Leseprobe aus: "Das Künstlerdrama als Spiegel ästhetischer und gesellschaftlicher Tendenzen" von Frank Göbler (Hrsg.)

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  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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    @qjco Gakeq (Hq|g#.

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  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    3/18

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  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    4/18

    @qjcoGakeq (Hq|g#.

    Ij| Oc|ykeqiqjmjjk| \rnegek |yheyn|lheq

    uci ge|ekk|lhj`yknlheqYeciectec

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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    Anaknfgqj`n|lhe Nc`fqmjynfc ieq Ieuy|lhec Cjynfcjkanaknfyheo

    Ine Ieuy|lhe Cjynfcjkanaknfyheo peqtenlhcey ine|e Ruaknojynfc nc ieq Ieuy|lhec Cjynfcjk-anaknfgqj`ne? ieyjnkkneqye anaknfgqj`n|lhe Ijyec |nci nm Ncyeqcey aeq ;hyyr4&&ica#i-ca#ie3jaqu`ajq#

    122> Cjqq @qjcloe Jyyemryf Peqkjg GmaH / Lf# OGIn|lhncgeqweg 5 I-71272 Yancgec

    Ij| Weqo enc|lhkneknlh jkkeq |enceq Yenke n|y uqheaeqqelhyknlh ge|lhyty# Deie Peqweqyucgjueqhjka ieq ecgec Gqectec ie| Uqheaeqqelhy|ge|eyte| n|y fhce Tu|ynmmucg ie| Peqkjge|uctuk||ng uci |yqj`ajq# Ij| gnky nc|ae|fcieqe `q Peqpnek`kyngucgec+ aeq|eytucgec+Mnoqfpeq`nkmucgec uci ine Enc|renlhequcg uci Peqjqaenyucg nc ekeoyqfcn|lhec \~|yemec#Geiquloy ju`|uqe`qenem uci jkyequcg|ae|ycingem Rjrneq#

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  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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    Nchjky

    Enckenyucg # # # # # # # # # # # # # # # # # # # # 7

    OKJU\ KE^Gfkifcn| uci Gfeyhe| Yfqzujyf Yj||f# Ij| Inlhyeqiqjmj ncPeceing uci Wenmjq+ |ence Pfqju||eytucgec uci @fkgec # # # :5

    WFK@GJCG I\NCGOc|ykeqrqfakemjyno uci Ouc|yqekngnfc nc Gqnkkrjqteq| \jrrhf # 87

    LHJQKFYYE OQJU\\Oc|ykeq`nguqec nm qjct|n|lhec Iqjmj ieq Qfmjcyno4 Pngc~+Iumj|+ Mu||ey+ Hugf # # # # # # # # # # # # # # # :27

    @QJCO GAKEQOc|ykeq`nguqec nm Iqjmj ieq qu||n|lhec Mfieqce # # # # # :85. 4 KJlyeuq Cuk eyRjq`jny # # # # # # # # # # # # # # # # # # # # # 10

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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    Nchjky0

    GUCYHEQ CNLOEKIj| Oc|ykeqiqjmj nc ieq ieuy|lh|rqjlhngecGegecwjqy|knyeqjyuq4 Wfk`gjcg Ajueq| Lhjcge+ Jkaeqy

    F|yeqmjneq| Yhe Mjoncg F`# A#-Mfpne+ Qjncjki GfeytDe`` Offc| uci @jko Qnlhyeq| Gfyy n|y enc ID # # # # # # # # # 1875 (\kjpn|yn|lhe @fq|lhucgec+ Ai# :5.+

    \# 7#1 Eai# uci \# 8 `#< Ence |ngcn`nojcye Ju|cjhme |nehy Aqngnyye \lhukyte nc iec Oc|ykeqiqjmec ie|

    rfkcn|lhec \lhqn`y|yekkeq| Djqf|jw Nwj|tonewnlt (pgk# nhqec aeyqe``eciec Aenyqjg ncine|em Ajci+ \# 125-119.#

