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Verlag der BuchhandlungWalther KönigHerbst / Fall 2013

VERLAG DER BUCHHANDLUNGWALTHER KÖNIG, KÖLN

Ehrenstraße 4, D-50672 KölnTel. +49 (0)221 205 96 53Fax +49 (0)221 205 96 [email protected]

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Auslieferungen + Vertreter /Agents + Representatives

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Schweiz / SwitzerlandAVA Verlagsauslieferungen AGCentralweg 16CH-8910 Affoltern a.A.Tel. + 41 (0) 44 762 42 60Fax + 41 (0) 44 762 42 [email protected]

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Verlag der BuchhandlungWalther König, KölnEva Möller, Leitung Vertrieb und PR /Head of Distribution and PREhrenstraße 4, D-50672 KölnTel. +49 (0)221 205 96 53Fax +49 (0)221 205 96 [email protected]

Alle Preise inkl. MwSt. freibleibend

Cover:Marcel Broodthaers,Berlin oder ein Traum mit Sahne, 1974Foto / Photograph © Maria Gilissen

AAisslinger, Werner ... 52Andrews, Kathryn ... 20Antes, Horst ... 63AR - Artistic Research ... 60Auf Zeit. Wandbilder ... 35Ausgewählt. Vormoderne ... 44August Verlag ... 48

BBalkenhol, Stephan ... 26Bayrle, Thomas ... 63Besser scheitern ... 10Birnbaum, Charlotte ... 51Bishop, Claire ... 22Bock, John ... 5Bow-Wow, Atelier ... 61Brasiliana ... 9Brenner, Birgit ... 10Bronstein, Pablo ... 14Broodthaers, Marcel ... 12f.

CCanell, Nina ... 20Childish, Billy ... 57Chipperfield, Architects ... 61Christian, Toby ... 36Cointet, Guy de ... 50Copley, William N. ... 23Culture in Action ... 48

DDean, Tacita ... 32Denkfiguren ... 48Denny, Simon ... 58Dritte Welle ... 35Duchamp, Marcel ... 61Dunham, Carroll ... 54

EEbeling, Knut ... 46Eingeprägt. Numismatik ... 44Elmgreen & Dragset ... 11Emigholz, Heinz ... 46Exhibition Series ... 48

FFaigenbaum, Patrick ... 59Feldmann, Hans-Peter ... 2f.Fischer, Urs ... 53Fischli / Weiss ... 25Flusser Lectures ... 46Fraser, Andrea ... 30Fritsch, Katharina ... 21Fujimoto, Sou ... 15

GGlück kommt aus, Das ... 34Golden, Daan van ... 32Goscinski, Sofia ... 56Groll, Dieter ... 41Grosse, Katharina ... 18f.Gruppe SPUR ... 35Guyton, Wade ... 4

HHanzlová, Jitka ... 42Haverkamp, Anselm ... 48Hazoumé, Romuald ... 53Hein, Jeppe ... 33Huyghe, Pierre ... 16

IIskele ... 47

JJamie, Cameron ... 36Jankowski, Christian ... 8Julius, Rolf ... 20

KKapoor, Anish ... 62Kierkegaard, Søren ... 45Klauke, Jürgen ... 43Kožarić, Ivan ... 31KUB – Arena ... 49Kunath, Friedrich ... 39Kunst – Begriffe der Gegenwart ... 41Kunst und Ideologiekritik ... 49Kuttner, Manfred ... 34Kunstwissenschaftliche Bibliothek(KWB) ... 42

LLeben mit Pop ... 62Lempert, Jochen ... 62Linder ... 28Little Movements ... 22

MMacht der Machtlosen ... 50Malevich, Kasimir ... 1Mannaerts, Valérie ... 55Materials and Money ... 49Meese, Jonathan ... 29Meidner, Ludwig ... 37Memory Marathon ... 40Merz, Mario ... 58Molderings, Herbert ... 61Monko, Marge ... 56

NNäher, Christa ... 51n.b.k. Neuer Berliner Kunstv. ... 47

OOdenbach, Marcel ... 56Oehlen, Albert ... 6f.Orozco, Gabriel ... 26, 62

PPaulas Juwelen ... 51Petersen, Anders ... 59

RRainer, Arnulf ... 58Richter, Gerhard ... 16f.Rötzer, Florian ... 46Rückriem, Ulrich ... 43Ruhr Museum Essen ... 44

SSchütte, Thomas ... 27Semotan, Elfie ... 54Shapiro, Alan ... 46Slominski, Andreas ... 47Smith, Michael E. ... 57Stauder, Peter ... 37Street-Art Brazil ... 9Sturtevant, Elaine ... 60

TTriennale Fellbach ... 63Tuerlinckx, Joëlle ... 30

VViallat, Claude ... 45Villar Rojas, Adrián ... 24Vo, Danh ... 55

WWalker, Kelley ... 4Walther, Franz Erhard ... 40f.Weiner, Lawrence ... 52, 61Wohnseifer, Johannes ... 42Wolfson, Jordan ... 38

YYang, Haegue ... 63

ZZobernig, Heimo ... 7

Index

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Verlag der BuchhandlungWalther König, KölnHerbst / Fall 2013

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fig rlichen erke aus dersel en eit, die im esten enig ertsch t ung er uhrenä

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Best known for his purely abstract work, Malevich was inspired by diverse art move-ments of his day. Through oil paintings, gouaches, drawings, and sculptures, thecatalogue traces the rich variety of his oeuvre. It will be surprising to many to recog-nize those influences in the work of Malevich: the light touches of Impressionism, thespirituality of Symbolism, Fauvism and exotic coloured geometric cubism and primitiv-ism next to futuristic dynamism.The catalogue follows Malevich’s development to his own Suprematism, as heestablished in paintings, spatial “arkhitektons” and designs for opera and film. Atten-tion is also paid to the figurative works from the period, which in the West initially werenot valued, partly because they were totally unknown. The Khardzhiev and Costakiscollections provide a context for this varied oeuvre by including many works byMalevich’s fellow artists of the Russian avant-garde.

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Alongside his exhibitions in museums, galleries and art institutions, Hans-PeterFeldmann is well known for the books he regularly creates. His books examine art,but can also be read as picture books for adults. Now, for the first time, Feldmann hasproduced a book specifically for children. It is, as ever, a picture book with a great dealof art. It includes approximately 00 paintings taken from many periods in art history.But the quality of the paintings isn’t the only thing that distinguishes this book. Feld-mann uses the pictures to teach children about the alphabet, numbers and colour. It isan ABC book for children, which might well entertain adults too.

weiterhin lieferbar / still available

o eur 5. Au agegr n 11

Intervie ans lrich rist .

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Drawings BLUE REDYELLOW

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erden. Gu ton otografiert sie als Stapel au seinem et t neuen gel en K chen uä

The colour of Wade Guyton’s kitchen floor determines the titles of the volumes of hisartist book series . After (Museum Ludwig, Cologne, 2010) and(Wiener Secession, 2011) comes (Kunsthalle urich).Each volume contains a collection of pages taken from catalogues or magazines andoverprinted with simple geometric shapes. Guyton photographs these pages as a pileon his kitchen floor, which is now yellow. Every time the reader turns the page, he orshe sees that Guyton has removed one drawing from the stack, thereby connectingthe reader directly with the artist’s production phase.

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For the first time the three artist positions Wade Guyton, Kelley Walker and GuytonWalker are presented together in this publication. The presentation enables a directviewing and analysis of the artists and the artistic duo founded in 2004 to this day aunique union of two artists, who also worked and exhibited separately until then andcontinue to do so. The authors present the artists and dedicate themselves to thethemes of independent authorship and the relationship between solo and collaborativeartistic work as well as their common artistic techniques and visual languages.


eichnungen r ein gro es ild. 1

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ohn ock. eechfieber

Ein Reader von John Bock

Seine ausufernden Aktionen nennt John Bock ganz unprätentiös Vorträge und sorgtemit diesem Format bereits seit den 1990er Jahren für Aufsehen. Seitdem hat er seinSpektrum stetig erweitert, und mittlerweile steht neben den Aktionen und komplexenInstallationen besonders der Film als Medium im Zentrum seiner Arbeit. Mit seinenSchriften wird nun erstmals seine umfangreiche Textsammlung veröffentlicht, die sowohlseine Vorträge und Film-Scripts als auch Handlungsabläufe und Notizen zu zahlreichenAktionen seit 1992 dokumentiert. Die meist handschriftlichen Manuskripte sind vollstän-dig transkribiert. Ergänzt werden sie durch Zeichnungen und Skizzen des Künstlers.

Ich habe angefangen mit theoretischen, mathematischen Vorträgen und ich wollte garnicht aktionistisch sein. Da rutscht man dann so rein, baut ein Kostüm, baut ein Objektund dann sagt man sich: ja die weiße Wand reicht nicht mehr – also baut man sich einBühnenbild, dann eine Bühne – und so läppert sich das. John Bock

n k n retenti sl des ribes is e essi e erf r n e ie es s le t res .is w rk in t is f r t s rnered ttenti n sin e t e s. Sin e t en e

has continued to broaden his spectrum. Today, film plays a key role in his work alongside is le t res nd le inst ll ti ns. it eechfie er is br d lle ti n fwritings will be published for the first time, documenting both his talks and film scriptss well s is r ed res nd n tes f r ntless erf r n e ie es sin e .e nt l is enri ed b dr win s nd sket es b t e rtist.

