied – Chant de la nuit de la Saint-JeanSzentivánéji
14961_belivek.indd 6 2016.02.16. 13:25:37
Grade: Easy, MediumLanguage: English, German, French, HungarianNumber of pages: 36Order no.: EMBZ14961
Bartók Transcriptions
CHAMBER MUSIC
24Violoncellos
Editio Musica Budapest
?
??
?
#
##
#
c
cc
c
Vlc. I
Vlc. II
Vlc. III
Vlc. IV
p
p
p
Sehr langsam
pizz. ad. lib.
pizz. ad. lib.
jœ ‰ jœ ‰ jœ ‰ jœsimile
‰
∑≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œn œ œ
6 66 6
≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œn œ œ œ œ6 6
6 6
jœ ‰ jœ ‰ jœ ‰ jœ ‰
∑≈ œ œ œ œ œ ≈ œ œ œb œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ
6 6 66
≈ œ œ œ œ œ ≈ œb œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ6 6 6 6
?
?
?
?
#
#
#
#simile
simile
3jœ ‰ jœ ‰ jœ ‰ jœ ‰
.œP
œ œ . .œJœ
≈ œ œ œ œ œ ≈ œ# œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ6 6
≈ œ œ œ œ œ ≈ œ œ# œ œ œ ≈ œ œ œ œ œ ≈ œn œ œ œ œ6 6
jœ ‰ jœ ‰ jœ ‰ jœ ‰
œ Œ . .œ œ œ œ œ œ œ
≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ
≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ
?
?
?
?
#
#
#
#
5jœ ‰ jœ ‰ jœ ‰ jœ ‰
œ ‰ Jœ .œ œ œ œ œ œ œ#
≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ# œ œ œ œ ≈ œ œ œ œ œ
≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ# œ œ œ ≈ œ œ œ œ œ
jœ ‰ jœ ‰ jœ# ‰ jœ ‰
œ .œ# œ .œn œ œ≥ œ œ œ œ œ3 3
≈ œ œ œ œ œ ≈ œ œ œ# œ œ ≈ œ œn œ œ œ ≈ œ œ œ œ œ
≈ œ# œ œ œ œ ≈ œ œ œ œ œ ≈ œn œ œ œ œ ≈ œ œ œ œ œ
Z. 20 002
Franz SCHUBERT(1797–1828)
© Copyright 2018 by Editio Musica BudapestPrinted in Hungary
Ave Maria
17 kotet_partitura.indd 2 2018.03.19. 13:53:36
The extensive range of the cello makes it possible for three or four cellos played in different registers to create the sound of genuine chamber music.
At first this possibility was utilized by cellist-composers, but in the 19th century transcriptions for several cellos began to be produced, a tradition continued by the editor of this chamber music series, the cello teacher Árpád Pejtsik, known worldwide for his pedagogical publications. (Most of the transcriptions in the volumes of this series are his own work.) Since the register of the cello corresponds roughly to that of the singing voice, from low bass to coloratura soprano, many of the pieces are transcriptions of choral works.
Works have been selected from widely differing periods of music history, the editor’s aim being to provide a collection of colourful, varied material for cellists to play. Some of the cello parts are easy to play, so that less proficient players can also take part in the shared music-making.
for 4 violoncellos
17
Z. 20 002
Ave Maria Schubert, Liszt, Verdi,
Rachmaninoff
FOR VIOLONCELLOSEdited by Árpád Pejtsik
25 Violoncellos
Editio Musica Budapest
Volume 1 ( for 4 violoncellos ) . . . . . . . . . . . . . . . EMBZ14306
De Swert, Gesualdo, Kossovits, Tchaikovsky
Volume 2 ( for 4 violoncellos ) . . . . . . . . . . . . . . . EMBZ14324
J. S. Bach, Goltermann, Pachelbel, Tchaikovsky
Volume 3 ( for 4 violoncellos ) . . . . . . . . . . . . . . . EMBZ14403
Boccherini, Grieg, J. Werner
Volume 4 ( for 3 violoncellos ) . . . . . . . . . . . . . . . EMBZ14422
Elgar, J. Haydn, W. A. Mozart, Purcell
Volume 5 ( for 5 violoncellos ) . . . . . . . . . . . . . . . EMBZ14447
Boccherini, W. A. Mozart, Schein
Volume 6 ( for 3 violoncellos ) . . . . . . . . . . . . . . . EMBZ14446
Dotzauer, J. Haydn, Schubert, Telemann
Volume 7 ( for 3 violoncellos ) . . . . . . . . . . . . . . . EMBZ14585
Bréval, Chopin, W. A. Mozart, Vivaldi
Volume 8 ( for 4 violoncellos ) . . . . . . . . . . . . . . . EMBZ14480
Dvořák, J. Haydn, Goltermann, Lyadov, Tchaikovsky
Volume 9 ( for 4 violoncellos ) . . . . . . . . . . . . . . . EMBZ14661
Dvořák, Goltermann, Schubert
Volume 10 ( for 4 violoncellos ) . . . . . . . . . . . . . . EMBZ14694
Beethoven–Böckmann, Dvořák, J. Haydn,
W. A. Mozart, Schubert
Volume 11 ( for 3 violoncellos ) . . . . . . . . . . . . . . EMBZ14727
Chorea Hungarica, Saltus Hungaricus, Beethoven,
Dotzauer, Gabrielli, J. Haydn, Schubert
Volume 12 ( for 4 violoncellos ) . . . . . . . . . . . . . . EMBZ14728
Beethoven, Berlioz, Mendelssohn, Wagner–Jacobowsky
Volume 13 ( for 4 violoncellos ) . . . . . . . . . . . . . . EMBZ14766
Chopin, Liszt, Schumann, Tchaikovsky
Volume 14 ( for 3 violoncellos ) . . . . . . . . . . . . . . EMBZ14831
Brahms, Debussy, Dvořák, Schubert
Volume 15 ( for 4 violoncellos ) . . . . . . . . . . . . . . EMBZ14886
Liszt, Mozart, Grützmacher, Fitzenhagen
Volume 16 ( for 3 violoncellos ) . . . . . . . . . . . . . . EMBZ14930
Bach, Beethoven, Brahms
Volume 17 ( for 4 violoncellos ) . . . . . . . . . . . . . . EMBZ20002
Schubert, Liszt, Verdi, Rachmaninoff
Volumes of the series
This series contains 30 popular and well-known short masterpieces and transcrip-tions. An admitted aim of the the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be per-formed with piano accompaniment.