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    9/18

    @QJCO GAKEQ8

    \yekkucgcjhme tu ae|ynmmyec oc|ykeqn|lhec+ rfknyn|lhec eyl# Rf|nynfcec mgknlheqwen|e nm Wnieq|rqulh tu iecec ie| ijqge|yekkyec Oc|ykeq|#Ine Aenyqge eqaqjlhyec ceaec iec ucpeqmeniknlh rucoyuekkec Encaknloec

    nc ine dewenknge Knyeqjyuq mjclheqken tu Pfqge|lhnlhye uci Wenyeqecy-wnlokucgec+ Ofcyncunyyec+ Aqlhec uci Welh|ekaetnehucgec# \f afy e||nlh jc+ ine Yexye jk| Mjyeqnjknec tu enceq Ge|lhnlhye ie| Oc|ykeqiqjmj|jctufqicec+ i# h# lhqfcfkfgn|lh cjlh ieq Ecy|yehucg ieq aehjciekyecIqjmecyexye# Gkenlhtenynge| wuqie cjlh Oukyuqqumec gefqicey#

    Iem Aenyqjg pfc Okju| Ke~ wuqie ieuyknlh mehq Qjum tugeankkngy jk|iec aqngec+ ij eq ine ge|jmye Ecy|yehucg|ge|lhnlhye ie| Oc|ykeqiqj-mj| nm :8# Djhqhucieqy an| hnc tuq Ju|`fqmucg iuqlh Gfeyhe| YfqzujyfYj||f ieyjnkkneqy cjlhtenlhcey uci cflh encec Aknlo nc ine nyjknecn|lhec

    Ecywnlokucgec ie| :># Djhqhucieqy| wnq`y# Ke~ qeofc|yquneqy |fmny ineGqucikjgec ie||ec+ wj| nm :># uci 12# Djhqhucieqy jk| Oc|ykeqiqjmjpeq|yjciec wuqie# Eq niecyn`ntneqy Eime Afuq|juky| iqjmjyn|lhec Mf-knqe-Ofmmecyjq Ke rfqyqjny iu rencyqe (:00

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    10/18

    Enckenyucg >

    ine Ucpeqencajqoeny pfc Ouc|y uci Keaec cjlh |nlh tnehy# Ine Ju`gjaeieq Ouc|y um ie| Keaec| (ieq Kneae tu encem dcgeqec Mjcc. wnkkec n|ync Gqnkkrjqteq| mfieqceq Ieuyucg+ |f I|ncg+ ine Uq|jlhe `q ine Yqjg-

    ine \jrrhf|+ ine mehq cflh jk| nm Peqku|y ieq Kneae nm Peqqjy jc ieqOuc|y ae|yehy#Ieq Aenyqjg pfc Lhjqkfyye Oqju n|y iem `qjct|n|lhec Iqjme

    qfmjcynzue gewnimey uci aetnehy ceaec iec qencec Oc|ykeqiqjmecLhjyyeqyfc (:8

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    11/18

    @QJCO GAKEQ:2

    uci Keaec nc ieq @fqm egfmjceq \eka|ync|tecnequcg tu qeyyec4 Nc ieqUqju``hqucg `ucgneqy eq jk| Juyfq+ Ynyekheki+ Qegn||euq uci Ijq|yekkeqieq Ynyekqfkke# Mnlhjnk Aukgjofp |lhkneknlh+ `q iec ucyeq \yjknc ij| Yhej-

    yeq jk| enctnge oc|ykeqn|lhe aeqkeaec|`fqm peqakneaec wjq+ yqjc|rfcneqync Ine keytyec Yjge (Rf|keicne icn+ :># uci Jc`jcg ie| 12# Djhqhucieqy| (O|jpeq jcifq Gdjk|on+ Djcof RfknOjmfp. weqiec ijqaeq hncju| ine aen Oqkej heqpfqyqeyeciec oqfjyn-

    |lhec \retn`noj deceq Ge|ekk|lhj`y jk| Geankie jc ieq Reqnrheqne iequcyeqgeheciec Hja|auqgeq Mfcjqlhne |onttneqy# Ieq Aenyqjg |lhkneymny encem Ju|aknlo nc ij| |ryeqe Weqo Oqkej|+ nc iem |nlh ieq Jotecypfc ieq Oc|ykeqrqfakemjyno hnc tuq Rqfakemjyno ie| Ncyekkeoyuekkec ncieq Ge|ekk|lhj`y peq|lhneay#