16,5 x 22 cm, ca. 1000 Seiten,ca. 900 s/w Abbildungen.

Softcover

Deutsch- - - -

,

Künstlerbuch / Artist Book

Oktober / October

John Bock, geb. 1965 in Gribbohm.Lebt und arbeitet in Berlin.

Professor an der Staatlichen Akademieder Bildenden Künste Karlsruhe.

Bundeskunsthalle, Bonn,03.10.2013–12.01.2014

weiter in lieferb r still il ble:

Lütte mit Rucola. 2011978-3-86560-994-6

98,–

Klütterkammer. 2009978-3-86560-554-2

32,–

Die malträtierte Fregatte.Special Edition mit Hemd. 2007

978-3-86560-367-848,–

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ildlegenden in h ufig grotesken ormen Spielgelschri t und erdruck , dieedem klassischen pogra en Sch ei aus r che ereiten rden, er eist sich ei

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ildredaktion und die radikale pografie den eser esseln eine u likation, die in

Heimo obernig is responsible for designing one of the most unusual exhibitioncatalogues in recent years. What at first appears to be a careless handling of thereproductions of images and a seemingly random placement of captions in often gro-tesque forms (including mirror writing and overprinting) that would make any traditionaltypographer sweat, proves, upon closer examination, to be an entirely respectful andinformative examination of Oehlen’s work. It is astonishing that, despite the taboosbroken by the book’s design, the intelligent choice of images and the radical typog-raphy captivate the reader. This is a publication that will take its rightful place in thehistory of exhibition catalogues.


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Herbst / Fall 2013 Koenig Books, London

e te von Sergio Edels tein, enni er ulton, E a Gor dek, eit oers, ora

ird ur hne umge aut, deren ealit t nur aus Erfindungen, ollenspielen, asä

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Die Jagd

Heavy Weight Historyä ä

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The most comprehensive retrospective of Jankowski’s work to date presents almostall his pieces from the years 1992–2013 in chronological order. Jankowski gainedinternational fame with his 1992 video in which he took the supermarketa symbol of the modern jungle and stalked the aisles armed with a bow and arrow.This piece was followed by a number of works in which he cast a surprising point ofview on the intersections of art, media and society. In his latest piece,

, the artist asked members of the Polish weightlifting team to lift selectedmemorials in Warsaw, including one dedicated to Willy Brandt. Jankowski thus createda visual measurement of strength between the sculptural forms of social memory andcompetitive sport.

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BRASILIANASCHIRN KUNSTHALLEVERLAG DER BUCHHANDLUNGWALTHER KÖNIG

BRBRBRBRBRAAAAASILSILSILSILSILSILIANANANANANANAAAAAASCHIRN KUNSTHALLEKUNSTHALLEKUNSTHALLEKUNSTHALLEKUNSTHALLEVERLAG DERDERDERDERDER BUCHHANDLUNGBUCHHANDLUNGBUCHHANDLUNGWALTHERHERHERHER KÖKÖKÖNIGNIGNIG

Street-Art Brazil

Herausgegeben von Carolin Köchling und Max Hollein. Vorwort von Max Hollein. Textvon Carolin Köchling

In den etropolen rasiliens findet sich eine der elt eit le endigsten und k nstle-risch interessantesten S enen der Gra fitikunst. Diese unte, d namische und ein-zigarte Bewegung unterscheidet sich sowohl inhaltlich als auch ästhetisch wesentlichvon der amerikanischen und europ ischen Street Art S ene.Anl sslich der uchmesse ha en rank urter Einrichtungen private und entlichel chen ur er gung gestellt und el K nstler eingeladen, ihre teil eise riesigen

Gra fitis u realisieren.

e ities in r il re ne f t e w rld s li eliest nd rtisti ll inn ti e entres f rgraffiti art. Brazil’s colourful, dynamic and unique movement stands in direct oppositionto the American and European street art scenes, both in terms of content and aesthetics. This book introduces and documents works by eleven artists, who were invited toFrankfurt to create new works in public spaces.

4 3 cm, 1 8 Seiten,15 ar ige A ildungen.

Softcover

Deutsch / English- - - -

,

Kunst ArtSchirn Kunsthalle rank urt,

5. . .1 . 13

Brasiliana Installationen bis heute

Herausgegeben Max Hollein und Martina Weinhart. Vorwort von Max Hollein.e te von Cau Alves, aula Al ugara , onica Amor, ichael As ur ,a ael Cardoso, ernando Cocchiarale, ochen ol und Guilherme isnik

gia Clark, Cildo eireles, Ernesto eto und lio iticica eville D Almeida sindeinige der K nstler aus rasilien, die mit ihren Ar eiten den egri i n i geprägtha en. Ihre Installationen ilden den Grundstock r die Ausstellung anl sslich derdies hrigen uchmesse, die einen undierten er lick er die Geschichte derrasilianischen Installationskunst gi t anhand ahlreicher historischer otos undDokumente so ie aktueller Ar eiten.

Lygia Clark, Cildo Meireles, Ernesto Neto, Hélio Oiticica, and Neville D Almeida,among other Brazilian artists, whose works helped to define the term Viv ncia. Theirinstallations form the basis for the exhibition at this year’s Frankfurt Book Fair giving athorough overview of the history of art installations in Brazil using numerous historicalphotographs and documents as well as recent works shown in the exhibition.

eteiligte K nstler gia Clark, Dias ied eg, Cildo eireles, aria epomu-ceno, Ernesto eto, lio iticica eville D Almeida, enri ue liveira, unga

cm, 16 Seiten,15 ar ige A ildungen.

Softcover


,

Kunst ArtSchirn Kunsthalle rank urt,

.1 . 13 5. 1. 14

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Kamera ab, Ton ab und bitteF r immer und ewig

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Monopolä

Birgit Brenner’s 2012 work entitled (Camera off, soundoff, and please) is something of a key for understanding her installation

(Now and forever), in which Brenner constructs a film script: A lorry drivercrashes into a house in which a young couple lives. The driver becomes confined toa wheelchair and is unable to work. The couple’s pet dog is killed in the accident. Theinsurance company pays up. Now the protagonists have some money. At this point,the reader is asked to play the film in his or her head. The last cue reads: “At somepoint the money was almost gone. The feeling too.

erausgege en von u ertus Ga ner und rigitte K lle. e te von onas e er,

ieder versuchen. ieder scheitern. esser scheitern . Gem dem eckett schenä

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Try again / fail again / fail better , is an inspirational quote by Samuel Beckett. Inkeeping with his famous motto the catalogue is presenting a diverse selection of filmsand videos on the theme of failure. In works dating from the 1960s to the present day,17 internationally acclaimed artists explore this complex phenomenon, highlighting notonly the playful, amusing and surprising aspects of failure but also its mournful andtragic dimensions. For today’s artists, the idea of addressing one’s own inability – theSisyphean task of dealing with life’s absurdities, articulated through a process of trialand error – has lost none of its appeal. On the contrary: the experience of failureproves to be a fundamental aspect of contemporary art practice.

eteiligte K nstler arina A ramović, ito Acconci, as an Ader, rancis Al s,

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ichael reund Slavo ižek u. a.

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ä äim analogen aum stattfinden, verschie en sie sich in die digitale elt des Inter

ä A Space Called Publicä

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What defines a city’s identity in the year 2013? Public space has served as a meet-ing place and a stage for action, from discussions and deals to protests, since ancienttimes. Though then as now, such activities continue to take place in the analogue world,increasingly these interactions have moved to the digital world of the internet. As aconsequence, the meaning, use and dynamic of public space is changing. With

, Elmgreen Dragset present an art project in a public space in Munich,showing works by international artists asked to explore the meaning of public space usinga fresh approach. An extensive catalogue has been published to complement the projectand illuminate the questions it raises by adding theoretical perspectives.

ä

á


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lissen und ernard arcad . it i lio und iografie so ie Ausstellungsver eichnis

Grafiken und Schri ten verk rperte arcel roodthaers hrend seiner l

der Kunst sich in den Dienst neuer Ideen usammenh nge stellen lie . e enMusée d’Art Moderne, Département des

Aigles

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His utterly freshly approach to objects, artist books, films, and writing made MarcelBroodthaers the epitome of the post-war artist whose work combined genres of artin unexpected ways his critical work made him a legend. This illustrated book isthe most comprehensive monograph available to date, presenting a range of well-known and more obscure works presented to the public from the artist’s archive forthe first time.