Violoncello
MOMENTSMUSICAUX
MENDELSSOHN-BARTHOLDY, F.
FAURÉ, G.
SCHUMANN, R.
SAINT-SAËNS, C.
SCHUBERT, F.
TCHAIKOVSKY, P. I.
RUBINSTEIN, A.
GOENS, D. van
GRANADOS, E.
CHABRAN, F.
MARIE, G.
OFFENBACH, J.
PARADIS, M. T. von
ROSSINI, G.
BACH, J. S.
SCHUBERT, F.
RIMSKY-KORSAKOV, N.
LEE, S.
BRAHMS, J.
BOCCHERINI, L.
TARTINI, G.
LECLAIR, J.- M.
POPPER, D.
MASSENET, J.
ELGAR, E.
SCHUBERT, F.
MASSENET, J.
GOUNOD, Ch.
VECSEY F.
GOLTERMANN, G.
MOMENTS MUSICAUX
MENDELSSOHN
EDITIO MUSICA BUDAPEST
Lied ohne Worte(Op. 109)
für Violoncello und Klavier
Z. 13 582 VIOLONCELLO •
MOMENTSMUSICAUX
MASSENET
EDITIO MUSICA BUDAPEST
Thaïs(Méditation)
Z. 13 635 VIOLONCELLO •
pour violoncelle et piano
MENDELSSOHN-BARTHOLDY, F.
FAURÉ, G.
SCHUMANN, R.
SAINT-SAËNS, C.
SCHUBERT, F.
TCHAIKOVSKY, P. I.
RUBINSTEIN, A.
GOENS, D. van
GRANADOS, E.
CHABRAN, F.
MARIE, G.
OFFENBACH, J.
PARADIS, M. T. von
ROSSINI, G.
BACH, J. S.
SCHUBERT, F.
RIMSKY-KORSAKOV, N.
LEE, S.
BRAHMS, J.
BOCCHERINI, L.
TARTINI, G.
LECLAIR, J.- M.
POPPER, D.
MASSENET, J.
ELGAR, E.
SCHUBERT, F.
MASSENET, J.
GOUNOD, Ch.
VECSEY F.
GOLTERMANN, G.
MOMENTS MUSICAUXMOMENTSMUSICAUX
BOCCHERINI
EDITIO MUSICA BUDAPEST
Menuettoper violoncello e pianoforte
Z. 13 631 VIOLONCELLO •
MENDELSSOHN-BARTHOLDY, F.
FAURÉ, G.
SCHUMANN, R.
SAINT-SAËNS, C.
SCHUBERT, F.
TCHAIKOVSKY, P. I.
RUBINSTEIN, A.
GOENS, D. van
GRANADOS, E.
CHABRAN, F.
MARIE, G.
OFFENBACH, J.
PARADIS, M. T. von
ROSSINI, G.
BACH, J. S.
SCHUBERT, F.
RIMSKY-KORSAKOV, N.
LEE, S.
BRAHMS, J.
BOCCHERINI, L.
TARTINI, G.
LECLAIR, J.- M.
POPPER, D.
MASSENET, J.
ELGAR, E.
SCHUBERT, F.
MASSENET, J.
GOUNOD, Ch.
VECSEY F.
GOLTERMANN, G.
MOMENTS MUSICAUX MOMENTSMUSICAUX
GOLTERMANN
EDITIO MUSICA BUDAPEST
Capricciofür Violoncello und Klavier
Z. 13 889 VIOLONCELLO •
MENDELSSOHN-BARTHOLDY, F.
FAURÉ, G.
SCHUMANN, R.