    Jchjci ie| rfkcn|lhec Juyfq|+ Mjkeq|+ @fyfgqj`ec+ Ouc|y- uci Yhej-yeqyhefqeynoeq| \yjcn|jw Ngcjl~ Wnyonewnlt (Wnyojl~. tengec EwjMjojqlt~o-\lhu|yeq uci Ojqkhenct \lhu|yeq+ ij|| encem Iqjmjynoeq ieqqjinojkec Nccfpjynfc ine Ouc|y cflh jk| keytye| Qe`ugnum ie| Mec|lhkn-

    lhec nc enceq ju` ine Ojyj|yqfrhe tu|yeueqciec Wnqoknlhoeny gekyec ojcc#\ence \yloe weqiec cnlhy jk| Oc|ykeqiqjmec nm ecgeqec \ncce peq|yjc-

    0 \# :0>#

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    12/18

    Enckenyucg ::

    iec yqfyt ieq ijqnc pfqofmmeciec Oc|ykeqge|yjkyec+ ieqec \lhenyeqceheq jk| Yenkj|reoy ie| jkkgemencec Cneieqgjcg| eq|lhency# Ieccflh n|yij| Yhemj Ouc|y nc \yloec wne Gduajk Tjuieqtjq(G~uajk Wjhjtjq+ :>1:.

    fieq \ne (Fcn+ :>12. fmcnrq|ecy# Ine J|reoye ieq |nlh jatenlhceciecOjyj|yqfrhe |nci rfknyn|lh-ge|ekk|lhj`yknlheq (Peqmj||ucg+ heqju`tnehec-ieq Yfyjknyjqn|mu|.+ rhnkf|frhn|lheq (Peqku|y ie| |nlheqec Iecoec| iuqlhine Qepfkuynfcec nc Mjyhemjyno uci Rh~|no. uci rqnpjy-twn|lhec-mec|lhknlheq (Ifmncjct ie| ge|lhkelhyknlh Yqneahj`yec. Jqy# Ine Ouc|yeq|lhency+ |f ine Juyfqec+ jk| keytye Frynfc ieq Wjhqucg engeceq Ncinpn-iujknyy#

    Jk| twenyec rfkcn|lhec Iqjmjynoeq |yekky Aqngnyye \lhukyte Djqf|jwNwj|tonewnlt mny |encec \yloec aeq @qiqnl Lhfrnc uci Gefqge \jci

    (\fmmeq nc Cfhjcy+ Kjyf w Cfhjcy+ :>58. pfq# \ne lhjqjoyeqn|neqyiec Juyfq+ ieq yqfyt |enceq rfknyn|lh-ge|ekk|lhj`yknlhec Ja|yncect pfmQegnme ge|lhyty wuqie uci kjcge Teny (:>5>-:>82. hfheq Oukyuq`ucoynf-cq (Rq|niecy ie| rfkcn|lhec \lhqn`y|yekkeqpeqajci|. wjq+ hnc|nlhyknlhuc|eqe| Yhemj| jk| \fcieq`jkk+ ie||ec Oc|ykeqiqjmec ju` aemeqoec|-weqye Jqy ucaeqhqy pfc iec dewenkngec |yheyn|lhec uci ge|ekk|lhj`ykn-lhec Yeciectec7 |lhencec# Nm Pfqieqgquci pfc \fmmeq nc Cfhjcy |yehyij| mu|nojkn|lhe Gecne Lhfrnc+ ie||ec Mu|no e``eoypfkk nc ine Mfynp-|yquoyuq ie| \yloe| encgeauciec n|y# \lhukyte tengy+ ij|| e| hneq wnejulh nc Ine Hflhteny ie| Heqqc Ajktjl cnqgeci| um ence |yheyn|lhe Rf|n-ynfcnequcg gehy+ cflh um ence In|ou||nfc ijqaeq+ weklhe Qfkke iemOc|ykeq nc ieq Ge|ekk|lhj`y tuofmmy# Jkkeqincg| weqiec nc \fmmeq ncCfhjcy Mu|no+ Knyeqjyuq uci ankiecie Ouc|y+ ine iuqlh peq|lhneiece@nguqec qerq|ecyneqy |nci+ nc nhqem Peqhkycn| tuencjcieq aekeulhyey#Lhfrnc n|y jaeq ju| ine|em Oqen| cnlhy iuqlh |enc Meinum+ ine Mu|no+heqju|gehfaec+ |fcieqc iuqlh |enc oc|ykeqn|lhe| Gecne+ weklhe| tu-|jmmec mny |enceq Oehq|enye+ ieq Uc`hngoeny tu cfqmjkec twn|lhec-mec|lhknlhec Anciucgec+ ine `ucijmecyjke Jcieq|heny ie| Oc|ykeq|