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echt ischen acht, as ination und einem klassischen Kunstverst ndnis o en

ä

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Pablo Bronstein is interested in the links between classical architecture and contempo-rary urbanism, between settings and decors, between art and dance. Through draw-ing, sculpture, video and performance, he looks at the historical otherness in order tounveil the links between power, fascination and classical art. His work often combinesreferences to history of architecture– from the Roman antiquity and the Baroque to Neo-classicism and Post-modernism, as well as hints to history of art – from the Renaissanceto the Modern period. While he has always been fascinated by drawing, he used it in hispractice as an artist only after finishing his studies. In his architectural interventions, theartist explores the relation between architecture and our urban lifestyles.


in ondon. . Au age 11

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On the making of a cloud

äGardens erhe t sich Sou u imotos avillon vor dem s ulengeschm ckten st gel

äihre leichte und hal transparente Anmutung eeindruckt. Die e i le Architektur ist

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is the title Julia Peyton-Jones gave to her contribution to thiscatalogue on the Serpentine Gallery Pavilion, the architectural attraction of the pastsummer in London. Nestled in the landscape of London’s Kensington Gardens, SouFujimoto’s pavilion sets itself off from the columns of the Serpentine Gallery’s eastwing with a delicate lattice structure, made of 20-mm steel rods, that appears impres-sively light and semi-transparent. This flexible example of architecture is designed asan open space.The book includes models, sketches, detailed plans, and numerous double-pagedphotographs of the installation.


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ää ä

ä äAusstellung eine eise, die ihn schlie lich ur ntersuchung le ender rganismen

Untitled 11 1 au derd C E A 13 ver irklichte.

This interview focuses on Pierre Huyghe’s understanding of the work as a point oforigin for an aesthetic experience, which becomes a subject in its own right. Thisextensive conversation with Pierre Huyghe outlines a multifaceted picture of his think-ing and his artistic practice by making reference to both his early and recent works.In the interview, the artist reports in detail about his longstanding preoccupation withthe format of the exhibition – a journey that led to his investigation of living organ-isms, most recently in a garden that he realized under the title (2011–2012) atdOCUMENTA (13).

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The book transcribes two wide-ranging conversations between Hans Ulrich Obrist andGerhard Richter on the latter’s independent artist books. Richter provides detailedinformation on his inspiration, concept, techniques, and creative process involved inmaking 21 of his books, and comments on his favourites.

u. a. weiterhin lieferbar / still available:

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In Erinnerung ist das Strei en ild , das im Eingangs ereich von ichters gro er

die is u ehn eter lang sind, so ie sechs gro en, eiteiligen ack Glas ildernaus diesem ahr im ormat 1 cm und einer gro r umigen, ragilen, mehrteili

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In recent years, Gerhard Richter developed several new genres which will be shownfor the first time in a museum exhibition conceived by the artist, entitled

. This lavish, oversized publication, presenting Gerhard Richter’s new large-format varnished paintings on glass, his stripe paintings and his glass sculptures,accompanies two new exhibitions planned by the artist. The book’s colours are espe-cially brilliant, with some sections printed in seven colours the cover was personallydesigned by Richter.


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onografie, in der oock mit einem gut les aren e t er Die alerei von Katharinaä

Katharina Grosse’s works places heavy demands both on the conventions of paintingand on the contemporary renunciation of said demands. This comprehensive bookexamines the differentiations performed by the works. In 17 chapters, works takenfrom a period of 20 years encounter one another in ways only possible in the imagina-tion and in books, removed from the strictures of chronology, genre boundaries andaesthetic categories. Every constellation of illustrations is at once intuitive and precise,convincing and ineluctable – insight into the work is complete and defines its variousspheres of resonance.

Ulrich Loock uses terms such as difference, vandalism and profane transcendence ina wide-ranging text that unfolds his thesis that Great Painting is an action performedon and in the world. The refusal of hierarchies, causalities, and dialectics is instancedin the book’s design as executed by Berlin-based Heimann Schwantes, in which thecontent flows both forwards and backwards.

Au age 1 1 1 1 1 a.p.


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erausgege en und mit einem or ort von hilipp Kaiser. e te von im Gri fin,

Kathr n Andre s as ination r oll ood und der Ein uss von ohn aldessari,Allan uppers erg und ack Goldstein ist in ihren gro en tempor ren Installationen

Konsum, der e eption und der rage nach der Ausstell arkeit von Kunst. Die gro en

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Kathryn Andrew’s obsession with Hollywood and the influence of John Baldessari,Allan Ruppersberg and Jack Goldstein are clearly displayed in her large, temporaryinstallations. The young Californian artist is interested in consumption, reception andthe question of whether art can be exhibited.This informative catalogue presents her works in chronological order, displaying thedevelopment of her conceptual work.

roschur mit mehr ach ge al tem Schut umschlag und einer ar igen gro ormati

au nahmen vermitteln die Stimmung dieser filigranen Ar eiten der erliner K nstler

This publication unites the work of two artists who belong to different generationsand who, despite both living in Berlin, have never actually met. With a fine sense forthe potential of inconspicuous objects and natural materials, both artists manage tocharge their arrangements with energy. For Julius, a broadened understanding ofmusic is the field of reference. Canell, on the other hand, is particularly interested inthe physical and poetic characteristics of the items and found objects with which theywork. Both know, each in their own way, how to develop a silent magic in that which isephemeral and unstable.

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Figurengruppeeine ar ige Au enskulptur von neun Gestalten. r Ann emkin, die Che kuratorin

Figurein the Garden

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In 2009, the Museum of Modern Art New York was bequeathed the ,a colourful outdoor sculpture with nine figures. Ann Temkin, chief curator for paintingand sculpture, saw the work as an example of a shift that had taken place in sculpturein the new century. She took this as an occasion to mount the exhibition

in 2011–2013. On display are 16 bronze statues from the last 130 yearspresenting the history of the figure from the beginnings of modern sculpture up to thepresent day, and includes works by Rodin, Maillol, Picasso, Matisse, Sintenis, Nadel-man, Lachaise, and Otterness, among others.

it einer deutschen erset ung des


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CLAIRE BISHOP

With drawings by Dan Perjovshi

or: What’s ‘contemporary’in museums of contemporary art?

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In the face of austerity cuts to public funding, a handful of museums of contemporaryart have devised compelling alternatives to the mantra of bigger is better and richer.

presents the collection displays of the Van Abbemuseum inEindhoven, the Museo Nacional de Reina Sof a in Madrid and MSUM in Ljubljana asoutlines of a new understanding of the contemporary in contemporary art.Rather than denoting presentism, the contemporary comes to signal a dialecticalmethod: scouring the past for the origins of our present historical moment, which inturn is the determining motivation for our interest in the past. It is an anachronic actionthat seeks to reboot the future through the unexpected appearance of a relevant past.

Die Au he ung eitlicher und geografischer Gren en, die In ragestellung von Struk

Little Movements

, exhibition and research project, features leitmotifs such as therepeal of temporal and geographical boundaries, the questioning of ideas andstructures, and the connection of practice and theory. This book records the projecton the basis of essays and the description of 16 varying practices of artists, writers,architects, curators, and others.

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Re ection on a ast i e

er ssiger rt r die er reitung des Surrealismus. illiam . Cople

eltkrieg mit einer Galerie in everl ills. eraus charmant und it ig schildert er

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Paris – New York

der erspektive eines ngeren Kollegen, mit gro er he und intuitiver Anteilnahme.

There can hardly be a better introduction to modern art than this humorous yet insight-ful book by a contemporary personally admitted into this fascinating, occasionallybizarre world through his encounters with key figures such as Man Ray, Max Ernst,Marcel Duchamp, and René Magritte. William Copley inherited a fortune as a youngman and used his wealth to open a gallery in Beverly Hills shortly after World WarII. Financially, the business was a flop, but Copley’s attempt to bring culture to thenatives of Hollywood won him a place in the annals of art history. Copley himself wasa painter and could well understand the work and thought processes of his heroesand coevals. This essay, written in 1976 for the exhibition , frankly andengagingly depicts episodes in the lives of Surrealist artists from the perspective of ayounger colleague in a portrayal that is at once revealing and intimate.

people, ut it takes longer to find this

euau age, uerst erschienen 1


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This beautifully designed catalogue marks the inaugural exhibition at the new Serpen-tine Sackler Gallery. The book captures the artist’s method and creative processesbehind his transformation of the new Gallery, a former ammunition store, into animaginary alternative universe – a world of post-apocalyptic ruins and future fossils.With essays by academic and architect Eyal Weizman playwright and directorFederico Le n, and the exhibition’s curator Sophie O’Brien, this book stands as anessential accompaniment to the work of Adri n Villar Rojas.

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d C E A 13 , Kassel, 1 .

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Peter Fischli David Weiss lie ert einen um assenden er lick er die Ar eit der

ä

äRatte

und B r. Au erdem u sehen sind The Objects for Glenstone 11 die gr teOhne Titel (Fragen

Projektion) 3 mit mehr als tausend handschri tlich estgehaltenen, e isten iellen

Fascinated with unconventional subject matter and material, Fischli Weiss toy withthe idea of high art , questioning popular narratives and movements in art and culturalhistory. presents an in-depth survey of the artists’ workfrom 1979 through 2012, when David Weiss died.With over two dozen works drawn exclusively from Glenstone’s permanent collection,the works on display mine the everyday for the sublime and absurd–subtly infusing thefamiliar with the idiosyncratic or unknown. The catalog includes a group of rubber andclay sculptures, several photographic series, video projections, and the most recentiteration of Fischli Weiss’s alter egos, . Also shown is the artists’ mostambitious polyurethane installation to date, (2011), and aslide projection installation of over 1000 handwritten existential queries,ragen ro ektion .