SAINT-SAËNS, C.
SCHUBERT, F.
TCHAIKOVSKY, P. I.
RUBINSTEIN, A.
GOENS, D. van
GRANADOS, E.
CHABRAN, F.
MARIE, G.
OFFENBACH, J.
PARADIS, M. T. von
ROSSINI, G.
BACH, J. S.
SCHUBERT, F.
RIMSKY-KORSAKOV, N.
LEE, S.
BRAHMS, J.
BOCCHERINI, L.
TARTINI, G.
LECLAIR, J.- M.
POPPER, D.
MASSENET, J.
ELGAR, E.
SCHUBERT, F.
MASSENET, J.
GOUNOD, Ch.
VECSEY F.
GOLTERMANN, G.
MOMENTS MUSICAUX
Editio Musica Budapest
Other popular titles
MOMENTSMUSICAUX
TCHAIKOVSKY
EDITIO MUSICA BUDAPEST
Nocturne(Op. 19, No. 4)
pour violoncelle et piano
Z. 13 593 VIOLONCELLO • 6
MENDELSSOHN-BARTHOLDY, F.
FAURÉ, G.
SCHUMANN, R.
SAINT-SAËNS, C.
SCHUBERT, F.
TCHAIKOVSKY, P. I.
RUBINSTEIN, A.
GOENS, D. van
GRANADOS, E.
CHABRAN, F.
MARIE, G.
OFFENBACH, J.
PARADIS, M. T. von
ROSSINI, G.
BACH, J. S.
SCHUBERT, F.
RIMSKY-KORSAKOV, N.
LEE, S.
BRAHMS, J.
BOCCHERINI, L.
TARTINI, G.
LECLAIR, J.- M.
POPPER, D.
MASSENET, J.
ELGAR, E.
SCHUBERT, F.
MASSENET, J.
GOUNOD, Ch.
VECSEY F.
GOLTERMANN, G.
MOMENTS MUSICAUX
Pyotr Il’yich Tchaikovsky(1840–1893)
© Copyright 1988 by Editio Musica BudapestPrinted in Hungary Z. 13 593
VIOLONCELLO
Transcribed by W. FitzenhagenEdited by Árpád Pejtsik
13593_vlc_szolam.indd 2 2018.01.15. 16:49:00
Featured: Pyotr Il’yich TchaikovskyNocturneEMBZ13593
MOMENTS MUSICAUXFOR VIOLONCELLO
Edited by Árpád Pejtsik
26
27
Erzsébet Nagy – Miklós Mosóczi
Guitar Tutor I–III
The first three volumes of this guitar tutor have been completely revised. In the decades since the first edition, the musical interests of our students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor.
We have increased the number of recital pieces at all levels of difficulty, so that our students can spend longer on a varied repertoire at their respective level. We have first of all selected works from the Viennese classics for this purpose but have also enriched the repertoire of the tutor with numerous pieces from the Renaissance and Baroque periods.
In volumes I and II of the tutor we have given Hungarian folk songs and children’s songs a significant amount of space. In the course of revision, we have expanded the material of these two volumes with simple arrangements of folk songs, nursery rhymes and flower songs, and we have provided very easy, but valuable material for instrumental study in particular for children aged between 6 and 10. We have also expanded the chamber music material to be found at the end of the volumes, because we believe that playing music together is the best way to make instrumental study a lasting experience for our students. The parts are relatively simple, so the works provide a musical experi-ence almost immediately.
Volume I
Grade: Very easyLanguage: English, German, HungarianNumber of pages: 68Order no.: EMBZ8418
Volume II
Grade: EasyLanguage: English, German, HungarianNumber of pages: 64Order no.: EMBZ12280
Volume III
Grade: MediumLanguage: English, German, HungarianNumber of pages: 80Order no.: EMBZ12281
GuitarMETHODS AND STUDIES
Editio Musica Budapest
Revised
28
Editio Musica Budapest
METHODS AND STUDIES
Flute
Selected Studies for FlutesEdited by Vilmos Bántai and Gábor Kovács
The three volumes contain 176 studies by 25 composers. The selection was made according to tech-nical usefulness and musical value. The studies follow in order of the grade of difficulty and are grouped around certain problems. All three volumes can be applied as supplementary material to any flute tutor. Their use should be determined by the progress of the student and not by the class he attends. We recommend the first volume (EMBZ8591) for beginners, the second (EMBZ8592) one for advanced students on the lower level, the third (EMBZ8593) for intermediate students.