    gegecaeq |enceq mec|lhknlhec uci ge|ekk|lhj`yknlhec Umweky8 aegqc-iey# \f jkkgemenc ge`j||y+ hjy Lhfrnc ine|e| Meqomjk mny Ajktjl nc iemguy twjctng Djhqe dcgeqec \ylo gemenc|jm# \lhukyte jqaenyey heqju|+ij|| aenie Lhjqjoyeqe yqfyt nhqeq Gegec|ytknlhoeny (Lhfrnc jk| ieq ncyqf-peqyneqye+ Ajktjl jk| ieq exyqfpeqyneqye Y~r. ju`gquci nhqe| Oc|ykeqyum|tuq Ncyegqjynfc nc ine Ge|ekk|lhj`y cnlhy in|rfcneqy |nci uci ij|| ine|julh Nwj|tonewnlt \eka|ypeq|ycicn| jk| Oc|ykeq ecy|rqnlhy#

    Ij| Oc|ykeqiqjmj wnqi nm Aenyqjg pfc Cj||nm Ajke|yqncn encmjk uc-yeq jcieqem Aknlowncoek aeyqjlhyey# Cnlhy Juyfqec+ Erflhec fieq rjqj-

    ingmjyn|lhe Yexye |yehec nm Pfqieqgquci+ |fcieqc ine ijqge|yekkye

    7 \# 120#8 \# 1:5#

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    13/18

    @QJCO GAKEQ:1

    Oc|ykeqreq|cknlhoeny# Keaec uci \lhj``ec ieq K~qnoeqnc Emnk~ Inlonc-|fc ncyeqe||neqyec jmeqnojcn|lhe Iqjmjynoeq aeqeny| |eny iec :>95. pfc Ifqfyh~ Gjqiceq knegy+ tengy |lhfc ieqUcyeqynyek jc# Ceaec ieq rqnpjy-twn|lhecmec|lhknlhec Rqfakemjyno gehye| deiflh julh um ine J``nqmjynfc ence| cjynfcjkec Knyeqjyuqojcfc|# YheAekke f` Jmheq|y4 J Rkj~ Aj|ei fc yhe Kn`e f` Emnk~ Inlonc|fc (:>70. pfc Wnk-knjm Kule n|y ij| eq|ye uci aeojccye|ye enceq Qenhe pfc Emnk~ Inlonc|fc-