8 3 8656 14 Deutsch8 3 8656 15 6 Englisch

otografias. 5

8 3 883 5 63 1 Deutsch8 3 883 5 3 Englisch

8 3 883 5 3 8 Italienisch

l t lich diese ersicht. 1

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The catalogue documents the drafts, plans and creative process of thecreated by Stephan Balkenhol in response to a citizens’ initiative in Leipzig.

The memorial was displayed on a century-old pedestal by Max Klinger.

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Ga riel ro co ar eitet in den edien Skulptur, otografie, eichnung und Installationä ä

und unktionen von Gegenst nden in der er eugung, dass sich alles in nat rlichere egung efindet mit der glichkeit, u et as anderem u erden. Natural

Motion Dark Wave, die erar eitung eines al

lusssteine, die, mit dem ei el ear eitet, u under aren archaisch anmutenden

Gabriel Orozco works with materials, forms, and situations of everyday life throughsculpture, photography, drawing, and installations. He changes forms and functions ofthings believing that everything is in natural motion and can become something else.

brings together familiar works, such as , his interventionin an enormous whale skeleton, a comprehensive collection of his ongoing work interracotta and carved river stones.


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diese u likation. Sch tte nimmt die radition der figurativen Skulptur au und ent i

ihrer erstellung un iderru ich im eute stehen. handgro e Keramikskulptur oder

Figureine materialreiche ildmonografie.

Thomas Schütte’s sculptures and drawings of the human figure are a lesser-knownbut equally important part of the artist’s oeuvre. From palm-sized ceramic sculpturesto four-meter tall iron figures, his strangely moving sculptures have the quality of beingat once alien and familiar.


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und vereint unterschiedliche edien ie Collage, otografie, ideo und er ormance.

sch p ichen ilder undus illustrierter nterhaltungs und ornomaga ine, die sie in

Linder is one of the protagonists of British late-1970s punk. Her artistic practice hasalways covered art, music, dance and fashion and unites various media, such ascollage, photography, video and performance. With her uncompromising feministapproach, she questions socially coded ideas about gender and the sexual marketingof the female body. Since the beginning of her career Linder has drawn from the inex-haustible source of porn and glossy magazines, which she puts together in Dada-likecollages. The construction of social identities is reflected in Linder’s own self-staging,whether as the subject of her self-portraits or in performances that she develops formuseums and theatres. This exhibition publication has been produced in close col-laboration with the artist, and is inspired by the format of a fanzine .

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1111

Malermeese–Meesermaler

ä

S m olen und dem hemenkreis deutscher eit Geschichte sucht oder die Diktatur

Der retrospektiv angelegte Katalog idmet sich erstmals ausschlie lich dem um angreichen Komple seiner alerei und gi t einen er lick er das Scha en und die

ä ä

This catalogue accompanying a retrospective exhibition – dedicated to the compre-hensive and complex explorations undertaken in painting by Jonathan Meese – is thefirst to give an impressive overview of his paintings and his development over the past20 years. During this period he investigated genres such as the historical painting, theportrait, the self-portrait and portraits of friends.


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ders seit der gro en inan krise, hat sie ihre eigene Ar eit und die Institutionskritikä

Fraser’s wide-ranging oeuvre consists not only of incisive analyses but also of critical,at times also humorous commentaries on the art business. Over the last ten yearsFraser has subjected her work and her institutional critique to a thorough revision withmethods from sociology, psychoanalysis and economics, which she has presented inmany important essays, performances and videos.This book brings together – for the first time – a selection of Fraser’s recent texts.

o lle uerlinck itiert in ihren erken Gep ogenheiten, mit denen licher eiseä

tungen und otografien ver indet sie u collagen und skulpturha ten Arrangements.

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The artistic vocabulary of Jo lle Tuerlinckx cites the conventions of how archivematerial is usually presented – Tuerlinckx combines drawing and found objects, paper,display cases, newspapers, photography collage, and sculptural arrangements. Acentral question around which these arrangements revolve, is: What is left of the 20thcentury and what conventions are we using to present our knowledge? This questionstretches out and asks for the consistency of time: Isn’t time much more elastic thanit is linear? Are we able to perceive temporal layers simultaneously, both, past andpresent? What do we comprehend as the real world or the parallel world? What do wesee as original and what as imitation?

Arnolfini, ristol,

So tcover ith ack ap

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Ivan o ari .

Kožarić, itglied der Avantgarde der sp ten 1 5 er und 1 6 er ahre im ehemali

ä

sel e hema gleicherma en in Skulptur, eichnung und otografie. In ihrem aus hrä

Ko ari , a member of the avant-garde of the late 1950s and 1960s in the former Yugo-slavia, is one of the key players who developed a conceptual and formalistic languageafter World War II, calling into question the dogmatic image of art that characterizedthe Cold War period. In his work he explores the boundaries of traditional art forms.He subjects a single theme to scrutiny in sculptures, drawings, and photographs.Patrizia Dander’s comprehensive and readable biographical essay unfolds the devel-opment of his complex artistic oeuvre over more than five decades.

Ivan Kožarić, ge . 1 1 in etrin a,

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Daan van Golden ver endet in seinen erken h ufig ereits estehende Ar eiten

Daan van Golden Photo Book(s)ä

Daan van Golden hoto ook s is a book composed of other books: it reproducesthe photo pages of Van Golden’s earlier books (most of which have long been out ofprint), as well as two little known photo essays, in their entirety. The reproduction ofpreexisting material, the insistent adherence to a set of core elements, gestures andimages, the conviction that creating different juxtapositions and interactions betweenthose same elements will yield new readings and meaning: these are the hallmark ofVan Golden’s work, and here for the first time they serve as the organizing principlefor a book, one whose patient rhythm creates the space for the logic of a practice toestablish its sensible presence. More than just the images, the book documents theway in which the images were used over the years and the aesthetic and conceptualworld they inhabit. It is common to see Van Golden’s photography in light of his paint-ing, as an extension of it.otografie hotograph

c/o Jolyon ar acita Deans um angreiche Ar eit, die sie r die d C E A 13

erscheint et t die definitive Edition von 1 historischen Ansichtspostkarten von

The artist book (2012) is now published in an edition of 300 numbered andsigned copies. It consists of all the 100 found vintage postcards with pre-war views ofKassel, painted over with gouache by the artist with contemporary views of the samesites.

Au age von 3 signierten und


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ä

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The universal and at the same time extremely personal meaning of happiness inlife, in connection to the possibility to create situations that promote a happy moodsomehow, aroused Jeppe Hein’s interest in dealing with this topic on diverse levels.His intention was to approach the theme from an artistic point of view and share thediverse perceptions. In order to reflect the complexity of the theme, the publicationincludes a wide range of voices discussing both Jeppe Hein’s artwork and the subjectof happiness: including responses to Hein’s six questions about happiness, experi-ences shared from Berlin, Copenhagen, and Bhutan, art historical texts that offerdiscussions of Hein’s art and that track happiness as a subject in contemporary art.


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Das Glück kommt aus dem Nichts

Werke aus der Slg.Wilhelm Otto Nachf.

Demonstrative AusstellungKaiserstra e 31A. Dort ird die sogenannte Deutsche op Art egr ndet und der aus

den ahren als er egrafiker.

At the Dusseldorfer Kunstakademie in the class of Karl Otto Götz, Kuttner becomesinvolved with Informel, and soon also with ERO and the Fluxus movement.Together with his fellow students, Konrad Lueg, Sigmar Polke and Gerhard Richter,he organizes in the spring of 1963 the legendary (Demon-strative Exhibition) at Kaiserstra e 31A in Dusseldorf. This marks the beginning ofso-called German Pop Art, where the now-legendary term Kapitalistischer Realismus(Capitalist Realism) is born.

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The private collection Wilhelm Otto Nachf. – accumulated since the late 1980s by abusinessman in the Rhineland who wishes to remain anonymous – encompasses awide range of international contemporary art. Its orientation is multimedia: paintingsand drawings are part of the selection as well as video art. But the key emphasis ison objects, spatial installations and sculptures. Acclaimed artistic personalities likeCosima von Bonin, Walter Dahn, Georg Herold and Rosemarie Trockel are repre-sented in the collection alongside young artists, e.g. Michel Majerus, Markus Schin-wald, Thomas ipp or David Thorpe.

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The name Gruppe SPUR stands for both the group’s founders (Lothar Fischer, Heim-rad Prem, Helmut Sturm and HP immer) and the explosion of German art after 1945,which tirelessly grappled with the art of the past. The art made by Gruppe SPUR,which includes their manifestos and their constant resistance to attempts at artisticand political definitions and social gatherings, also reflected their self-identification as“Third Wave”, succeeding Tachisme, Dada, Futurism, and Surrealism.

äAusstellungen nur ro ekte Au eit sein. Sie idmen sich der spe ifischen Gattung

ä ä ä

n ssischen Gra fito diskutiert.

There is a certain contradiction in the attempt to exhibit the history of murals in amuseum, given that the mural’s history is necessarily an impermanent one. Thusthe two exhibitions documented here from Baden-Baden and Bielefeld can only betemporary projects. Beginning with works by the 1960s artistic avant-garde, the bookranges from Expressionist wall paintings to contemporary graffiti. Both exhibitions arecomprehensively documented in text and images.