Volume I
Grade: EasyLanguage: English, German, HungarianNumber of pages: 36Order no.: EMBZ8591
Volume II
Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 52Order no.: EMBZ8592
Volume III
Grade: MediumLanguage: English, German, HungarianNumber of pages: 60Order no.: EMBZ8593
Zoltán JeneyFlute Tutor“In this flute tutor we have tried to allocate the musical and technical content in such a way as to make the path of development smooth and obstacle-free for beginners. Our aim is that the begin-ner should first play on his instrument in his musical native language, that of Hungarian folk music. For this reason the majority of the exercises are folk melodies or compositions created in the spirit of folk song. In addition to Hungarian folk music, the volume also contains folk music from other countries, and classical music. Of etudes in the traditional sense of the word we have included only as much as was absolutely essential...” Zoltán Jeney
Volume I
Grade: EasyLanguage: German, HungarianNumber of pages: 100Order no.: EMBZ5457
Volume II
Grade: MediumLanguage: German, HungarianNumber of pages: 88Order no.: EMBZ5458
Music Lesson
29
Editio Musica Budapest
METHODS AND STUDIES
Flute
Vilmos Bántai – Gábor Kovács
Scale Tutor for FluteSupplement to the Flute Tutor by Zoltán Jeney
Volume I
Grade: EasyLanguage: German, HungarianNumber of pages: 50Order no.: EMBZ8233
Volume II
Grade: MediumLanguage: German, HungarianNumber of pages: 124Order no.: EMBZ8625
Giuseppe Gariboldi
30 Easy and Progressive Studies for Flute The ‘30 Easy and Progressive Studies for flute’ by the Italian composer and flute virtuoso Giuseppe Gariboldi (1833–1905) are among the stand-ard works for flute teaching.
Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 32Order no.: EMBZ8007
Music Lesson
30
Editio Musica Budapest
Béla Bartók
13 Easy Pieces C
Transcribed by Vilmos Bántai and Éva Bántainé Sipos
This album contains arrangements of piano pieces written by Béla Bartók (1881–1945) in his youth for piano pupils ( Ten Easy Piano Pieces, For Children, The First Term at the Piano ). Most are arrangements of Hungarian or Slovak folk songs, while the rest are based on the com-poser’s own melodies. A piano accompaniment for each piece and a full performance by noted Hungarian musicians is provided on the accompa-nying CD to facilitate practice at home and help in developing a suitably styled performance of Bartók’s music.
Bartók Transcriptions for Music Students
Grade: EasyLanguage: English, German, HungarianNumber of pages: 36Order no.: EMBZ14944
Trios for Flutes Transcribed and edited by László Zempléni
The volume contains selected transcriptions from well-known sets that Bartók wrote for children and young people: For Children, Children’s and Female Choruses, 44 Duets and Mikrokosmos.
Grade: MediumLanguage: English, German, HungarianNumber of pages: 52Order no.: EMBZ14973
Grade: MediumLanguage: English, German, HungarianNumber of pages: 56Order no.: EMBZ14972
FluteREPERTOIRE PIECES FOR STUDENTS
Quartets for Flutes Transcribed and edited by László Zempléni
This volume consists of 16 pieces. In nine, the bottom part is set for alto flute. The transcriptions are from the same sources as those in the volume Trios for Flutes.
31
Editio Musica Budapest
FluteREPERTOIRE PIECES FOR STUDENTS
Zoltán Kodály
Children’s Dances
Arranged by Vilmos Bántai and Éva Bántai-Sipos
Zoltán Kodály composed few works for piano solo ; between 1918 and the end of World War II, he wrote none. He even refused the request of Universal Edition in 1934, which would have commis-sioned him to write easy pedagogical studies for piano. It is, however, not impossible that this approach inspired his educational piano compositions in 1945 and 1946. The twelve-piece cycle of Children’s Dances was not written for novice pianists. The melodies of the pieces reflect the char-acteristics of Hungarian folk dance tunes, while their setting even evokes the sound of original folk instruments commonly used for accompaniment.
Vilmos Bántai and Éva Bántai-Sipos selected eight of the Children’s Dances to transcribe for flute and piano. In these transcriptions, recommended for the primary music school students, the flute is undoubtedly featured as a melodic instrument accompanied by the piano, which sometimes plays a supporting role and other times shares equal significance with the flute.
Z. 15 069
KODÁLY Zoltán(1882–1967)
1. (orig.: 1.)
© Copyright by Boosey and Hawkes Music Publishers Ltd., LondonArrangement © Copyright 1980 by Editio Musica Budapest
Children’s Dances – Kindertänze – Gyermektáncok
D.C. No.1.al Fine
FINEattaca ad lib.
2. (orig.: 2.)
Arranged by BÁNTAI Vilmos, B. SIPOS Éva
© Boosey and Hawkes Music Publishers Ltd., LondonArrangement © 1980 by Universal Music Publishing Editio Musica Budapest Z. 15 069
EDITIO MUSICA BUDAPESTZ. 15 069
KODÁLY
Children’s Dancesfor flute and piano
Kindertänze für Flöte und Klavier
GyermektáncokFuvolára és zongorára
(BÁNTAI – SIPOS)
EDITIO MUSICA BUDAPEST Universal Music Publishing Editio Musica Budapest
Z. 15 069
Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 16+8Order no.: EMBZ15069
Published by UMPEMBIn preparation
NEW
32
Editio Musica Budapest
RecorderREPERTOIRE PIECES FOR STUDENTS
Béla Bartók
Duets for recorders from the Children’s and Female Choruses
Transcribed and edited by Márton Kerékfy
The Children’s and Female Choruses were composed in a single burst of creative activity at the ze-nith of Bartók’s career, in the summer of 1935, between such masterpieces as the String Quartet No. 5 and the Music for Strings, Percussion and Celesta. These short choral pieces are based on folk texts that Bartók further polished and stylized. The music, however, is wholly the composer’s own, although it frequently includes motifs, rhythmic formulas and line structures reminiscent of Hungarian folk songs. Both editions contain nine of the two-part pieces of the set, transcribed idio-matically but faithfully for descant and treble recorders, respectively.