    Mfcfiqjmec# E| yqnyy mny iem Jc|rqulh ju`+ ence ju` gqciknlhec Zuek-kec|yuinec aj|neqecie+ Kegeciec uci @ehkieuyucgec ofqqngneqecie Peq-|nfc nhqeq Anfgqjrhne tu aneyec# Mny Cfqmjc Qf|yec| Lfme \kfwk~+ Eiec4 JRfqyqjny f` Emnk~ Inlonc|fc (:>00.+ O# I# Hjkrnc| uci Ojye Cugecy| Emnk~Ucrkuggei (:>>5. uci Ijpni \yjqoe~ Hfw Qei yhe @nqe (1227. weqiec \yo-oe pfqge|yekky+ ine mny peq|lhneiecec Tenyeaecec freqneqec uci @qjgecieq julh wn||ec|lhj`yknlhec Qeterynfc ieq K~qnoeqnc aeqhqec+ wh-qeci Eine Ljmraekk uci Djlo K~clh nc Emnk~ Inlonc|fc & N4 Yhe Dfuqce~ f`j Rfqyqj~jk4 J Fce Wfmjc Rkj~ jafuy Wqnyncg+ Jlyncg jci Geyyncg ncyf Emnk~Inlonc|fc| Iqe|| (1225. ine Ijq|yekkajqoeny enceq hn|yfqn|lhec Req|fcaeqhjury rqfakemjyn|neqec#

    Aeqchjqi Qenyt aegnccy |encec Aenyqjg tum aqnyn|lhec Oc|ykeqiqjmjmny encem hn|yfqn|lhec Exouq| uci encem engecymknlhec Ae`uci4 ij||cmknlh ij| Oc|ykeqiqjmj an| Mnyye ie| 12# Djhqhucieqy| cnlhy exn|yecyn|y# Jk| Uq|jlhe hneq`q mjlhy eq cnlhy eywj ine tu Aegncc ine|eq Enc`h-qucg |onttneqye \reqqngoeny ieqjqyngeq \yf``e `q ence iqjmjyn|lhe Aejqaen-yucg ju|+ |fcieqc ine |retn`n|lhe Qfkke ie| Iqjmjynoeq| nm aqnyn|lhecOukyuqaeyqnea4 Jk| |lqnry wqnyeq+ ieq nc eq|yeq Kncne ine Ucyeqhjkyucg|-aeiq`cn||e ie| Ruaknoum| tu ae`qneingec hjyye# Wj| Oc|ykeq aeq |nlh

    |eka|y uci nhqe|gkenlhec tu |jgec hjyyec+ kjg f``ec|nlhyknlh cnlhy nc ie||ecNcyeqe||e uci ojm `fkgknlh cnlhy ju` ine Ahcec# Eq|y cjlh iem TwenyecWekyoqneg wuqie iuqlh ine Enc`hqucg ie| \uapecynfc||~|yem| enc ge-|ekk|lhj`yknlh uci |yheyn|lh jmanynfcneqye| Yhejyeq mgknlh+ nc iem cucjulh ine \eka|yqe`kexnfc ie| Oc|ykeq| ju` ieq Ahce nhqec Rkjyt `jci# \nejqynoukneqy |nlh jchjci qejkeq Oc|ykeqreq|cknlhoenyec ieq Peqgjcgecheny(Qenyt gehy ouq|fqn|lh ju` Yexye pfc Eiwjqi Afci+ Hfwjqi Aqecyfc+Lhqn|yfrheq Hjmryfc+ Rjm Gem| uci Hfwjqi Ajqoeq enc. wne julhpnek`jlh jchjci `noynpeq Ge|yjkyec# Jk| nc iem Gecqe ae|fcieq| rqfiuoyn-

    peq Juyfq wnqi Yfm \yfrrjqi heqju|gehfaec+ ieq |eny iec :>02eq Djhqecqegekmng Oc|ykeqiqjmec pfqgekegy hjy# \ence Ofmine Yqjpe|yne|(:>79. peqwnloeky iqen hn|yfqn|lhe Ge|yjkyec+ ine tuq gkenlhec Teny(:>:7&:8. nc Tqnlh wenkyec (P# N# Kecnc+ Djme| Df~le uci ieq Ijijn|y