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otografie, er ormance, usik und alerei. Das erk Inner Planets

arado ie der aske. Dadurch set t er das Spiel ischen Innen und Au en, von

Cameron Jamie has been working with different medias such as drawing, sculpture,film, photography, performance, music and painting. For over two decades one recur-ring theme in his work is the mask. The work is a group of 43 hand-crafted masks sculpted in clay. The artist connotes it with the multilayered paradox ofthe mask. In so doing he sets in motion an interplay between inside and out, betweenbeing and seeming, between what is our own and what is of others. The publicationshows the work of art in all its facets including installation shots of its presentation atthe Palmenhaus des Alten Botanischen Gartens in urich. The book is designed bythe artist himself.

Measures

is the first published book of writing by the artist Toby Christian. Christian’spractice is informed by written texts that are used through an expanded sculpturalfield. His texts describe the relationships of objects and spaces in fine detail, co-optingspecialist terminologies to sketch out provenance. These written compositions useanalysis of objects, ranging from estimation to pedantry, to suggest an underlyingassociative narrative. is an embellished description of a portable diptychsundial viewed by the artist in the Metropolitan Museum of Art in New York in 2012. Itis designed by the artist and Pavilionary.

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Peter Stauder Bedeutungsraum RaumbedeutungHerausgegeben von Stephan Berg

Anleitung zum Malen von Gro stadtbildern

eichnerischem und druckgrafischen erk dieser eit. er cksichtigung findet auch

The years between 1912 and 1916 were doubtless the most interesting in artist Lud-wig Meidner’s working life, in which the city of Dresden played a key role. It was therethat he wrote his Anleitung um alen von Gro stadt ildern (Instructions for PaintingBig Cities) in 1913, detailing the theoretical basis of his work. In 1914, he spent thefinal months before the outbreak of war in Dresden. The book focuses on Meidner’sdrawings and graphic works during this period.

ä

ä

äangeh rt. it seinen gro ormatigen andscha ts ildern gelingt es dem K nstler,

ä

In his large-format landscapes, Stauder succeeds in finding a form for his theoreticalreflections on the role society places in the experience of space.


it riginal eichnung Au age 3 E .

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Ecce Homo / le Poseur ist die erste um assende onografie ur Ar eit des eorker K nstlers und ietet theoretische e e ionen u seinen ideos, ilmen

Con Leche , Animation, masks 11 undRaspberry Poser 1 , die von den glichkeiten und oten ialen von computer

is the first major monograph on the work of New York-basedartist Jordan Wolfson providing a critical framework for the artist’s videos, films,and installations, with particular emphasis on (2009),(2011), and (2012) – a suite of recent works based in the potentialsand possibilities of computer-generated imagery and hand-drawn animation. Thefilm and installation work of Jordan Wolfson meanders between natural science andesotericism, education and entertainment. Drawing from multiple sources such asthe Internet, T commercials and music, the artist mixes fragments from modern andcontemporary culture with his own footage.

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ä

änalen Gem lden Alter eister, eichentrickfilmen, vermenschlichenden ierdarstellungen und der op Ikonografie der 1 6 er und 1 er. iktionale iguren erden

The book encompases the last five years of Kunath’s practice and is an extension of hisunique aesthetic. Complex and playful installations of paintings, sculptures and videosfeature a cornucopia of imagery, brought together from such diverse sources as OldMaster paintings, slapstick cartoons, anthropomorphized animals, and pop iconographyfrom the 1960s and 70s. A narrative around the emotional life of the artist is enactedthrough fictional characters, producing an in-between world filled with both humour andpathos. Design by Yvonne uirmbach in close collaboration with the artist.

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Serpentine Gallery

Memory Marathon

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Over three days the Serpentine Gallery staged the Memory Marathon in 2012, the7th Serpentine Gallery Marathon inspired by the annual Pavilion commission. Thismulti-disciplinary event features a wide range of participants, including leading artists,architects, filmmakers, musicians, scientists, theorists and writers in a continuous,performative programme of explorations, musical and theatrical performances, filmscreenings, discussions and experiments.


OBJEKTE benutzenier liegt nun die erar eitete euau age vor.

In 1968, the year the Verlag Gebrüder König was founded, the artist book ,was published in a letterpress edition by Kasper König. The updated edition

is now available.

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ädie egri iche Ar eit, aus der sich in den let ten ahr ehnten relevante Ans t e r

ä

The book collects 55 essays by 57 authors on 53 key art terms from recent years,placing a particular emphasis on those words absent from the usual reference workson contemporary art.

egri e ie Camou age, Das Charakteristische, Choreographie, Displacement,

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Franz Erhard Walther’s body of work has been described accurately as one of themost radical new formulations of the artwork in recent art history. His pieces turn theviewer into the producer, making him or her an active player in a work’s creation.

13H_bearb.indd 41 27.09.13 16:54


Die tschechische otografin itka an lov egann schon in den 1 er ahren, dasuhrge iet u otografieren. In ihrer neuen Ar eit Hier finden sich nicht die Klischees,

We do not find the clichés associated with the Ruhr area in Hanzlov ’s new work :there’s no black soot and no down-to-earth people sitting at floral tablecloths. Shemade some exceptional finds on her walkabouts, onto which she has implementeda metaphoric reading, in which the red branches of a bush represent veins, snowlandscapes make the Ruhr area appear as if it directly bordered the tundra and echoAsian ink drawings. Now the special edition of the artist book is published, an originalphotograph, signed and numbered, in a cassette.

Au age 1 4 4 4 5. a.p. E emplare. Signiert und nummeriert, in einer Kassetteitka an lov , ge . 1 58 in chod, schechische epu lik. e t und ar eitet in

á

eile nennt ohnsei er seine rovenien orschung. it ahlreichen Detail otos defi

udi ller mit einer ontageanleitung r ein 18 teiliges le ensgro es ortr t desu allers und rainers.

Wohnseifer describes his provenance research as “parts”. He uses countless detailshots to describe a E420 Mercedes Benz limousine and evokes its first owner, RudiVöller, with assembly instructions for an 18-piece, life-sized portrait of the famedfootball player and trainer.Now the artist presents an elaborate special edition.

Au age 1 3 a.p. E emplare. Signiert und nummeriert, mit einen er o

Vorzugsausgaben / Special Editions

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Ulrich Rüc riemPun t und Linie zu Fläche Point and Line to Plane

Blockhafte Monolithen, gespaltet oder zerfräst, sodass man alle Arbeitsvorgängesehen kann, das ist das Markenzeichen von Ulrich Rückriem. Der 1938 geboreneMinimalist gehört zu den bedeutendsten deutschen Bildhauern und ist unter anderemim Deutschen Bundestag mit einer Arbeit vertreten. Diese Vorzugsausgabe rückt nunsein zeichnerisches Werk in den Vordergrund: abstrakte, ebenfalls blockhafte und oftserielle Figurationen, die nicht als Entwürfe für Skulpturen gedacht sind, sondern einEigenleben entfalten.

l k like n lit s s lit r r nd t re e l ll t e st es f t e w rkin r essre r teristi f lri krie . e ini list b rn in is ne f ermany’s most significant sculptors. His works are displayed, among other places, int e er n ndest . is li ited editi n f re r nds is dr win s t e bstr tequally block-like figurations, often placed in series, are intended not as drafts fors l t res. t er t e re ni ted wit ni e ener f t eir wn.

Ulrich Rückriem, geb. 1938 in Düsseldorf. Lebt und arbeitet in Clonegal, Irland.Au age 1 1 1 1 E empare, nummeriert und signiert. ummer 1 sindVorzugsausgaben mit Kassette und gerahmter Orginalzeichnung.

1 , cm, Seiten,18 ar ige und 8 s A ildungen.

Hardcover


Subs riptionspreis ,ab ,

K nstler uch Artist ook

Jürgen Klau e Körperzeichen Zeichen örper

ach ntl n der i r n inien, 1 , erscheint nun ein eiteres autonomes K nst-lerbuch von Jürgen Klauke, ein großformatiges Künstlerbuch mit 49 tiefschwarzenithografien.

ll win is Entlang der Cioran Linien r en l ke s blis ed f rt erinde endent rtist b k in w i e s res is Körperzeichen Zeichenkörper serieswit t t l f l r e f r t lit r s.

Die Zeichnung ist ein autarkes Werk, aber die inhaltlichen Strukturen meiner Arbeitbeschäftigen sich mit den gleichen Dingen. Wobei ich bei der Zeichnung den größt-möglichen Freiraum bzw. die größtmögliche Freiheit habe. Ein Stück weißes Papieroder Bütten, das ich beschmutzen kann. Ich komme ja auch von der Zeichnung. Inmeinem Studium ha e ich ithografie, adierung, also reie Grafik und sp ter auchalerei und andere Dinge gemacht. Die eichnerei ist der Grundstock meiner Ar eit.

Jürgen Klauke

Jürgen Klauke, geb. 1943 in Kliding. Lebt und arbeitet in Köln.Au age 1 8 8 8 1 a.p. E empare, nummeriert und signiert

31,5 4 ,8 cm, 1 4 Seiten,4 s A ildungen.