Duets for Treble Recorders
Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 16Order no.: EMBZ14975
Duets for Descant Recorders
Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 16Order no.: EMBZ14974
Bartók Transcriptions for Music Students
33 ClarinetMETHODS AND STUDIES
Volume 1
Grade: EasyLanguage: English, German, HungarianNumber of pages: 80Order no.: EMBZ12282
Volume 2
Grade: MediumLanguage: English, German, HungarianNumber of pages: 96Order no.: EMBZ13291
Béla Kovács
I Learn to Play the Clarinet“The two volumes of I Learn to Play the Clarinet (EMBZ12282 and EMBZ13291) have been written for beginners and contain the material for the first 3-4 years. It has been avoided to arrange the material according to yearly divisions for several reasons. On one hand the rate of progress depends on the pupil’s aptness, diligence, age and musical pre-education, so a strictly handled curriculum could be either too small or too great a task for the pupil. On the other hand by using this method it may be easier achieved that quality replace quantity.” Béla Kovács
Editio Musica Budapest
34
Editio Musica Budapest
© Copyright 2018 by Universal Music Publishing Editio Musica BudapestPrinted in Hungary Z. 15100
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Állandó álmokPersistent Dreams
VAJDA Gergely(*1973)
klarinétra / for Clarinet in Bb
Hommage à Salvador Dalí
3 3
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[Oct. 2, 1991/ Jan. 5, 2017]
3
3
Z. 15100
810
© 2018 by Universal Music Publishing Editio Musica Budapest
Gergely Vajda
Persistent Dreamsfor solo clarinet
“I wrote my solo clarinet piece Persistent Dreams in 1991 before my ‘Opus 1’ Lightshadow-trem-bling, inspired by Salvador Dalí’s painting La persistència de la memòria. The musical equivalent of the infamous melting clocks is like a convolvulus made of notes moving between various overtone systems, interrupted here and there by short chromatic outbreaks. Although it recurs in various forms, in its variations it portrays the immutability and persistence of time and memory.”
Gergely Vajda
Grade: Diffi cultLanguage: English, German, HungarianNumber of pages: 12Order no.: EMBZ15100
Published by UMPEMB
Clarinet
EMB Contemporary Music
NEW
CONTEMPORARY MUSIC
35Chamber music
Chamber music series with optional combination of instruments
Trios für Fortgeschrittene
Trios de niveau avancé
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 3
d u o s t r i o s quartets
ea
syad
vance
d
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Triók haladóknak
Advanced Level Trios
AD
LIBIT
UM
FAM
ILY E
DIT
ION
Z . 149
63
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 9 6 3
Ünnepi muzsika
Music for CelebrationMusik zum FeiernMusik zum FeiernMusik Musique à fêter.
AD LIBITUM
FAMILY EDITION
FAM
ILIE
NED
ITIO
N
MUSIQ
UEPO
UR LE
S FAM
ILLES
Music for ChristmasKarácsonyi muzsika
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 9 4 6
Karácsonyi muzsika
Music for Christmas.
AD LIBITUM
FAMILY EDITION
FAM
ILIE
NED
ITIO
N
MUSIQ
UEPO
UR LE
S FAM
ILLES
ISMN 979 0 080 14 963 8
I – Violino / Flauto dolce soprano / Flauto / Oboe
I – Clarinetto in Si b / Sassofono soprano in Si b / Tromba in Si b
II – Violino (ad lib.)
II – Flauto dolce contralto (ad lib.)
II – Clarinetto in Si b / Tromba in Si b (ad lib.)
Chitarra (ad lib.)
Percussione (ad lib.)