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    14/18

    Enckenyucg :80. ie| ju| Gec` |yjm-meciec Iqjmjynoeq| Pjkqe Cfpjqncj ieuyey |ne jk| Gegececywuq` tuqYqjinynfc ie| `qjct|n|lhec Oc|ykeqiqjmj| |fwfhk hnc|nlhyknlh ieq Mf-iekke pfc Oc|ykeqyum wne julh ieq Yhejyeqofcterynfc# Nc encem ofctn-|ec Jaqn|| ie| `qjct|n|lhec Oc|ykeqiqjmj| ie| :># uci 12# Djhqhuc-

    ieqy| |yeloy |ne ij| @eki ja+ pfc iem ju| Cfpjqncj |enc engece| Ofcteryrqf`nkneqy (uci kne`eqy tugkenlh ence @fqy`hqucg tum Aenyqjg pfc Lhjqkfy-ye Oqju.# Cfpjqncj| Ncyeqe||e jc Kfun| ie @uc| eqkuyeqy Muciy-E|rcju| ie||ec Pfq|yekkucg+ ij| ae`qenecie+ ecy`e||ekcie Mfmecy ieq Ofmnoatw# ie| Kjlhec| nm Yhejyeq knege nc |enceq Anciucg jc ij| Rh~|n|lheaegqciey># Ie @uc| qerq|ecyneqy mny |encec ge|ynoukneqeciec ucigqnmj||neqeciec Ju|aqlhec ine Peq|eka|ycingucg ie| ecy`e||ekyecoqejynpec \rnek|+ ine Cfpjqncj `q |enc Yhejyeq nc Jc|rqulh cnmmy# IneJaoehq pfm mnmeyn|lhec Jc|rqulh aeieuyey jaeq cnlhy iec Peqtnlhy ju`ence Rf|nynfcnequcg ie| Yhejyeq| nc ieq Ge|ekk|lhj`y# Pnekmehq tengyMuciy-E|rc+ ij|| Cfpjqncj mny |encem Yhejyeq iec Wnieq|yjci gegecine \lhencofmmucnojynfc pfc \rqjlhe+ wne |ne nc uc|eqeq pfc ieq \rqj-lhe ieq Mj||ecmeinec iuqlh|eytyec Weky |yjyy`nciey:2 jqynoukneqy#

    Nm ieuy|lh|rqjlhngec Yhejyeq ie| 12# Djhqhucieqy| aegnccy ine Ja-oehq pfm yqjinynfcekkec niejkn|yn|lhec Oc|ykeqanki+ wne Gucyheq Cnloeknc |encem Aenyqjg eqkuyeqy+ mny iec :>02eq Djhqec# Eq tengy+ ij|| ineNc`qjge|yekkucg ine|e| Ofctery| nc ieq Gegecwjqy|iqjmjyno cnlhy enc`jlhpfq iem Hncyeqgquci enceq peqcieqyec ge|ekk|lhj`yknlhec \nyujynfc `fqy-ge|lhqneaec wnqi+ |fcieqc ij|| ence Pfqju||eytucg ie| Oc|ykeqiqjmj|

    jahjciec geofmmec n|y4 ine ieq Mgknlhoeny pfc Juyhecyntnyy::# Wfk`-gjcg Ajueq|Mjgnl J`yeqcffc (:>08. uci Lhjcge (:>0>. mjqoneqec ine Pfq-|yu`e+ nciem |ne nc |lhencajq cjyuqjkn|yn|lheq Mjcneq ence tnekkf|eoc|ykeqn|lhe \uaoukyuq rfqyqyneqec# Jc Jkaeqy F|yeqmjneq| Yhe MjoncgF`# A#-Mfpne (:>>8. jqaenyey Cnloek heqju|+ wne Oqnyno jm aeqofmmececOc|ykeqanki |fwne jc Oukyuqaeyqnea uci Meinecweky ucyeq jcieqemmnyyek| ncyeqyexyuekkeq (Qloaetge ju` Aqelhy| Ajjk eyl#. uci |tecn|lheqPeq|lhjlhyekucgec (Nc|tecnequcg ieq Nc|tecnequcg ieq Nc|tecnequcg.aeweqo|yekkngy wnqi# Ij| \ylo De`` Offc| (:>>>. pfc Qjncjki Gfeyt+ ij|