Hardcover

- - - -Subs riptionspreis ,

ab ,

K nstler uch Artist ook

weiter in lieferb r still il ble:

alle Sinsteden. 8 euau age8 3 8656 5 44,8

Künstlerbücher / Artist Books

13H_bearb.indd 3 30.09.13 1 : 2


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The entertaining commentary in this catalogue incorporates local anecdotes to providea highly readable kaleidoscope of small objects, including medals, plaques, and the“Schmidtchen” (a “currency” issued on the occasion of a visit by Chancellor HelmutSchmidt), all of which are often imprinted and always laden with meaning.

ä

äSkulpturen, Grafiken und cher, arch ologische unde, Kleinkunsto ekte aus Glas,

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The catalogue depicts over 120 objects from the 5th to the 18th century. They includemedieval and early modern paintings, sculptures, prints and books, archaeologicalfinds, decorative items made from glass, ceramic and metal, as well as military memo-rabilia, furniture, and coins.


otografie im uhr useum. 1

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CLAUDE VIALLAT

In seiner ersten gro en Schri t Entweder – Oderä

äausgerichtete Stellungnahmen um e en in der eitgen ssischen Kunst re ektiert.

In S ren Kierkegaard’s first large published work, , which he began writingin Berlin in 1 1, the Danish theologian and philosopher differentiates between twopersonalities and their differing devotion to life: the “aesthete” and the “ethicist”. Thecatalogue presents life choices, in the sense described by Kierkegaard, by way of 1international contemporary artists. In the first part, work representing the aesthetic /hedonistic aspects of life are to be found ethically oriented viewpoints on life incontemporary art are reflected in the second.

decken, ettlaken, elte, utes cke, arkisen us . ufig handelt es sich um

äelt eit schon lange gro e ertsch t ung er hrt, urde es in Deutschland erst

Claude Viallat liberated canvas from the stretcher as far back as the 1960s. Sincethen, he has painted his serial pattern on every imaginable kind of fabric: tablecloths,bed sheets, tents, jute sacks, awnings, to name just some. His grounds are oftensecond-hand textiles that have visibly served other purposes and that bear tracesof their functionality. Responding to the challenge of every fabric with great sensitiv-ity and virtuosity, as well as with opulent colourfulness, iallat turns painting into aconstantly renewed dialogue with the ground. Although his work has long enjoyed highesteem in France and worldwide, it has seldom been exhibited in Germany.

Situation Kunst r a Imdahl , Kunstsammlungen der uhr niversit t ochum,

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Herbst / Fall 2013 Verlag der BuchhandlungWalther König, Köln

Die Software der Zukunft,oder: Das Modellgeht der Realität voraus

Alan N. Shapiro

InternationalFlusser Lectures

Verlag der Buchhandlung Walther König, Köln

_Vilém_Flusser_Archiv

Universität der Künste Berlin




International Flusser Lectures

»quote/unquote«Kleine Archäologie der Operatoren

Knut Ebeling

Zeichnung oder Film44 Blätter und Legendenaus Die Basis des Make-Up

Heinz Emigholz

InternationalFlusser Lectures




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theorie Semiotik an der Kunsthochschule erlin ei ensee

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Die Basis des Make-Up

ä Die Basis des Make-Upä

in Sch ar und ei gehalten. 44 davon erden mit aus hrli

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äTelepolis .telepolis. de und erausge er der elepolis

International Flusser Lectures / Vilém Flusser Archiv

13H_bearb.indd 46 27.09.13 16:55


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For generations, artists from different geopolitical spaces have been working withconcepts of global citizenship. Whereas previously, diaspora and emigration were atthe centre of artistic practice, it is now global art that determines the artistic productionbeyond cultural representation and transnational borders.

eteiligte K nstler alil Alt ndere, Candice reit , ae Eun Choi, aria Eichhorn,A e Erkmen, ona atoum, G ls n Karamusta a, Kimsoo a, Alic aK ade, onasekas, Dan er ovschi, Anri Sala, Sarkis, Super e , ale enger, osemarie

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The work of Andreas Slominski distinguishes itself with a particular diversity of genres,combining conceptual, sculptural and performance approaches. In an ironic man-ner Slominski examines the boundary between art and reality by bringing everydayobjects into absurd contexts and making the spectators stumble on most familiarthings. The book is published on the occasion of the Hannah Höch Prize being givento Andreas Slominski and is accompanied by essays by Durs Grünbein, DietmarRübel and Harald Welzer.


13H_bearb.indd 47 27.09.13 16:55


Denkfi uren. F r Anselm averkamp

Das Ende der gro en arrative ar auch ein Ende der gro en, sch eren egri e und

ikronarrativen, ildern und ropen, die gerade durch ihre n egri ichkeit produktivsind. Anselm averkamp hat etliche solcher Denkfiguren gepr gt und angeregt. Das

The demise of the grand master narrative was also the end of big bad concepts andsystems. Since then the idea of the intellectual toolbox has reigned: an arsenal ofmetaphors, micro-narratives, images, and tropes as instruments of analysis, whoseproductivity resides in their resistance to conceptualization. Anselm Haverkamphas coined and inspired many such figures of thought. This unorthodox handbook is agift for his 70th birthday.

Culture in Action

Exhibition Histories

A show challenging conventional understandings of public art, in Chi-cago had a new social agenda, and rethought what an exhibition of contemporary artmight be. Through eight projects by artists initiated in the early 1990s and developedin collaboration with local people, the intention was to engage diverse groups overtime, in addition to the visiting public in 1993. In the 5th book in Afterall’s

series, the course of these projects is documented, with critical reappraisal ofthis important exhibition in newly commissioned essays and interviews, together withreviews from the time.


ä ä

13H_bearb.indd 48 27.09.13 16:55


Using the “ideological-theoretical turn” of the 1960s as its point of departure, the firstpart of the book, under the title develops a historical-systematic approach to historical and current critiques of ideology. The second partfocusing on addresses the conjunction of specific ideological-theoretical inquiries with current developments in the field of art today.

irkenstock, egleitet seit er st 1 regelm ig die Ausstellungs und eranstal

mumok and Materials and Money and Crisis

ahr ehnte, in der die inan s steme ma ge lich da u eigetragen ha en, dass ertnurmehr als a strakte Gr e egri en erden kann. ugleich sind aterial , Geldund Krise auch die esentlichen e ugsgr en r die Ar eiten der hier vertretenen

äand Materials and Money and Crisis

äKuratiert von ichard irkett Artists Space, e ork , entsteht ein Dialog mit dem

is an experimental proposition about the matter ofcapital as it exists in the artwork. Matter here has a double meaning. On the one handflows of material and money can serve as subject matter for artwork. More importantlyis the speculative question of what relationship the physical matter from which theartwork is built has to the dislocation of capital from production.

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Susanne etersen und ako ek

ä ä

How can the present relationships in the medium of art be changed? What is thenature of the relationship between art and civil society? Can one understand art as apractice that can find application as a model elsewhere?The exhibition and catalogue seek to treat these and other questions by examin-ing contemporary art perspectives, thus created an expanded perspective on socialtransformation. Democracy, freedom of thought, and political involvement are asmuch a part of this discussion vis- -vis the Arab Spring as well as the transformationprocesses in Southeast Europe and the global South.

ä

ä

This richly illustrated catalogue presents a retrospective view of the life and work ofthis French artist, who after emigrating to the United States in 1965, came in contactwith a variety of artistic movements including abstraction, Minimalism and Conceptual-ism. Guy de Cointet’s oeuvre, which includes drawings, publications, performanceand film, intersects many of these areas of investigation, being at once performative,conceptual, minimalist, abstract and inspired by historic events, popular culture andmass media. Based on codes, ciphers, language, word, and image, de Cointet’s workcaptured the essence of a foreigner’s experience, one in which language could be atonce an image and a code to be deciphered.

Supplement ith 16pp acsimile and a olded poster

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äsie an einem esonders hei en 16. August in i a er unden hat sondern allerlei

ä

ä

ä

Embark on a series of culinary explorations in this gastronomical almanac. Reci-pes include “Paula’s jewels”, a delightfully refreshing dish the author’s sister-in-lawinvented on a particulary hot summer day in Nice, as well as Henri de Toulouse-Lautrec’s recipe for squirrels fried with bacon. Colourful illustrations by Christa N herround out this treasure for bibliophilic cooks.

ä

ä


s er Speisen. 1

E pl. und 3 ithografien

42 106

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VENICE 2013LAWRENCE WEINER

WERNERAISSLINGER

HOMEOf tHE futuRE

Home of the Future

In , the award-winning product designer presents his centraltheme of material transfer using numerous examples of furniture and design objects.He shares visions of future ways of living as well as his particular drafting method.Aisslinger’s chief interest is the question of how we will live tomorrow. How will peoplecook, work, think and sleep?

ä ää

Following his usual practice, artist Lawrence Weiner uses an artist book to capture hispiece at this year’s Venice Biennale. The piece was installed in the Palazzo Bembonear the Rialto and transported through the city by five vaporetti.


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ä

Inside, Outside,and Out There

One still remembers the spectacular, six-metre tall burning wax sculpture reproduc-tion of Giambologna’s sculpture, shown at the Arsenale complex in Venice in 2011.This and other major monumental works by Urs Fischer over the past 20 years arepublished without commentary in this lavish illustrated volume, which is accompaniedby a pamphlet containing an essay by Jessica Morgan entitled ‘

.