Basso (ad lib.) – Violoncello / Fagotto / Eufonio
www.emb.hu
Trios für Fortgeschrittene
Trios de niveau avancéFortgeschrittene avancéFortgeschritteneTrios de niveau avancéTrios de niveau
FortgeschritteneTrios de niveau
Fortgeschrittene avancéFortgeschritteneTrios de niveau
Fortgeschrittene
hamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
E D I T I OE D I T I OE D I T I OE D I T I O . M U S I C AM U S I C AM U S I C A
d u o s t r i o s
AD LIBITUM
Triók haladóknak
Advanced Level TriosFortgeschrittene
Advanced Level TriosFortgeschrittene Trios für Fortgeschrittene
hamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
d u o s
AD LIBITUM
Triók haladóknak
Advanced Level TriosFortgeschrittene
Advanced Level TriosFortgeschritteneChamber music series with optional combinations of instruments Kammermusikserie mit variabler Besetzung
Kamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 1
d u o s t r i o s quartets
ea
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yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
Mittelschwere Trios
Trios de niveau intermédiaire
Triók középhaladóknak
IntermediateLevelTrios
EMBZ14 860
Chamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
M U S I C AM U S I C AM U S I C A
d u o s t r i o s
hala
dó
AD LIBITUM
Mittelschwere Trios
Triók középhaladóknak
IntermediateLevelTrios
AD
LIBIT
UM
Z . 148
48
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 4 8
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
Leichte Trios Trios facilesKönnyu triók
EasyTriosd u o s t r i o s quartets
ea
sy
advan
ced
könn
yűköz
éphalad
óha
ladó
AD LIBITUM
interm
ediate
EasyTriosK
önnyu triók
The volumes in this new series contain duos, trios and quartets, their degree of diffi culty ranging from easy through intermediate to advanced. Every piece is a transcription or an arrangement, since in editing the volumes our primary concern was to provide a collection of valuable and interesting compositions,
as freely variable as possible as regards instrumen-tation, for music school students and also for adults who make music for their own pleasure. The range and pitch of the parts enable the works to be per-formed on any required or possible combination of the given instruments.
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 9 4 6
Karácsonyi muzsika
Music for ChristmasWeihnachtsmusik
arácsonyi muzsikaWeihnachtsmusik
arácsonyi muzsikaMusique pour Noël.
AD LIBITUM
FAMILY EDITION
FAM
ILIE
NED
ITIO
N
MUSIQ
UEPO
UR LE
S FAM
ILLES
Music for Christmas EMBZ14946
Easy Trios EMBZ14848Intermediate Level Trios EMBZ14861Advanced Level Trios EMBZ14863
Duos für Fortgeschrittene
Duos de niveau avancé
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Advanced Level Duos Duos für Fortgeschrittene
Duos de niveauFortgeschrittene
Duos de niveauFortgeschritteneFortgeschrittene avancéFortgeschritteneFortgeschrittene
Duos de niveauFortgeschrittene avancéFortgeschrittene
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hamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
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Advanced Level DuosFortgeschrittene
Advanced Level DuosFortgeschrittene Duos für Fortgeschrittene
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d u o s
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Duók haladóknak
Advanced Level DuosFortgeschrittene
Advanced Level DuosFortgeschritteneChamber music series with optional combinations of instruments Kammermusikserie mit variabler Besetzung
Kamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 0
d u o s t r i o s quartets
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interm
ediate
Mittelschwere Duos
Duos de niveau intermédiaire
Duók középhaladóknak
IntermediateLevelDuosChamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
M U S I C AM U S I C AM U S I C A
d u o s t r i o s
hala
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AD LIBITUM
Mittelschwere Duos
Duók középhaladóknak
IntermediateLevelDuosLeichte Duos Duos faciles
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 5 9
d u o s t r i o s quartets
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interm
ediate
Könnyu duók
EasyDuos
AD
LIBIT
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Könnyu duók
EasyDuos
Z . 148
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Easy Duos EMBZ14859Intermediate Level Duos EMBZ14860Advanced Level Duos EMBZ14862
DUOS
TRIOS
Quartette für Fortgeschrittene
Quatuors de niveau avancé
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 4
d u o s t r i o s quartets
ea
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d
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éphalad
óha
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AD LIBITUM
interm
ediate
Kvartettek haladóknak
Advanced Level QuartetsQuartette für FortgeschritteneQuartette für FortgeschritteneQuartette für
niveau avancé Fortgeschrittene niveau avancé Fortgeschrittene
hamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
E D I T I OE D I T I OE D I T I OE D I T I O . M U S I C AM U S I C AM U S I C A
d u o s t r i o s
AD LIBITUM
Kvartettek haladóknak
Advanced Level Quartets FortgeschritteneAdvanced Level Quartets Fortgeschrittene
hamber music series with optional combinations of instruments
Advanced Level Quartetshamber music series with optional combinations of instruments
Quartette für FortgeschritteneQuartette für FortgeschritteneQuartette für
hamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
d u o s
AD LIBITUM
Kvartettek haladóknak
Advanced Level Quartets FortgeschritteneAdvanced Level Quartets Fortgeschrittene
hamber music series with optional combinations of instruments
Advanced Level Quartetshamber music series with optional combinations of instruments
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Z . 148
50
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 5 0
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Mittelschwere Quartette
Quatuors de niveau intermédiaire
Kvartettek középhaladóknak
IntermediateLevelQuartets
d u o s t r i o s quartets
ea
syad
vance
d
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yűköz
éphalad
óha
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AD LIBITUM
interm
ediate
Kvartettek középhaladóknak
IntermediateLevelQ
uartets
M U S I C AM U S I C AM U S I C A
Chamber music series with optional combinations of instrumentsSérie de musique de chambre avec instruments au choix
Mittelschwere Quartette
Quatuors de niveau Quartette
Quatuors de niveau Quartette Quartette Quartette
Kvartettek középhaladóknakMittelschwere
Kvartettek középhaladóknakMittelschwere Quatuors de niveau
Kvartettek középhaladóknak Quatuors de niveau
IntermediateLevelQuartets QuartetteIntermediateLevelQuartets Quartette
d u o s t r i o s
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Z . 148
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Leichte Quartette Quatuors faciles
Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix
E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 4 9
Könnyu kvartettek
EasyQuartets
EasyQuartets
Könnyu kvartettek
d u o s t r i o s quartets
ea
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éphalad
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ediate
Easy Quartets EMBZ14849Intermediate Level Quartets EMBZ14850Advanced Level Quartets EMBZ14864
QUARTETS
FAMILY EDITION
The series is complemented by two volumes ( family edition ), which are recommended by the editor not only to be performed in music schools but also for family music making at home.