    > \# 170#:2 \# 179#:: \# 187#

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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    @QJCO GAKEQ:9

    jcfc~me uequcgec jck||knlh enceq Peqcn||jge gkenlh|jm rqfyfofk-kneqy+ kne|y Cnloek jk| Yenkrqfdeoy ie| ucmgknlhec Peq|ulh|+ Gegecwjqy`e|ytuhjkyec# Ij| ijqnc knegecie Inkemmj oecctenlhcey eq jk| Qjinojkn-

    |nequcg ieq nc Oc|ykeqiqjmec pnek`jlh yhemjyn|neqyec Frrf|nynfc pfcOuc|y (hneq4 Knyeqjyuq. uci Keaec# Gjct tecyqjk wnqi ij| Rqfakem pfcJuyhecyntnyy nc @jko Qnlhyeq| Gfyy n|y enc ID (:>>>.+ wf enc Oc|ykeqrjjq|nlh |eka|y aeq Pniefojmeqj| tum kju`eciec Ncyeqcey-Ouc|yweqo mjlhyuci jc ine engecec Nc|tecnequcgec peqkneqy# Rqfakemjyn|lh |nci ine Jc-|yte Qnlhyeq| uci F|yeqmjneq| `q Cnloek nc|f`eqc+ jk| |ne keytyknlh ineMeinjkn|nequcg+ ju` ine nhqe Oqnyno tneky+ |eka|y qerqfiutneqec# Tugkenlhmjlhec |ne jaeq aewu||y+ ij|| ine yqjinynfcekkec @fqmec ie| Oc|ykeq-iqjmj|+ ine an| weny nc| 12# Djhqhucieqy ger`kegy wuqiec+ ju` ine @qjge+

    wj| Ouc|y uci Oc|ykeq nc ieq Gegecwjqy |nci+ oence eq|lhr`eciecJcywfqyec mehq kne`eqc occec#Jkkec Juyfqec uci Mnywnqoeciec ieq Qncgpfqke|ucg |en cflh encmjk

    `q nhqe Aenyqge geijcoy+ eaec|f @qju \jance @eyteq pfm \yuinum Gece-qjke `q nhqe fqgjcn|jyfqn|lhe Ucyeq|yytucg# Ine qeijoynfcekke Aejqaen-yucg ieq Aenyqge uci ine Pfqaeqenyucg ie| Qegn|yeq| kjgec nc iec Hc-iec pfc @qju Qjmfcj Kenyecmj~eq# Nhq gnky menc heqtknlheq Ijco `q ine\fqg`jky uci Enc|jytaeqeny|lhj`y aen ieq Ju|`hqucg ine|eq Jqaenyec#

    Mjnct+ Jugu|y 122> @qjco Gakeq

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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    Okju| Ke~Gfkifcn| uci Gfeyhe| Yfqzujyf Yj||f4Ij| Inlhyeqiqjmj nc Peceing uci nc Wenmjq+|ence Pfqju||eytucgec uci @fkgec

    Jk| Yhejyeq|ylo n|y ine|e Ofmine weny aeq iec Gfe-

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    J# p# Rkjyec| Uqyenk aeq Gfkifcn| Yfqzujyf Yj||f(@kfqect+ :9#:2#:810. :

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    |ynmmy hcknlh wne Ine Keniec ie| ducgec Weqyheq| encenchjka Djhqtehcyetupfq iec Qfmjc# Ij| ceue Gecqe gewjcc tucehmeci jc Aeieuyucg#Ine Ecy|yehucg pfc Oc|ykeqiqjmec nm aqngec Euqfrj peqkne` ijcc jaeqeheq aeq ine ju` `qjct|n|lhe Ekemecye tuqlogehecie Weqyheq-\lhnece#0>.+ \# 8:2+ ine Uqju``hqucg `jci |yjyy nc

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  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

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    OKJU\ KE^:0

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    (:>88.#

  • 8/3/2019 Leseprobe aus: "Das Knstlerdrama als Spiegel sthetischer und gesellschaftlicher Tendenzen" von Frank Gbler (Hr

    18/18

    Gfkifcn| uci Gfeyhe| Yfqzujyf Yj||f :7

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