ä

erset t diese in asken, gro chige Gem lde und Installationen.

The shifting of the term post-colonial to a fundamental critique of the modern knowl-edge system and of the unifying discourse of Western rationalism results in modernitybeing qualified as a determining element. At present we are observing the emergenceof an art that lays claim to global contemporaneity without borders or history. Theorigin of an artist is relativised, and the question that becomes key is where an artistfinds his audience. Seven projects by Romuald Hazoumè are closely documented inthis catalogue. In his attempt to reverse deadlocked circumstances, the Benin artistmakes a unique contribution to the post-colonial discourse.

weitere Publikationen Urs Fischer / Kiito-San NY

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Der Katalog enth lt einen um assenden er lick er die SerienBadende B ume

ä

This publication includes a comprehensive survey of the artist’s series of andpaintings from 2009 to 2012. First recognized for his wood veneer paintings in

the 1980s, Dunham has gone on to explore a diverse range of subjects that test theboundaries of representational imagery and abstraction.

Elfie Semotan

Elfie Semotan, die Grande Dame der sterreichischen otografie, ar eitete nach ihrer

hinter die Kamera echselte und mit ihren l rischen ode otografien internationalen

er e otografie und k nstlerischer otografie sind in ihrer Ar eit ie end. Dass vonElfie Semotan daher nicht nur als ode otografin im klassischen Sinne gesprochenerden kann, elegen die Akt otografien, die otos von Stra ens enen in e ork

ä

After training as a fashion designer, Elfie Semotan, the grande dame of Austrianphotography, worked as a model for many years before she moved behind the camerain the late 1960s and achieved international fame with her lyrical fashion photography.Semotan’s photographs consistently display her engagement with art history and hercontemporaneous art world. The boundaries between commercial photography andart photography are porous in her work. Her photographs of nudes, street scenes inNew York and her throwaway photographs, which verge on the abstract, show thatSemotan is far more than a classic fashion photographer.

Elfie Semotan, ge . 1 41 in els, sterreich. e t und ar eitet in ien.otografie hotograph


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Kon ikten und ertrei ung. In seiner Kindheit oh seine amilie aus ietnam undlie sich in D nemark nieder. Seine Ar eit ieht pers nliche und historische Arte akte

Artist Danh Vo interrogates the construction of inherited cultural values, conflicts, anddisplacement. When he was a child, Vo’s family fled Vietnam and settled in Denmark.His work draws on personal and historical artifacts that directly and indirectly touch onthis experience to examine how such items are dispersed across borders or symbolizetransnational movements.In Paris, Danh Vo will present parts of his most famous work, , a life-sizereproduction of the Statue of Liberty which has been fragmented into mulitple piecesand which are dispersed to various museums and art venues across the globe. Thiscatalogue is composed of two hand bound books. The first acts as an index, as it regis-ters and locates every fragment of . The other book includes a text by theartist, as well as quotes that inspired him, some of them rewritten by his own father.

é

ä

This catalogue documents a new body of work by Belgian artist Valérie Mannaerts toaccompany her first solo museum exhibition in Brussels, at Bozar. A succinct introduc-tion to her work at a key moment in its development, the book includes a series of 27exquisite staged photographs of her sculptures, textiles, ceramics and collage takenwithin the artist’s studio by photographer Kristien Daem. Rather than documenting theexhibition installation, the book provides a parallel: the images present her work as amoveable “cast” of characters. A text by Catherine Wood, Curator of Contemporary Artand Performance at Tate Modern, discusses Mannaerts’s work in terms of the work’sperformative play between image culture and object-making.


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von Angela Dimitrakaki, Cuauht moc edina, tautas ichelkevi ius, oanna Soko o ska undä

ä

The historical change over from communism to capitalism and the associated transformation ofsocial roles stand at the centre of Marge Monko’s interest. The artist carefully researches theeveryday history of work in its political context and subjects it to a critical and analytical examina-tion from a woman’s perspective.

Sofia Goscinski. Rainbow Country

erausgege en von Sofia Goscinski. e te von ichele o ecchi

ääerraschenden ormfindungen.

This artist’s book provides an insight into the work of the young Viennese artist. Goscinski’s multi-media and performative approach and her phenomenological studies of current psychoanalyticalbehavior patterns as an entry point to her concept of an artwork result in convincing explorationsof form.

Sofia Goscinski ge . 1 in ien. e t und ar eitet in ien.

ä ää

In this catalogue the artist revolves around the subject of psychoanalysis and its decisive to prob-lematic effect on education, sexuality, legislation and the treatment of memory and recollection.


13H_bearb.indd 56 27.09.13 16:56


ä

ä ä

efindet sich ein e ildertes erkver eichnis der alerei, Skulptur und eichnungen.

The first catalogue surveying the art of Michael E. Smith is published on occasion ofthe artist’s solo exhibition at Ludwig Forum Aachen. The book features a catalogueraisonné documenting Smith’s work since 2007. Michael E. Smith received the „För-derpreis Kataloge für junge Künstler“ by the Alfried Krupp von Bohlen und Halbach-Stiftung for this project.

ä– all apparent achievements and misdemeanours are non defining

eugeriemschneider, erlinpaintings that change the universe like digging in the gutter with a broken lolly stickehmann aupin, e ork

animal totems lying poets and other mundane renditions in paintInternational Art ects Galleries, os Angelesä

a el nden vor. Ge eigt erden gro ormatige Gem lde, or eichnungen und Instalä

ä

On the occasion of three major exhibitions, British painter, poet, photographer, filmmaker,and musician has assembled his entire oeuvre into three illustrated volumes. Large-scalepaintings, preliminary drawings are also included as installation views of the exhibitions.These very personal pictures show Billy Childish’s examination of reality and fiction.

“Childish is one of the most outstanding, and often misunderstood figures on British artScene

13H_bearb.indd 57 27.09.13 16:56


ä

ää

so ie die nur all u schnell erholt irkenden erhei ungen des euen in den ittel

Simon Denny, who was awarded the Baloise Art Prize at Art Basel Statements in2012, is interested in the development and contradictions of our thoroughly mediatizedsociety. His installations, objects, and projects focus on the connections betweenchanges in media, commerce, aesthetics, and politics with their ever repeated andalways rapidly obsolete promise of the new.

Erstmals seit ihrem gemeinsamen Au tritt vor 31 ahren ei der documenta II 1 8

gro ormatigen Gem lde Arnul ainers und die raumgrei enden Installationen undä

same Geschichte ene von der Suche nach gr tm glicher k nstlerischer Integrit t,ä

For the first time after their joint appearance 31 years ago at documenta VII (1982) inKassel, works by Rainers and Merz are once again placed in conversation by inter-nationally renowned curator Rudi Fuchs. The large-format paintings by Arnulf Rainersand the large-scale installations and image objects by Mario Merz relate, despite theirmany formal differences, a shared story: that of searching for the greatest possibleartistic integrity, authenticity, and freedom.


13H_bearb.indd 58 27.09.13 16:56


ää

ä

der alerei. Der Katalog einhaltet einen um angreichen er lick er sein otografi

Since receiving international acclaim in the mid-1980s for his portraits of Italianaristocratic families, Patrick Faigenbaum has situated his work within the heart of thepictorial tradition, emphasizing the expressive power of photography and its positionwithin art history. The book features the work of Patrick Faigenbaum, presenting 30black and white and 21 coloured pictures. Faigenbaum’s work has been shown thisyear in his first major presentation in Canada, during his exhibition at the VancouverArt Gallery, co-curated by director Kathleen S.Bartels and artist Jeff Wall. The exhibi-tion will be at the French Academy in Rome from October 4th, 2013 since January19th, 2014 curated by Jeff Wall in collaboration with Jean-François Chevrier.

otografie hotograph

ekannt urde Anders etersen in den 1 6 er ahren mit seiner otografischen

ä

ä

Anders Petersen has been working on the city of Rome since the mid-80s when hisfirst work on the city dates back to. He came back to work again on the city severaltimes: in 2005 and 2012 he was invited for the Rome Commission, a prestigiouscommission that counts important names such as Josef Koudelka, Graciela Iturbide,Alex Soth and many others. The book covers a last of time that arrives until our days,permitting to see the evolution of the city through the eye of a great artist and pho-tographer. Petersen is capable of capturing the soul of Rome with a great, personalapproach, that gives people the chance to see the city under a new perspective.

otografie hotograph

13H_bearb.indd 59 27.09.13 16:56


Elaine Sturtevant. Finite Infinite. Flipbook

LEAPS JUMPS AND BUMPSFinite Infinite 1 , der

gro ormatigen ro ektion eines in Endlosschlei e er eine Gras che rennendenFinite Infinite

ä

Published to accompany the exhibition , this flip bookfocuses on one of Sturtevant’s more recent works, inite Infinite (2010), a large scaleprojection that features a dog running in an endless loop across an expanse of grass.inite Infinite, like many of Sturtevant’s video works, references the endlessly repeat-

ing imagery that has become so prevalent in the world we live in today. Looping andrepetition, key themes throughout Sturtevant’s practice, are also elegantly drawn outin the insightful text by Daniel Birnbaum included in this book.