Music for Celebration EMBZ14963
Edited by András Soós, László Zempléni
35
Editio Musica BudapestEditio Musica Budapest
Vocal music
A Panorama of SongsEasy songs of four centuries in six languages
A Panorama of Songs fi lls a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly off ering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs.
The three volumes of the series are arranged by level of diffi culty, and all of them are available for high and low voices (“a” volumes for high voices, “b” volumes for low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included.
The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.
36
Editio Musica Budapest
EDITIO MUSICA BUDAPEST Z. 20 006
Volume 1/a for high voice
1/a kötet magas hangra
Z. 20006 A PA
NO
RA
MA
OF SO
NG
S • DA
LPAN
OR
ÁM
A Volum
e 1/a • 1/a kötet
A Panorama of SongsEasy songs of four centuries in six languages
A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, this series seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. Bringing a breath of fresh air and new works to the conventional Lied repertoire, A Panorama of Songs �lls a want. Using the means of modern technology it also provides immense help in learning and performing the songs.
�e volumes of the series are arranged by level of di�culty, and all of them are available for high and low voices. Each volume includes all six languages (English,
French, German, Italian, Russian, and Spanish) and presents a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration. Ornamenta-tion suggestions for the performance of the Baroque works are also included.
�e printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. �e website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.
Dr. Katalin Hegedüs Gönczy is répétiteur at the Pál Járdányi Music School in Budapest.
DalpanorámaNégy évszázad könnyű dalai hat nyelven
A hiánypótló sorozat hat európai nyelv dalaiból válogatva, a 16. századtól a 20. század közepéig vala-mennyi zenei korszakot felölelve segíti a kezdő fokon oktató magánének tanárokat, korrepetitorokat, valamint – legfőképp – az énekelni vágyókat. Új darabokkal frissíti fel és bővíti ki az általánosan ismert dalrepertoárt, emellett – a modern technika eszközeit is felhasználva – egyedülálló segítséget nyújt a dalok megtanulásához és előadásához.
A sorozat kötetei nehézségi sorrend szerint követik egymást, és mindegyik elérhető magas és mély hangfekvésben egyaránt. Mindben megtalálható mind a hat nyelv (angol, francia, német, olasz, orosz, spanyol), és mindegyik teljes keresztmetszetet ad a kora barokk stílustól a 20. századig. A dalok értelmezését a szövegek angol és magyar nyelvű nyersfordítása segíti, a cirill betűk olvasását pedig fonetikus átírás könnyíti. A barokk művek előadásához díszítési javaslatokat is közölnek a kiadványok.
A nyomtatott kötetekhez további hasznos, a tanulás folyamatát segítő anyagok csatlakoznak a www.emb.hu/downloads oldalon. Az online felületen meg lehet hallgatni az összes dal zongorakíséretét, valamint az összes eredeti szöveget anyanyelvűek tolmácsolásában. A hat nyelv alapvető kiejtési szabályai ugyanitt szintén letölthetők.
Dr. Hegedüs Gönczy Katalin a budapesti Járdányi Pál Zeneiskola korrepetitora.
Volumes of the series • A sorozat kötetei
Volume 1/a for high voice • 1/a kötet magas hangra Z. 20006Volume 1/b for low voice • 1/b kötet mély hangra Z. 20011Volume 2/a for high voice • 2/a kötet magas hangra Z. 20007Volume 2/b for low voice • 2/b kötet mély hangra Z. 20012Volume 3/a for high voice • 3/a kötet magas hangra Z. 20008Volume 3/b for low voice • 3/b kötet mély hangra Z. 20013
A Panorama of SongsDalpanoráma
HEGEDÜS GÖNCZY
NEW
Further volumes in preparation:
Volume 2a for high voice EMBZ20007Volume 2b for low voice EMBZ20012Volume 3a for high voice EMBZ20008Volume 3b for low voice EMBZ20013
Volume 1a for high voice
Grade: Easy, MediumLanguage: English, French, German, Hungarian, Russian, SpanishNumber of pages: 96Order no.: EMBZ20006
Volume 1b for low voice
Grade: Easy, MediumLanguage: English, French, German, Hungarian, Russian, SpanishNumber of pages: 96Order no.: EMBZ20011
Editio Musica Budapest
Choral music37
Choral works by contemporary composers
Tímea DragonySonnet CIXby William Shakespearefor female choir
Language: English Number of pages: 12Order no.: EMBZ15092
Ákos ZarándyA sötétség vidám dalaiból for female choir
Language: HungarianNumber of pages: 12Order no.: EMBZ15091
Works commissioned by the Municipality of Debrecen for the 28th Béla Bartók International Choir Competition in 2018
Balázs Kecskés D.Allelujafor mixed choir
Language: Latin Number of pages: 16Order no.: EMBZ15094
Judit VargaA Wreathfor mixed choir
Language: English Number of pages: 20Order no.: EMBZ15093
All titles published by UMPEMB
NEW
KODÁLYCHORAL WORKS FOR MIXED VOICESEdited by Péter Erdei
This volume of Kodály’s works for mixed choir is an extended and revised edition that contains a total of 52 compositions, seven of which have never before appeared in previous collections. This is the most complete and most authentic edition to be published thus far ; it has been edited based on uni-orm principles contains eas to rea fi rst rate musical scores an inclu es
an informative Epilogue.
Cloth-bound edition
Language: original, HungarianNumber of pages: 404Order no.: EMBZ6725A
Paperback edition
Language: original, HungarianNumber of pages: 404Order no.: EMBZ6725
Two additional volumes of Kodály’s choral works are available:
Choral Works for Children’s and Female Voices EMBZ6724Choral Works for Male Voices EMBZ6726
Published by UMPEMB
NEW NEW
Editio Musica Budapest
38Choral music
39
Editio Musica Budapest
Choral music
New separate editions from the revised edition of CHORAL WORKS FOR MIXED VOICES by Zoltán Kodály
MISEREREAz 50. zsoltár része — Part of Psalm 50
KETTŐS KARRA FOR DOUBLE CHOIR
KODÁLY
EDITIO MUSICA BUDAPESTUniversal Music Publishing Editio Musica Budapest
Z. 14 166
14166_Miserere_umpemb.indd 1 2019.02.25. 11:05:11
MisererePart of Psalm 50 for double choirLanguage: LatinNumber of pages: 24Order no.: EMBZ14166
NEW
Further works:
Adoration (HB, E) EMBZ15115Adventi ének / O come, o come, Emmanuel
(Advent Hymn) (L, H) EMBZ7154Akik mindig elkésnek / Too Late (H) EMBZ12226A magyar nemzet / The Hungarian Nation (H)
EMBZ14969A magyarokhoz / Song of Faith (H) EMBZ3973An Ode for Music / Óda a Muzsikához (E, H) EMBZ13589A szabadság himnusza / La Marseillaise (H) EMBZ3405Az éneklő ifjúsághoz / To the Singing Youth
( for mixed boys’ choir) (H) EMBZ5263Balassi Bálint elfelejtett éneke / O My Nation’s Grieving
(H) EMBZ12225
Békesség-óhajtás – 1801. esztendő / An Invocation to Peace –
The Year 1801 (H) EMBZ1586Cohors Generosa ( for mixed boys’ choir) (L, H) EMBZ2973Első áldozás / First Communion (H) EMBZ15067Ének Szent István királyhoz / Hymn to King Stephen
(for small mixed choir) (H) EMBZ12223Esti dal / Evening Song (H) EMBZ2975Fölszállott a páva / The Peacock (H) EMBZ3435Gömöri dal / A Song from Gömör (H) EMBZ14598Horatii Carmen II. 10. – A szép énekszó múzsájához /
To the Muse of Song (L, H) EMBZ4212János köszöntő / Greeting on St. John’s Day
( for mixed boys’ choir) (H) EMBZ12221Jelige / Epigraph (for small mixed choir) (SAB) (H) EMBZ2984Jelige / Epigraph (for large mixed choir) (SATB) (H) EMBZ3011Jézus és a kufárok / Jesus and the Traders (H) EMBZ12222Jövel, Szentlélek Úristen / Come, Holy Spirit (H) EMBZ15105Liszt Ferenchez / An Ode to Ferenc Liszt (H) EMBZ12468Magyarország címere / The Arms of Hungary (H) EMBZ13571Media vita in morte sumus (L, H) EMBZ8394Miatyánk / The Lord’s Prayer (H) EMBZ15104Mohács (H) EMBZ5017Molnár Anna / Anna Molnár (H) EMBZ4039Napének / Hymn of the Sun (H) EMBZ15116Öregek / The Aged (H) EMBZ3243Salló Pista / Pista Salló (H) EMBZ15101Semmit ne bánkódjál / Do not Grieve (H) EMBZ15102Sík Sándor Te Deuma / The Te Deum of Sándor Sík (H) EMBZ14490Sirató ének / Lament (H) EMBZ12155Székely keserves / Transylvanian Lament (H) EMBZ2980Szép könyörgés / Beseeching (H) EMBZ14599Túrót eszik a cigány / See the Gypsies (H) EMBZ3603Zrínyi szózata / Zrínyi’s Hymn (H/L) EMBZ2233
E = English H = HungarianHB = Hebrew L = Latin
All titles published by UMPEMB
Inne
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by M
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