á

AR – Artistic Research äro essors G rg Kepes nach einer Kunst im ivilen a sta au , elche das

spe ifische oten ial k nstlerischer Erkundungen und Eingri e im Stadtraum auslotet.

In the context of current debates on artistic methods of inquiry, the projectaimed to take up visionary artist, designer, and MIT professor György

Kepes’s call for art on a civic scale, which appraises the specific potential of artisticexamination and intervention in the urban environment. This publication serves as amemorandum on Kepes’s insistence that artistic research be approached holistically,and that the knowledge it produces be placed on the same level as scientific research.


13H_bearb.indd 60 27.09.13 16:56


David Chipperfield Architects

Bereits angekündigt, jetzt erschienen/Previously announced, out now

13H_bearb.indd 61 27.09.13 16:56


ä


13H_bearb.indd 62 27.09.13 16:56


Utopie Beginntim Kleinen–12.triennaleKleinplastiKFellBach

Haegue Yang

16,5 x 23,5 cm, 96 Seiten,15 farbige und 16 s/w Abbildungen.Klappenbroschur

Deutsch / English- - - -,

Horst AntesMalerei Paintings

24 x 32 cm, 160 Seiten,ca. 90 farbige Abbildungen.Hardcover mit Schutzumschlag

Deutsch/English- - - -,

Utopie beginnt im KleinenUtopia starts small TriennaleKleinplasti Fellbach

22 x 28 cm, 224 Seiten,80 farbige Abbildungen.Softcover

Deutsch/English- - - -,

Thomas Bayrle All-in-One

24 x 31 cm, 224 pages,150 col. illustrations.Hardcover

English- - - -,


13H_bearb.indd 63 30.09.13 1 :12


aus unserer backlist / from our backlist

ä

ä

é

JO BAER

RICHARDLONGPRINTS 1970 —2013

MuseumKurhaus Kleve

HamburgerKunsthalle

The New ArtGallery Walsall

Verlag derBuchhandlungWaltherKönig, Köln

Energien|Synergien13

WALTER GRASSKAMP

königkasper

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itbi

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sch

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Jean

-Pie

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Wilh

elm

,In

form

el,F

luxu

sun

ddi

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aler

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13H_bearb.indd 64 27.09.13 16:56

Auslieferungen + Vertreter /Agents + Representatives

Berlin und Neue Bundesländer,Niedersachsen, Hamburg, Schleswig-HolsteinSalchli VerlagsvertretungenImmanuelkirchstr. 12, 10405 BerlinTel. +49 (0)30 41 71 75 30Fax +49 (0)30 41 71 75 [email protected]

Hessen, Baden-Württemberg,Saarland, Rheinland-Pfalz, Bayernund ÖsterreichMichael Kleinc/o Vertreterbüro WürzburgHuebergasse 1, 97070 WürzburgTel. +49 (0)931 174 05Fax +49 (0)931 174 [email protected]

Schweiz / SwitzerlandAVA Verlagsauslieferungen AGCentralweg 16CH-8910 Affoltern a.A.Tel. + 41 (0) 44 762 42 60Fax + 41 (0) 44 762 42 [email protected]

Markus WieserKasinostrasse 18, 8032 ZürichTel. +41 (0) 44 260 36 05Fax +41 (0) 44 260 36 [email protected]

UK & EireCornerhouse Publications70 Oxford StreetGB-Manchester M1 5NHFon +44 (0)161 200 15 03Fax +44 (0)161 200 15 [email protected]

BeneluxBerend BoschWesteinde 32201 HA NoordwijkFon +31 (0)71 362 56 31Fax +31 (0)71 361 13 [email protected]

FranceEuropean Marketing ServiceAnselm Robinson55 Overhill Road, DulwichGB-London SE 22 OPQFon +44 (0)20 8516 5433Fax +44 (0)20 8516 [email protected]

Southern Europe, Slovenia, Croatia, SerbiaBookport Associates, Joe PortelliVia Luigi Salma, 7, I-20094 Corsico (MI)Fon +39 02 4510 3601Fax +39 02 4510 [email protected]

Outside EuropeD.A.P. / Distributed Art Publishers, Inc.155 6th Avenue, 2nd FloorUSA-New York, NY 10013Fon +1 (0)212 627 1999 205Fax +1 (0)212 627 [email protected]

Verlag der BuchhandlungWalther König, KölnEva Möller, Leitung Vertrieb und PR /Head of Distribution and PREhrenstraße 4, D-50672 KölnTel. +49 (0)221 205 96 53Fax +49 (0)221 205 96 [email protected]

Alle Preise inkl. MwSt. freibleibend

Cover:Marcel Broodthaers,Berlin oder ein Traum mit Sahne, 1974Foto / Photograph © Maria Gilissen

AAisslinger, Werner ... 52Andrews, Kathryn ... 20Antes, Horst ... 63AR - Artistic Research ... 60Auf Zeit. Wandbilder ... 35Ausgewählt. Vormoderne ... 44August Verlag ... 48

BBalkenhol, Stephan ... 26Bayrle, Thomas ... 63Besser scheitern ... 10Birnbaum, Charlotte ... 51Bishop, Claire ... 22Bock, John ... 5Bow-Wow, Atelier ... 61Brasiliana ... 9Brenner, Birgit ... 10Bronstein, Pablo ... 14Broodthaers, Marcel ... 12f.

CCanell, Nina ... 20Childish, Billy ... 57Chipperfield, Architects ... 61Christian, Toby ... 36Cointet, Guy de ... 50Copley, William N. ... 23Culture in Action ... 48

DDean, Tacita ... 32Denkfiguren ... 48Denny, Simon ... 58Dritte Welle ... 35Duchamp, Marcel ... 61Dunham, Carroll ... 54

EEbeling, Knut ... 46Eingeprägt. Numismatik ... 44Elmgreen & Dragset ... 11Emigholz, Heinz ... 46Exhibition Series ... 48

FFaigenbaum, Patrick ... 59Feldmann, Hans-Peter ... 2f.Fischer, Urs ... 53Fischli / Weiss ... 25Flusser Lectures ... 46Fraser, Andrea ... 30Fritsch, Katharina ... 21Fujimoto, Sou ... 15

GGlück kommt aus, Das ... 34Golden, Daan van ... 32Goscinski, Sofia ... 56Groll, Dieter ... 41Grosse, Katharina ... 18f.Gruppe SPUR ... 35Guyton, Wade ... 4

HHanzlová, Jitka ... 42Haverkamp, Anselm ... 48Hazoumé, Romuald ... 53Hein, Jeppe ... 33Huyghe, Pierre ... 16

IIskele ... 47

JJamie, Cameron ... 36Jankowski, Christian ... 8Julius, Rolf ... 20

KKapoor, Anish ... 62Kierkegaard, Søren ... 45Klauke, Jürgen ... 43Kožarić, Ivan ... 31KUB – Arena ... 49Kunath, Friedrich ... 39Kunst – Begriffe der Gegenwart ... 41Kunst und Ideologiekritik ... 49Kuttner, Manfred ... 34Kunstwissenschaftliche Bibliothek(KWB) ... 42

LLeben mit Pop ... 62Lempert, Jochen ... 62Linder ... 28Little Movements ... 22

MMacht der Machtlosen ... 50Malevich, Kasimir ... 1Mannaerts, Valérie ... 55Materials and Money ... 49Meese, Jonathan ... 29Meidner, Ludwig ... 37Memory Marathon ... 40Merz, Mario ... 58Molderings, Herbert ... 61Monko, Marge ... 56

NNäher, Christa ... 51n.b.k. Neuer Berliner Kunstv. ... 47

OOdenbach, Marcel ... 56Oehlen, Albert ... 6f.Orozco, Gabriel ... 26, 62

PPaulas Juwelen ... 51Petersen, Anders ... 59

RRainer, Arnulf ... 58Richter, Gerhard ... 16f.Rötzer, Florian ... 46Rückriem, Ulrich ... 43Ruhr Museum Essen ... 44

SSchütte, Thomas ... 27Semotan, Elfie ... 54Shapiro, Alan ... 46Slominski, Andreas ... 47Smith, Michael E. ... 57Stauder, Peter ... 37Street-Art Brazil ... 9Sturtevant, Elaine ... 60

TTriennale Fellbach ... 63Tuerlinckx, Joëlle ... 30

VViallat, Claude ... 45Villar Rojas, Adrián ... 24Vo, Danh ... 55

WWalker, Kelley ... 4Walther, Franz Erhard ... 40f.Weiner, Lawrence ... 52, 61Wohnseifer, Johannes ... 42Wolfson, Jordan ... 38

YYang, Haegue ... 63

ZZobernig, Heimo ... 7

Index

13H Umschlag_bearb.indd 1 27.09.13 1 :19

Her

bst

/Fall

2013

Ver

lag

der

Buch

han

dlu

ng

Walth

erK

ön

ig,

Köln

Verlag der BuchhandlungWalther KönigHerbst / Fall 2013

VERLAG DER BUCHHANDLUNGWALTHER KÖNIG, KÖLN

Ehrenstraße 4, D-50672 KölnTel. +49 (0)221 205 96 53Fax +49 (0)221 205 96 [email protected]

13H Umschlag_bearb.indd 2 27.09.13 15:36

Documents

Vorschau neu TSF 01-50 IO43L CSL34.p1